“If readers would like to sample the genius and diversity of American poetry in the last century, there’s no better place to start.” —World Literature Today
When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now.
To celebrate the magazine’s centennial, the editors combed through Poetry’s incomparable archives to create a new kind of anthology. With the self-imposed limitation to one hundred, they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Here, Adrienne Rich appears alongside Charles Bukowski; famous poems of the two world wars flank a devastating yet lesser-known poem of the Vietnam War; Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices.
The resulting volume is a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.
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When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now.
To celebrate the magazine’s centennial, the editors combed through Poetry’s incomparable archives to create a new kind of anthology. With the self-imposed limitation to one hundred, they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Here, Adrienne Rich appears alongside Charles Bukowski; famous poems of the two world wars flank a devastating yet lesser-known poem of the Vietnam War; Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices.
The resulting volume is a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.
The Open Door: 100 Poems, 100 Years of Poetry Magazine
“If readers would like to sample the genius and diversity of American poetry in the last century, there’s no better place to start.” —World Literature Today
When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now.
To celebrate the magazine’s centennial, the editors combed through Poetry’s incomparable archives to create a new kind of anthology. With the self-imposed limitation to one hundred, they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Here, Adrienne Rich appears alongside Charles Bukowski; famous poems of the two world wars flank a devastating yet lesser-known poem of the Vietnam War; Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices.
The resulting volume is a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.
When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now.
To celebrate the magazine’s centennial, the editors combed through Poetry’s incomparable archives to create a new kind of anthology. With the self-imposed limitation to one hundred, they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Here, Adrienne Rich appears alongside Charles Bukowski; famous poems of the two world wars flank a devastating yet lesser-known poem of the Vietnam War; Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices.
The resulting volume is a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.
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Product Details
| ISBN-13: | 9780226750736 |
|---|---|
| Publisher: | University of Chicago Press |
| Publication date: | 12/22/2022 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 211 |
| Sales rank: | 1,011,044 |
| File size: | 384 KB |
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