It starts when Katherine Asher’s sister makes a date with two different men. When she asks her triplet to take her place with one of them, Katherine tells herself this is the last time she will agree to a bait and switch. That is, until the take-no-prisoners attorney meets her date. Architect John Wesley is nice, well mannered . . . and drop-dead gorgeous. And he thinks he’s kissing her sister Corrie!
Pretending to be his twin brother has its occasional perks, but meeting “Corrie” makes Peter wish he had gotten there first. When he finds out who she really is—with two sisters who are mirror images of one another—he realizes that he and Katherine have a lot in common. Until they find themselves on opposite sides of an explosive case.
The One for Me is a delightful story of love and romance . . . and being yourself.
This ebook features an extended biography of Mary Kay McComas.
It starts when Katherine Asher’s sister makes a date with two different men. When she asks her triplet to take her place with one of them, Katherine tells herself this is the last time she will agree to a bait and switch. That is, until the take-no-prisoners attorney meets her date. Architect John Wesley is nice, well mannered . . . and drop-dead gorgeous. And he thinks he’s kissing her sister Corrie!
Pretending to be his twin brother has its occasional perks, but meeting “Corrie” makes Peter wish he had gotten there first. When he finds out who she really is—with two sisters who are mirror images of one another—he realizes that he and Katherine have a lot in common. Until they find themselves on opposite sides of an explosive case.
The One for Me is a delightful story of love and romance . . . and being yourself.
This ebook features an extended biography of Mary Kay McComas.
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Overview
It starts when Katherine Asher’s sister makes a date with two different men. When she asks her triplet to take her place with one of them, Katherine tells herself this is the last time she will agree to a bait and switch. That is, until the take-no-prisoners attorney meets her date. Architect John Wesley is nice, well mannered . . . and drop-dead gorgeous. And he thinks he’s kissing her sister Corrie!
Pretending to be his twin brother has its occasional perks, but meeting “Corrie” makes Peter wish he had gotten there first. When he finds out who she really is—with two sisters who are mirror images of one another—he realizes that he and Katherine have a lot in common. Until they find themselves on opposite sides of an explosive case.
The One for Me is a delightful story of love and romance . . . and being yourself.
This ebook features an extended biography of Mary Kay McComas.
Product Details
| ISBN-13: | 9781480484337 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 04/22/2014 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 229 |
| File size: | 2 MB |
About the Author
Mary Kay McComas is an acclaimed romance novelist and the author of twenty-one short contemporary romances, five novellas, and two novels. McComas has received numerous honors and prizes for her work, including the Washington Romance Writers’ Outstanding Achievement Award and two Career Achievement Awards from Romantic Times (one for Best New Novel and another for Most Innovative Romance Series). She has recently contributed to Nora Roberts’s J. D. Robb fantasy anthologies, with highly praised paranormal romance stories. McComas and her family live in Virginia’s Shenandoah Valley.
Read an Excerpt
The One for Me
By Mary Kay McComas
OPEN ROAD INTEGRATED MEDIA
Copyright © 1994 Mary Kay McComasAll rights reserved.
ISBN: 978-1-4804-8433-7
CHAPTER 1
Three was their lucky number.
When Katherine and her sisters were young, everything came in threes. Three dresses. Three apples. Three coloring books. You took one and gave one to each of your sisters. They were expected to share. That's the way it was.
They shared the family television. They shared the upstairs bath. A lone, used automobile did triple duty during their high school years. And there was only one face—which was, perhaps, the most annoying of all the shared items.
As they grew older, they didn't share everything. They didn't share their clothes, as their tastes ran in opposite directions. They didn't share a personality; they were as different as day and night ... well, dusk, dawn, and high noon, let's say. And they never ever shared their men ...
"I can't believe we let her do this to us again," Katherine said, shimmying into a too-tight black sheath dress that was cut too low on top and too high at the hem. "Why couldn't we have worn our own clothes? She dresses like a ten-cent hooker."
"She does not. That's a beautiful dress," Quinlyn said, pulling Katherine's angora sweater down over her head and tucking it into tailored slacks. "I felt positively sexy in it. I kept wishing Robert were here."
"I wish he were here too. He never would have agreed to let you do this, and then I wouldn't have had to," she said, stepping into three-inch heels and picking up a brush to rearrange her dark, shoulder-length hair. "You let her get away with murder, Quinn. And then I always end up cleaning up the mess. Why is that? It's time for her to grow up and take some responsibility. She can't keep getting herself into these messes and expect us to get her out of them all the time."
"All the time? She hasn't asked us to do this for her in years." Not too reluctantly she admitted, "Actually, I'm having a great time."
Katherine sent her a look that would have freeze-dried a peach.
"Corrie would do this for you," Quinn reminded her patiently, trying the guilt approach, which always worked so well with Katherine.
"Oh, right. She'd love this. It's stupid, immature, and wrong. Right up her alley." She turned from the rest room mirror to study the part in her sister's hair, then she set about matching it. "The thing is, I'd never arrange two dates with two different men on the same night and ask her to fill in for me. She's unorganized, rude, and totally irresponsible." "We can't all be perfect."
She rolled her bright blue eyes in her sister's direction.
"I'm not perfect and you know it. But I can keep an appointment, my checks don't bounce, and I can remember to put gas in my car." She pulled her hair away from her face on the right side. "I need the barrette."
Quinn removed the silver barrette from her hair and handed it to Katherine. "Give it up, Katherine. Accept it. You're the wired, uptight one. Corrie's the flake. And I'm the easygoing, normal, and incredibly beautiful triplet. It's been that way for thirty-two years, and I suspect it always will be."
Quinn also had the best sense of humor of the three. The chief ruffled-feather smoother, she was happily married, and the mother of three.
"You're also a pain," Katherine said, grinning at her. "And we'll be thirty-six next fall." She picked up a gold pin shaped like a cow with freshwater pearl teats and pinned it to the dress. It was ... udderly suggestive. "Tell me about the guy. Is he really as dull as wet cardboard?"
"Actually, I've been wondering about that. Corrie must have met him at a bad time. He's not like she described him. He's very good-looking, like she said, but he isn't all business and he isn't at all bossy. He's completely charming and there's ... I don't know, this energy about him. He's really very ... well, I have my Robert, of course, but there's something very attractive about this man. I like him."
"Does he speak in complete sentences?"
"Yes. He's an architect. Seems very bright."
"There's the hitch. Corrie likes the stupid ones she can wrap around her finger."
"Joey wasn't stupid."
"That's why they're divorced."
"Katherine. Shame on you. She's your sister."
"You don't need to keep reminding me," she said, taking a final glance between the two of them in the mirror. She looked exactly like the Quinlyn/Corene who'd excused herself from John Wesley's table minutes earlier to visit the powder room. Quinn now looked like the Katherine who'd been waiting for her there. "If this man is so charming, why don't you let me go pick up the kids while you stay and finish dinner?"
"I would, but I told you before, Trevor's going through that separation phase, and I hate leaving him anywhere for too long a time. I trust Molly completely and she always has him settled down by the time I get back, but the whole time I'm gone I feel as if he's thinking I've abandoned him." She shrugged. "It's a crazy mother thing, I know, but I can't help it. And an hour and a half is about all I can take. You'll have to finish the dinner. Besides, if we take the time to change clothes again, he'll think Corrie's constipated or something."
"Why do I find that a temptation?"
"Because you'd like everyone to think you're a poop instead of the good, caring soul you are. Now hurry up and get back out there. We were talking about the River Vista Project when I left."
"I thought you said he wasn't all business? What do I know about the River Vista Project?"
"As much as I know, which is what Corrie told us. Just look interested and ask him a lot of questions. It's just this one night, and it's an important account for her."
"Then she ought to be here."
"And she would be," Quinn said calmly, pushing Katherine toward the door. "But her relationship with Michael is a little unsteady right now, and going to his business dinner with him is a little more important, don't you think?"
"What would she do if she didn't have two look-alikes to fill in for her? What would any other woman, including you and me, do in this situation?"
"Seems to me, you've asked me that question before. About a hundred times. And I still don't know the answer. I'm not Corrie."
"Well, I'm not either, and look at me. Lord, I hate the way she dresses, and I don't want to talk about some river renovation project I know nothing about with some man I've never met before. I really hate this."
"I know," she said sympathetically, holding the door open for her. "And next time, I'll stand firm. I promise. I won't back down, no matter what sort of mess she's gotten herself into. She'll have to take care of it on her own."
"I want that in writing."
"Lord above, you legal types are all alike. Get going," she said, giving her sister a little shove. "And smile. Look friendly. Enjoy your dessert."
"Dessert? You ate all the food?" She looked dejected beyond description. "I'm starving."
"So was I."
Katherine watched Quinn scurry around the partition toward the exit before she forced herself to turn in the opposite direction.
"Pssst. Katherine." Quinn was back.
"What," she whispered.
"I'm thirty-two."
Katherine walked across the elegant French restaurant to the cozy booth her sister had directed her to earlier.
God knew, she more than loved her sisters, but would a face of her own have been asking for too much? she wondered.
She was fully aware of the male gazes that followed her as she passed table after table. And where Corrie might enjoy having her cleavage ogled and her legs gawked at, Katherine found it demeaning and thoroughly embarrassing, and couldn't wait to be seated safely behind a table. She stepped up her pace, then had to slow down a bit for fear of falling off Corrie's ridiculously high heels.
Then, like a messenger from a kind god, a waiter appeared out of nowhere. He stepped forward and pulled the table out, allowing her to slip straight into the booth without having to stand on display as she waited.
Unconsciously, she released a marathon runner's sigh.
"Well, that didn't take too long," John Wesley said, smiling.
She glanced at him, ready to simper and bat her eyes in the usual Corrie fashion. Instead, she felt her mouth fall open and her eyes grow wide. Her stomach did a backflip. Fireworks exploded in her head. Her heart jumped into her throat. Was she breathing? Yes. Yes, she was, but a little too fast. She felt dizzy.
"What is it?" he asked, concerned. "Are you all right?"
"Yes. Yes, of course," she said, her breath gaspy. Dear Lord of the earth and the moon and the stars and the heavens above! He was gorgeous! "I ... I must have sat down too quickly. I ... I'm fine. Really. I'm okay."
"Are you sure? You look flushed."
She giggled, though she hadn't meant to. Giggling was so ... so ... Corrie. And Corrie was the last person she wanted to think of just then.
"Lower altitude," she said, words spilling from her mouth from an unknown and obviously unbalanced source. "These heels are too high."
He chuckled, but still looked anxious for her.
"Maybe we should check into the nearest hyperbaric chamber. Anton'll slit his wrists if you get the bends in his restaurant."
"No, no. We can't have that. I'm fine. Really," she said, dragging her gaze from his exquisite features to take a sip of water. Breaking contact with the deep dark intensity of his eyes was like getting a boost of air from an oxygen tank. She could breathe again.
"Seriously, if you need some air, we can leave," he said kindly.
"No. I'll eat something and feel better in no time. Really."
"Dessert, then," he said. He was astonished, but hid it well as he politely summoned the waiter to their table. She'd already eaten enough to keep the members of a French lumber camp from starving for a week.
"Dessert for the lady, please," he said, addressing the waiter as if the man hadn't noticed his companion had ordered twice the number of side orders usually considered adequate for a meal at Anton's, then proceeded to wolf the meal down.
The server glanced from Katherine to John, masking his thoughts with long practice. "Can I get you anything else, sir?"
"No, thank you, I'm fine with this," he said, tipping the half-full glass of wine in his hand.
"Very good." He turned and with a flick of his wrist had the dessert cart delivered to him by an underling. "What is your desire, Ms. Asher?"
Ms. Asher? She'd forgotten it was Corrie's favorite restaurant, and that she was well-known there.
"Mmm ... is that crème brulée?" she asked, inspecting the selection with care.
"Yes, miss."
"And what's this?"
"Riz à l'impèratrice, miss."
"Rice?"
"Yes, miss."
"And this one?"
"Boules sur chocolat, miss. Your favorite."
"Hmm ..." Her stomach was pinched tight and rubbed raw with hunger. She was sure that if she put something filling in it, she could look at John Wesley without sending her innards into orbit again. It all looked so good, but ...
Well, hell, they all thought she was Corrie anyway!
"I'll take all three, please," she said, smiling innocently at the startled waiter. She waited for the laughter at the back of her throat to subside before she looked at John and said, "I have a little sweet tooth."
It was more like a fang, he suspected, but Corene Asher was a willowy knockout who elevated eating to an art form. She could wrap her lips around a fork full of food like nothing he'd ever seen before. Slow. Sensuous. Erotic. What she'd do with a spoon and something soft had him shifting his weight with anticipation.
"I like women with healthy appetites," he said, wondering if all her appetites were equally as robust.
Katherine caught the play on words but didn't look up. She swallowed hard and picked up a silver spoon.
She started with the thick cream and rice first, taking small bites off the tip of her spoon, licking the bottom with her tongue, indulgently caressing the top with her upper lip.
John bit gently on the rim of his wineglass. He cleared his throat and tried to cross his legs under the table. Her next bite had him vowing to sample the texture and consistency of those lips, the flavor and composition of that tongue, sometime very soon. Hopefully, before the night was over.
"So, tell me what you have in mind for our campaign," he said, leaning back, stretching his arm across the back of the seat behind her. "We're going to need plenty of good press on this one."
"I'm still thinking," she said per Corrie's directive, not quite able to look him in the eye yet. "Tell me more about the project itself, so I can get a good feel for it."
"I don't know what else I can tell you," he said, frowning as he searched his mind for more details. "We've pretty much covered it."
"Have we?" She wished she'd gotten more details from Quinn. "Then tell me again how you want the press handled. Cleaning up the riverfront doesn't sound like a project that will need much manipulation of the press to generate a positive public response."
"Generally speaking, it shouldn't. But my brother, Jo— Peter ..."
"Your brother's name is Jupiter?"
"No, ah, it's Peter. Peter. Anyway, we're concerned about those last two apartment buildings. I told you about them, remember? They still have tenants and the owner is refusing to sell?"
"Oh, right. I remember now. And how much are they holding out for?"
He frowned. For an obviously intelligent woman, her memory was surprisingly short. He wondered if it had anything to do with the amount of food she'd consumed.
"No. I told you earlier, money didn't have anything to do with it. We could have handled that. It's sentimental."
"Sentimental can be very tricky sometimes," she said, reaching for the crème brulée. She took a bite, savored it, then waved her spoon back and forth in the air. "Is it the people or the buildings?"
"Both, I think."
She glanced at him, then quickly back to her food. His dark eyes were focused on her chest—her overexposed chest.
She felt hot all over.
He was hesitant. "You know, I think we had this same conversation about thirty minutes ago."
This might have unraveled the average imposter, but the Asher triplets had been stepping in for one another since they were in kindergarten. In that time, they had developed a small book of rules and pat answers.
"Of course, we did," she said. "But I like to go over things a couple of times to be sure I have them straight."
People who knew the Asher sisters well could always detect their true identities because their body language, like their personalities, was so very different. Also, Corrie had a minute scar above her left eyebrow from a bicycle accident when they were seven. Quinn's hair went one step beyond curly to frizzy. And Katherine bit her nails. But to an unsuspecting stranger ...
"Fair enough," he said. "But let's let it soak in for a while and go over it again some other time. Frankly, I'd much rather talk about you."
"Me?" She made the mistake of looking at him again. He drew his gaze from her décolletage to meet hers, and the impact was enough to curdle the thick creamy custard in her mouth.
"Did ... didn't we talk about me earlier? Before we talked about the project?"
Quinn had more in common with both Katherine and Corrie than the sisters had with each other. Katherine and Corrie were polar opposites, and Quinn was like a healthy mix of the two. She always did all the personal stuff during a switch because she didn't have to pretend to know what she was talking about and was less likely to trip the other two up with a lie.
"Let's talk about you," he suggested eagerly, resisting the temptation to look down at her chest. She could fill the bodice of Corrie's dress as well as Corrie, and knew that her bosom was at least covered. She had no idea why he couldn't seem to keep from looking at it. It was as if he were confused or puzzled by it—which didn't seem likely in a man who wore his own sexuality as easily as other men wore jeans. "Your life must be terribly interesting, what with all the traveling you do. I think I remember reading about the renovations your firm did in St. Louis. You must have wonderful stories about the people you've met and the places you've been to."
(Continues...)
Excerpted from The One for Me by Mary Kay McComas. Copyright © 1994 Mary Kay McComas. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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