The Novels of May Sarton Volume One: Mrs. Stevens Hears the Mermaids Singing, A Shower of Summer Days, and The Magnificent Spinster
715
The Novels of May Sarton Volume One: Mrs. Stevens Hears the Mermaids Singing, A Shower of Summer Days, and The Magnificent Spinster
715eBookDigital Original (Digital Original)
Related collections and offers
Overview
Throughout her long and acclaimed career, May Sarton refused to be categorized. As a memoirist, poet, and novelist, she broke new ground by openly exploring homosexuality, gender inequality, and other once taboo social issues. Gathered here in one volume are three of her most memorable and moving works of fiction.
Mrs. Stevens Hears the Mermaids Singing: Widely regarded as her most important work, Sarton’s 1965 semiautobiographical novel centers upon Hillary Stevens, an author now in her twilight years. As she prepares to publish anew, Stevens sits down to discuss her life, the arc of her creative journey, and her love affairs—with both men and women. “The plot of this short novel is deceptively simple, the mood subtle, the feeling intense” (The New York Times Book Review).
A Shower of Summer Days: The Irish estate home Dene Court has been shuttered for years—but this summer Violet Dene Gordon and her husband Charles return from British Burma, electrifying life in the sleepy village that adjoins Violet’s childhood home. As an added complication, Violet’s American niece is being sent to Ireland to separate her from an unsuitable romantic attachment. A National Book Award finalist, “A Shower of Summer Days establishes once and for all [Sarton’s] unmistakable authority” (The New York Times Book Review).
The Magnificent Spinster: This “absolutely compelling . . . monument to love . . . [and] friendship” is actually the story of two women: Cam, the novel’s narrator, and the recently deceased Jane Reid. Unmarried and childless, Jane left no family to remember her, so Cam sets out to immortalize the life of her quietly remarkable friend and teacher in fiction (The Cleveland Plain Dealer).
Product Details
| ISBN-13: | 9781504049689 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 11/28/2017 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 715 |
| Sales rank: | 946,939 |
| File size: | 9 MB |
About the Author
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her last memoir, Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetry collection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
May Sarton (1912–1995) was born on May 3 in Wondelgem, Belgium, and grew up in Cambridge, Massachusetts. Her first volume of poetry, Encounters in April, was published in 1937 and her first novel, The Single Hound, in 1938. Her novels A Shower of Summer Days, The Birth of a Grandfather, and Faithful Are the Wounds, as well as her poetry collection In Time Like Air, all received nominations for the National Book Award.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her last memoir, Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetry collection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
Read an Excerpt
CHAPTER 1
Part I: Hilary
Hilary Stevens half opened her eyes, then closed them again. There was some reason to dread this day, although she had taken in that the sun was shining. The soft green silk curtains pulled across the windows created an aqueous light and added to the illusion that she was swimming up into consciousness from deep water: she had had such dreams! Too many people ... landscapes ... fading in and out of each other.
"The thing is," she told herself, "that I am badgered by something."
Perhaps if she turned over it would go away.
Instead she was forced awake by the twice-repeated piercing notes of an oriole in the flowering plum just outside her windows. At the same moment the French clock cut through this spontaneous song with its rigid intervals. Six o'clock.
"Old thing, it's high time you pulled yourself together!"
But the other party of the dialogue rebelled, wanted to stay comfortably in bed, wanted to ward off whatever was to be demanded, wanted to be left in peace. Lately Hilary had observed that she seemed to be two distinct entities, at war. There was a hortatory and impatient person who was irritated by her lethargic twin, that one who had to be prodded awake and commanded like a doddering servant and who was getting old, seventy as one counted years.
First things first. The mind must be summoned back, then one might manage to lift oneself out of bed. Hilary closed her eyes and set herself to cope with consciousness. But oh to slip back into that other world, where in her dreams she flew, covered immense distances with ease, and so often came to such beautiful understanding and peace with those ghosts who in reality had represented chiefly anguish. The past had been extraordinarily present all night ..., she was preparing herself.
"For what?" the doddering servant wished to know.
"The interviewers, you old fool. They are coming this afternoon!"
This realization acted like a pail of water flung in her face, and Hilary found herself cold-awake, standing rather shakily, supporting herself with one hand on the night table. The room around her was in unusual disorder, open cardboard boxes of files standing about and, on the night table, photographs and old letters. Oh dear! She took refuge in the usual actions, those which began every day. She went first to the window and drew back the curtains. There in the distance, seen across granite boulders and an assortment of wild cherry and locust, lay the great quivering expanse of ocean, blue, blue to the slightly paler line at the horizon. There it was, the old sea, the restorer! Hilary drank it down in one swift glance, and then walked over to the bureau and, over the inexorable minute hand of the French clock, looked into her own eyes, shallow and pale in the morning light.
"God, you look awful," she told herself. "Old crone, with hardly a wisp of hair left, and those dewlaps, and those wrinkles." Merciless she was. But there was also the pleasure of recognition. In the mirror she recognized her self, her life companion, for better or worse. She looked at this self with compassion this morning, unmercifully prodded and driven as she had been for just under seventy years. The sense of who she was and what she meant about her own personage began to flow back as she ran a comb through the fine childlike hair, hardly gray, and brushed her teeth — her own, and those the dentists had had to provide over the years.
"Damn it!" she said aloud. It meant, in spite of it all, false teeth, falling hair, wrinkles, I am still myself. They haven't got me yet.
They, ... the enemies. Who were "they" exactly, she asked herself while she put the kettle on, and admired the breakfast tray as she did each morning, resting her eyes on the red cocks painted on the white cup and saucer, the red linen cloth, the Quimper jam jar with a strawberry for a knob, rejoicing in order and beauty, as if she had not herself arranged it all the night before.
There were moments when Hilary saw life as tending always toward chaos, when it seemed that all one could be asked was just to keep the ashtrays clean, the bed made, the wastebaskets emptied, as if one never got to the real things because of the constant exhausting battle to keep ordinary life from falling apart. She gave orders to the doddering servant about all this, but the old thing was getting slow....
Now, for instance, she had almost forgotten Sirenica in the cellar! Released, the white cat wound herself round Hilary's legs and purred ecstatically, lifting first one paw and then another and stretching it out into the air, giving a single high-pitched mew when she heard the frigidaire door slam and saw her plate being lifted down.
"Who are 'they,' Sirenica?" Hilary asked aloud, but there was no time to make an answer, for it was necessary while the eggs boiled to put the two little turtles into warm water to wake them up; they looked up at her with eyes as cold as her own, then swam wildly about waiting for their disgusting breakfast of mealy worms. Hilary had bought them on an impulse in the five-and-ten. Their coldness was restful; and she delighted in their beauty, like animated pieces of jade. Also it had been rather comforting to read in a turtle book that they might live to be forty, that the absurd creatures would outlive her. Still, any life is in constant peril, and before she knew it, she had taken on another anxiety, worried when they did not eat for a day, found herself involved, trying to imagine what they might enjoy, an hour outdoors in the sun, or a little piece of fish for a change. She gazed down into the bowl intently, now, studying the delicate webbed feet and tiny tails, often kept wound in under the shell. She forgot about her toast. It was cold when she finally buttered it and took the tray upstairs.
Heaven, to get back into bed for this best hour of the day! — the hour when the door between sleep and waking, between conscious and unconscious, was still ajar and Hilary could consider the strange things that welled up through the night, could lie there looking out to sea, and feel energy flow back while she drank two or three strong cups of tea. With the first, she found herself observing Sirenica, who had jumped up on the bed (hoping no doubt there might be bacon this morning), and had settled down to wash her face. It was a long, intricate process; it began with the long rose-petal tongue lapping all around her mouth and chin, up and down and around, at least fifty times. When every taste of fish and every drop of oiliness had been savored, a washcloth paw lifted, to be licked in its turn, then rubbed back of the ears, round the nose, past the strong whiskers. Hilary watched it all as intently as a cat watches a bird: this was something she had never managed to "get down" in a satisfactory form, but she still had hopes.
With her second cup of tea the unfinished dialogue about "they" was resumed, and she lay back on the pillows ruminating. Of course "they" varied a good deal. At one time in her life, "they" had certainly been the critics. Even the accolade on her last book of poems had left a slightly sour taste. She could not help suspecting that it might be a consolation prize, given rather for endurance than achievement. Her distinguished contemporaries had been dying lately, one by one, so it was all very well to be praised for her vitality and intensity, but ..., anyway Hilary felt it degrading even to consider the critics. "Old fool, they are your own demons," she adjured herself, "the never-conquered demons with whom you carry on the struggle for survival against laziness, depression, guilt, and fatigue." She had hit on the only possible answer to the question. It was completely fruitless to quarrel with the world, whereas the quarrel with oneself was occasionally fruitful, and always, she had to admit, interesting. What sort of questions were those interviewers going to ask? It would be exhilarating to be set what Hilary called "real" questions ... in fact she had agreed to this visitation because it appeared to be a challenge. Hopefully, she might be forced to confront certain things in her own life and in her work that seemed unresolved, and she was just about to consider these prickly matters when she heard a familiar whistle under the window.
"Drat the boy! What does he want?"
She nearly tipped the whole tray over getting out of bed, and of course Sirenica jumped down at once in a huff. Hilary threw an old Japanese kimono over her shoulders and went to the window, peering down into the strong sun-light. The boy teetered there on the stone wall, head bent, his whole figure betraying unease. She could guess, though she could not see it, that the face under the shock of tow hair, was frowning.
"What is it?" Hilary shouted. "It's the day, you know. You might have let me have my breakfast in peace!"
"What day?"
"The day the interviewers are coming!"
"That's not till four." Now he looked straight up, and she saw something in that face she thought she knew by heart, something she had never seen before.
"Up all night, I suppose." What was it? She asked herself, trying to probe the sullen shadowed eyes looking up at her.
"I've got to see you, Hilary. Just a half hour!"
"Oh all right, come back in an hour or so. Give me time to pull myself together."
He was gone before she closed the window, off and away, while Hilary stood there wondering what sort of night he had spent? Curiously enough she sensed some affinity with her own night of troubled dreams after her long vigil raking up the past — the effect, at least, was the same, for Mar looked exactly as she felt, dissipated, ruffled, a seabird who has been battered by wind, whose wings are stuck with flotsam and jetsam, oil, tar, God knows what.
"Trapped by life," Hilary muttered. She almost fell on one of the cardboard boxes. Oh dear, the morning which had begun rather well, all things considered, was already disintegrating into confusion. Back in bed, she leaned her head against the pillows so she could look at the appeasing ocean and forget all that stuff on the floor ..., but she could not really rest. She must hurry up if she was to be ready for Mar. Trapped by life. There was, even at seventy, no escape. One did one's work against a steady barrage of demands, of people ... and the garden tool (It was high time she thought about sowing seeds.) It was all very well to insist that art was art and had no sex, but the fact was that the days of men were not in the same way fragmented, atomized by indefinite small tasks. There was such a thing as woman's work and it consisted chiefly, Hilary sometimes thought, in being able to stand constant interruption and keep your temper. Each single day she fought a war to get to her desk before her little bundle of energy had been dissipated, to push aside or cut through an intricate web of slight threads pulling her in a thousand directions — that unanswered letter, that telephone call, or Mar. It really was not fair of Mar to come this morning with his load of intensity, his deep-set blue eyes, his grief. Oh, she had recognized him all right, the very first day when he turned up to ask if he could moor his boat off her dock!
"In exchange for what?" she had asked, testing him. She was sick and tired of the expectations of the young, that they had rights and all must be done for them, with no return.
Mar had half shut his eyes, ducked his head, and made no answer.
"I need someone to dig up flower beds, spread manure, bring in wood," she said sharply as if it made her cross. "I used to do those things myself, but lately I have found it cuts into my work, don't you know? I get tired. So?"
"I don't like doing any of those things," he had said, "but if you need someone, I guess I'll have to!" He had looked down at her from his spindling height in a rather fatherly way, and Hilary felt herself being tamed.
"Who are you, anyway?"
"Mar. Mar Hemmer." He kicked a pebble with one sneakered foot, no longer fatherly, troubled by her probing gaze. Now she remembered. Why, she knew the boy! "Old Mar Hemmer's grandson, of course!"
Cape Ann used to be full of these tow-headed Finns who came over in the days when the big stone piers berthed sailing ships that carried granite round the world; now the place was a honeycomb of abandoned quarries, many of them deep lakes, taken over by summer people for swimming naked in. The Finns had gone into factories. Yes, it appeared that Mar was living with his grandfather; that was all she learned that day. The facts came later; she had recognized at once her own kind, conflicted, nervous, driven, violent, affectionate. ... Hilary had read all this in his shy glance and guessed at some trouble. Well, she could use a boy round the place, and she knew herself well enough to accept that anyone she took in would have to be taken into her heart, sooner or later.
Mar didn't talk much but he worked hard, and little by little she came to know a good deal about him. She came to know, for instance, that his mother had been dead ten years; he had been spoiled in some ways, and in others treated with absurd severity by his father who concentrated all his own hopes and fears on this only child. The boy was both old and young for his age; he had learned to respond to the need of affection of the old, had already spent some secret source in himself, was, Hilary sometimes imagined, already gutted by his father's demands, too anxious to meet that measure to be quite himself. She looked for some hardness, for the hard core that might protect him. Now and then she had had intimations that it was there, if one dug down deep enough, but his surfaces were still quivering. He was here, living with his grandfather, because he had gone to pieces in his second year at Amherst, couldn't study, he told Hilary, was "shot to Hell" as he put it, but he didn't tell her why or what had happened, majored in chemistry (his father's idea, no doubt), had done all right for grades, well enough anyway so the college would take him back when he felt ready "to go back to the grind." When he talked about Amherst, and he very rarely did, there was a sort of deadness in his tone, as if he stood before a blank wall. His father had done the right thing out of terror (the alternative was a psychiatrist), had sent Mar to his grandfather for six months, hoping that time itself, and a boat to sail, might mend whatever had been broken. The boat had been old Hemmer's idea; in his view there was nothing the sea couldn't cure. And Hilary approved. The old man let the boy come and go as he pleased; for the first time in his life Mar was free to live alone with himself.
Hilary was soon aware that he had found his way to her door not because he needed the pier, though having it handy saved him a considerable walk, but because he needed a woman around. It took longer for her to realize that there had been something else than a hunger for a feminine atmosphere in the back of his mind, something more definite: he wanted to find out about her as a writer. He was curious about her work. And this despite his almost total ignorance where literature was concerned. But this absence of the predigested and preconceived enhanced his value in Hilary's eyes. She saw that he paid attention to things, that he listened when she explained how to prune an apple tree or why the compost heap was layered as it was, that he handled tools with rare respect, and above all that he was closely observant. She discovered that she cared what he might think about her poems; she was excited when she handed over the piles of books, as if this ignorant boy and his opinion mattered to her more than she was quite willing to admit. How would they look to him? Even now, old, and even at last, famous, she never had handed her work over to anyone without an inner tremor: every flaw leapt out. There seemed to be no single really good poem to show for all the years. But she felt the tremor now because she was handing her work over to someone absolutely open, ignorant of the world, unaware of what "they" had said or had not said, and it had become a test.
There was no gratifying explosion of praise. But while they worked together, Hilary standing under a tree, Mar high up with the pruning shears, the boy would suddenly say something. He never talked except in some such awkward situation; his voice murmured from a tree or by a stone wall where he was kneeling to weed. "How did you happen to notice that about the lilac buds?" "When you begin a poem what comes first?"
"You know an awful lot about people," he announced one day.
"I've lived a long time."
"You knew a lot when you were young."
"Doesn't one?" she challenged.
But there was no answer. Mar trudged off with a load of dead leaves on the pitchfork, tossed them onto the compost heap, and came back, his shoulders drooping.
"Maybe we had better stop."
"I'm not tired," he sounded cross.
"Then hold up your shoulders. You look like an old man."
"I'm tired inside, not outside."
"Yes," she said matter-of-factly, "I expect you are."
"I'm tired of feeling so much."
(Continues…)
Excerpted from "The Novels of May Sarton Volume One"
by .
Copyright © 1985 May Sarton.
Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Mrs. Stevens Hears the Mermaids Singing,
Introduction,
Part I: Hilary,
Interlude: the interviewers,
Part II: the interview,
Epilogue: Mar,
A Shower of Summer Days,
The Magnificent Spinster,
PROLOGUE: Part I,
PART I: "Children Dear, Was It Yesterday?",
PROLOGUE: Part II,
PART II: The Growth of a Friendship,
PROLOGUE: Part III,
PART III: The Giving Years,
PART IV: Waging Peace,
PART V: Homecoming,
PROLOGUE: Part VI,
PART VI: The House of Gathering,
EPILOGUE,
A Biography of May Sarton,
