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Overview
The Next to Die is the 1st book in the Allerton Avenue Precinct Novels, but you may enjoy reading the series in any order.
Product Details
| ISBN-13: | 9781497663602 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 07/01/2014 |
| Series: | The Allerton Avenue Precinct Novels , #1 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 192 |
| File size: | 3 MB |
About the Author
Richard Fliegel is a writer and associate dean at USC Dornsife College. He has published several detective novels and short stories in collections. His book A Minyan for the Dead was nominated for a Shamus Award by the Private Eye Writers of America. A member of the WGA West, he has written for Star Trek and ABC network television. He lives in California with his wife, Lois; his dog, Cleo; and occasionally, with his sons.
Read an Excerpt
The Next to Die
By Richard Fliegel
OPEN ROAD INTEGRATED MEDIA
Copyright © 1986 Richard FliegelAll rights reserved.
ISBN: 978-1-4976-6360-2
CHAPTER 1
Afterwards, when he thought about it, Shelly Lowenkopf always remembered Nino's Deli on White Plains Road. The door was glass with a wooden frame and stenciled letters peeling off—it rattled with every subway car lurching by on the elevated tracks overhead. When he opened it, three cowbells clunked dully together, the salty smell of mozzarella and salami rose to greet him, and the radiator clattered, fogging the door and windows.
Outside, brown leather gloves brushed snow from the grille of his Volkswagen squareback and groped under the hood for the latch.
Shelly had stopped as usual to buy lunch on his way to the precinct house. As the girl behind the counter slid the fat sausage from its freezer display case, sliced it, weighed it, and wrapped it in white paper, a man in a fur coat elbowed his hip. "The provolone looks fresh. Gimme a good thick slice."
Lowenkopf was waiting for a Rheingold. His glasses steamed slowly from the wire rims towards the center. The girl glanced at him and unwrapped the provolone.
The man in fur admired his reflection in Lowenkopf's glasses. He leaned forward. "Nino's got the freshest cheese, and the cheesiest counter girls."
Lowenkopf hated men who pushed their way to the front of lines and expected to have their jokes appreciated there. He longed to punch his face. Or arrest him. "She's not so bad," Lowenkopf said.
Outside, the hood of his VW was forced open. Snow struck the engine block and melted. A rusty pair of snippers clipped the cable binding battery to starter, and a guaranteed Delco was hoisted from Lowenkop's car.
The girl spun a can of Rheingold across the counter, her eyes glued to the man in fur, who winked at her. She blew him a kiss, which he accepted with the cheese as his due, leering as he exited. Lowenkopf stuffed the sandwich and beer into his briefcase, paid Nino with a fiver, and walked out into the crisp cold.
The briefcase, brown alligator leather initialed "S.L." beneath the handle, was empty except for his lunch. It had been a gift from his sister Isabelle and he carried it everywhere. As he crunched through the dingy snow at the curbside, he saw the kid in a red flannel shirt leaning against the open hood of his Volkswagen with a battery under one arm.
The kid tugged at his glove and folded up a cuff of white-rabbit-fur lining. What the hell was he waiting for? The kid spotted Lowenkop's black rubbers over black shoes, crouched behind the parked cars, and then loped off down the street. Shouting "Stop! Police!" Lowenkopf started after him. Dropping his briefcase on the curb, he tugged his .45 from its waistband holster and fired into the air just as the boy slipped through a breach in the fence of the Housing Authority playground.
Lowenkopf followed grimly, placing each foot carefully on the smooth ice. Two winters before, Greeley had broken his hip on ice. Lowenkopf remembered his partner's painful recovery and now watched his own flat footsteps. By the time his hand felt the brick playground house, the red shirt had passed the main gate and rounded the corner, disappearing into the Projects.
Doggedly Lowenkopf went in after him. The sidewalk divided into two arcs of wide, flat steps which climbed a frozen hill; the snow to the right was unbroken and Lowenkopf took the left fork in bounds, until it ended in a small triangle of green wooden benches and a flagpole. Two figures in jeans and peacoats untangled as he landed ungracefully beside them, and a toddler in crimson snowpants sat down heavily on the concrete flagpole pedestal. Lowenkopf squeezed his foot into the link fence and rested his knees on the crossbar. The red shirt backed into an apartment building across a stretch of snow broken by frozen brown earth.
There were two exits he would have to watch—the front lobby and a side door that emptied the back stairs into the street. He wedged the side door shut with a piece of railing chain and entered the lobby. Two overhead bulbs were out and the elevator light glowed dimly red. He smelled onions. An old man with a brilliant shock of white hair waited for the elevator. Lowenkopf opened the door to the front stairwell and crept up the first flight. On the second floor he slammed the staircase door and rattled the knob, counted to four, and then ran to the back stairs, looking down the first flight at his side-door trap. No one was in it, but Lowenkopf heard the hum-and-dragging-chain of the descending elevator. He pushed the button and caught the car—empty. Wedging a matchbook cover into the Hold button, he returned to the front staircase and commenced climbing.
On the third floor, a woman with an empty plastic garbage pail spotted his gun and ducked into the compactor room. He checked the back stairs. A soft patter shuffled up from below. Pressed against a wall between the third and fourth floors, Lowenkopf held his breath. The old man from the lobby turned the corner and stopped short, staring in the muzzle of the .45.
Calmly he set down his shopping bag and put his hands behind his head. His hair was pure white and shining—waxed. When he spoke, his voice echoed in the stairwell. "What is this, huh? A stickup?"
Lowenkopf lowered his gun and showed his badge. "Police."
The old man registered no surprise. "The manager's out again. One day she'll find me in the stairs, dead from a heart attack. Then she'll fix this crummy elevator." He hoisted his shopping bag.
Lowenkopf touched his arm. "There's a thief upstairs."
The old man listened for a moment, then continued to climb. "He must be on the roof already, trying to get across to the next building. They're connected on top."
Lowenkopf sprang up the last three flights. The black tar rooftop was covered with snow, melted where the heat of the building had warped it a mottled brown. Icicles hung from a ledge that ran completely around and connected to the roof of the adjoining building. There was a small brick vestibule on the next roof, from which he heard a thud of leather on steel. Making a wide circle, he saw the red flannel shirt back away from the jammed vestibule door to the brink of the roof.
A complexion red with cold beneath a hairline the color of oats peered up at him. The face looked crooked, the left lid slanted over the left eye. Only the right eye widened as the lips curled back to reveal badly yellowed teeth. But no sound emerged.
"Set the battery on the ledge and hold out your hands," Lowenkopf wheezed as his own left hand groped for the wire cuffs in his pants pocket. His face was stinging from the cold. He wished Greeley were there. With an exaggerated gesture, the kid in the flannel shirt cleared the snow from a spot on the ledge, set the Delco down, and plopped down beside it. Then he swung his legs over the edge and sneered.
"Let's not do anything dramatic here —" Lowenkopf began.
The red shirt waved bye-bye.
"For crying out loud"— Shelly lowered his gun —"it's just a lousy battery!"
Smiling, the kid slid off. Lowenkopf heard a scrape and a clang and ran to the edge. A Chinese puzzle box of fire escapes dropped to the ground six stories below, where the red shirt lay sprawled on the pavement. Two peacoats behind a stroller stared up at him in horror, while the toddler riding before them scrutinized the spectacle on the ground. The snow beside the body slowly browned. Windows squeaked open; pale faces over print housedresses and undershirts twisted up at the roof. Lowenkopf gingerly lifted his battery and retreated from the ledge. He kicked the hinges on the door of the brick vestibule as he passed, and it came unstuck.
He called in to the precinct house from Nino's. The curb in front of the deli was empty. His briefcase was gone.
Lowenkopf was the kind of cop who had come to define . himself in terms of his profession. He lived and ate alone and fell asleep in front of the TV. He called his pledges in to telethons near the end of the first hour, and responded to the nightly news with righteous indignation. His own sins—forgotten birthdays, unreturned calls—lengthened in his conscience as their circumstances retreated. He knew someday he would have to answer to his son Thom for the life he had lived and he enjoyed imagining that encounter. He did what he should have done, but no one seemed to care—except his ex-wife, Ruth, who noticed and complained. He had always insisted she visit her mother twice a year, though that hale old widow had been bitterly disappointed by her daughter's marriage and frequently told her so. It was from just such a visit that Ruth failed one day to return to him. He wanted to treat people as they should be treated, to do the right thing. What that was grew daily more obscure.
His courage always rose to the occasion. He had faced down a psychopath waving a shotgun in an elevator, but handed over a quarter each time his windshield was washed by a kid at the Willis Avenue Bridge. He donated blood every year in case Thom ever needed some, though the sight of a needle made him queasy. The catnap afterwards, with a wad of cotton pressed in the crook of his arm, was the sweetest sleep he knew. He had a medal and a sergeant's badge to show for thirteen years on the force. The medal had been the high point of his career, awarded in a ceremony at the mayor's office six years earlier. The low point he expected any moment as he sat in Madagascar's glass-walled office.
Captain Madagascar was the kind of cop who knew a round peg would fit into a square hole if you pushed hard enough. Now he adjusted the cushion on the seat of his wooden chair and eyed Lowenkopf as the roundest peg in his precinct.
"Of course we appreciate the position you were in." The captain began as if the subject had already been broached which of course it hadn't. Madagascar's summons had greeted Lowenkopf on his arrival that morning at the Allerton Avenue police station in the Bronx, where he now sat on a wobbly chair while the Captain poured himself a cup of Spanish Fly tea and resettled his red velvet cushion. "There he was with the Delco in his hands in front of your car. The logic was unavoidable. But perhaps you can tell me, Sergeant, why anyone would jump off a roof rather than face arrest for the theft of a twenty-dollar item?"
"That battery cost me sixty-five, sir."
"Really? I wouldn't think you'd sink that kind of money in that wreck. Volkswagen, isn't it? Sixty-five dollars, then. Still no reason to jump, is it?"
"He might have been aiming for the fire escape and missed, Captain."
"He might have. But we don't know that, do we?"
"We don't know much, sir. Not even his name. He wasn't carrying a wallet and we have no record of his fingerprints."
"A first offender. Do we have a photograph?"
"It's not a pretty sight, sir. His face hit the pavement when he landed. All we've got is an I.D. bracelet with the name Waldo on it."
"Waldo? That's all?"
"Just Waldo, sir."
"His family will have to find out the hard way, then."
"I don't know any other way, Captain."
Madagascar did not look happy. Lowenkopf knew he liked neatness in a case above all, claiming he could smell a messy one anywhere in his precinct. "It's not that we doubt you, Sergeant. It's just that the boy is dead. A case like this always raises some unpleasantness in the neighborhood, if the death isn't seen as strictly necessary in the line of duty."
"It was unavoidable, sir."
"I'm sure it was, Sergeant, but it doesn't look that way. It would help, for example, to have your story corroborated by a partner."
This was more than an example, Lowenkopf knew, but he played it straight. "I was on my way to work, Captain."
Madagascar raised a massive hand. "I know. Where is Greeley now?"
Lowenkopf pointed through the glass to where his partner's blond head hunched over a tiny mirror on his desk. Greeley was gluing sideburns onto his smooth, pale cheeks. His hair was not in its usual neat part, but stood up from his head each time the detective mussed it with his hands. Greeley's vest and jacket lay folded neatly over the back of his chair. His top button was open, and his tie hung down crookedly. Lowenkopf and Madagascar watched him unbutton his sleeves and squeeze his cuffs to crush them before rolling them carefully and unevenly towards his elbows.
"Looks like he's going out on the street, sir."
Madagascar rapped his knuckles on the glass to catch Greeley's eye, and, with a wiggle of his finger, invited him inside. Before Greeley reached the office, Madagascar murmured, "What the hell are you two working on now?"
"The Williamsbridge case, Captain. Greeley's after a phoney mohel who's been cutting up the neighborhood."
"What the fuck's a 'mohel'?"
"A ritual circumciser."
"You mean a guy who cuts …?"
"That's right. Everything's been coming out crooked."
The Captain grimaced.
Greeley entered with a slight nod at Lowenkopf and a brief apologetic bow to his superior. "Forgive my appearance, sir. Undercover, you know."
"Quite," said Madagascar. "Sit down."
Greeley sat and crossed his legs expertly. The brisk crease of his Brooks Brothers trousers had been crushed by his shoes. The captain paused in respect for the commitment such a sacrifice implied. He tugged at the sleeve of his own blue serge and even Lowenkopf smoothed his green corduroy lapel.
"Homer," Madagascar began, standing, pulling his pant legs free of his thighs, and resettling his cushion, "your partner here tells me you're hot on an undercover trail. Do you think you could spare him from that case for a couple of days?"
Greeley glanced at Shelly encouragingly. "If necessary, sir."
"Good. I'll get you some reliable backup." Madagascar twisted around. "What else do you have on the burner, Lowenkopf?"
"The Keppler trial is coming up, sir."
"Right. We'll need your testimony there. It does seem more important to put drug dealers behind bars than to chase stolen batteries, doesn't it? Of course, this was your own battery. But you're not in business for yourself, are you, Sergeant?"
"No, sir."
"It might be better if we kept you away from the Projects for a while. That episode on the roof will cling to you like dogshit. We can't afford a screw-up like that with Keppler."
"No way, Captain. I've got Keppler cold. I was under the table when he made the deal. I watched him come in and I've got every word he said on tape. I could've played checkers with the pattern on his socks."
Lowenkop's passion was matched by Greeley's reserve, which seemed to deepen as Madagascar addressed him. "And where were you?"
"Getting a haircut, sir."
Lowenkopf was on his feet. "It wasn't a planned stakeout, Captain. The opportunity sort of arose on the spot. It was either climb under the tablecloth or miss the whole thing."
Madagascar harrumphed. He was a square-shaped man whose head might have been severed from a larger slab of granite, his face creased in the Ice Age. A precise brown mustache strained to fill the expanse between a narrow mouth and a nose that started straight but ended in a bulb. Only his eyes were exceptional, small and awkward most of the time, but when they looked up, all brown iris. They looked up at Shelly now. "I don't like that way of working, Sergeant. Hiding under the table. On a hunch."
"There wasn't a moment to lose, sir."
"Jumping to conclusions. Playing fast and loose."
"But I got him, sir. We got him."
"See that you do. I don't like my men working alone. You should talk things over with a partner you can trust before risking your life. Now you have no one to corroborate your story."
Lowenkopf found his seat. "No, Captain, we're covered on that. If my testimony isn't good enough, we've got Billy Ringo, one of the two runners Keppler used regularly, to back me up."
Greeley leaned forward. "I thought you had both runners."
Lowenkopf shrugged. "Teddie Pepper backed out. He's got no record, so I didn't have much to use against him. But Billy's safe in Riverdale, and he knows enough about Keppler to put him away even without my testimony. You're going to enjoy it this time, sir, believe me."
"Last time," Madagascar reminded him sourly, "your witness rolled over and played dead."
"This time I'm the witness. Look, Captain, I know I've messed up a little with the roof-jumper, but I'd like a chance to make good. It won't happen again."
(Continues...)
Excerpted from The Next to Die by Richard Fliegel. Copyright © 1986 Richard Fliegel. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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