The Morningside: A Novel

The Morningside: A Novel

by Téa Obreht

Narrated by Carlotta Brentan

Unabridged — 8 hours, 36 minutes

The Morningside: A Novel

The Morningside: A Novel

by Téa Obreht

Narrated by Carlotta Brentan

Unabridged — 8 hours, 36 minutes

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Overview

Notes From Your Bookseller

This is a story of mothers and daughters and finding home, set in an unforgettable building and a near-future world, from the bestselling author of Tiger's Wife. Perfect for fans of Emily St. John Mandel's Sea of Tranquility and Tom Hiddleston's movie, High-Rise.

“A touching, inventive novel about belonging and loss” (People) from the critically beloved, New York Times bestselling author of The Tiger's Wife and Inland

“I marveled at the subtle beauty and precision of Obreht's prose. . . Read in the context of today's conflicts and injustices, climate emergencies, and political and racial divisions-together more dystopian than any dystopian novel-the book surprised me most with its undercurrent of hope.”-Jessamine Chan, author of The School for Good Mothers, in The New York Times (Editors' Choice)

There's the world you can see. And then there's the one you can't. Welcome to the Morningside.

After being expelled from their ancestral home in a not-so-distant future, Silvia and her mother finally settle at the Morningside, a crumbling luxury tower in a place called Island City where Silvia's aunt Ena serves as the superintendent. Silvia feels unmoored in her new life because her mother has been so diligently secretive about their family's past, and because the once-vibrant city where she lives is now half-underwater. Silvia knows almost nothing about the place where she was born and spent her early years, nor does she fully understand why she and her mother had to leave. But in Ena there is an opening: a person willing to give the young girl glimpses into the folktales of her demolished homeland, a place of natural beauty and communal spirit that is lacking in Silvia's lonely and impoverished reality.

Enchanted by Ena's stories, Silvia begins seeing the world with magical possibilities and becomes obsessed with the mysterious older woman who lives in the penthouse of the Morningside. Bezi Duras is an enigma to everyone in the building: She has her own elevator entrance and leaves only to go out at night and walk her three massive hounds, often not returning until the early morning. Silvia's mission to unravel the truth about this woman's life, and her own haunted past, may end up costing her everything.

Startling, inventive, and profoundly moving, The Morningside is a novel about the stories we tell-and the stories we refuse to tell-to make sense of where we came from and who we hope we might become.

Editorial Reviews

Publishers Weekly

01/08/2024

The striking if scattered latest from Obreht (The Tiger’s Wife) expands on a short story included in the New York Times Magazine’s Decameron Project, a 2020 anthology of Covid-19-related writing. The narrative is set in a near future where flooding has reshaped the coastal regions of the United States. In Island City, which bears a strong resemblance to New York, 11-year-old Silvia and her mother arrive from abroad to live with Silvia’s aunt Ena in the Morningside, a once-luxurious apartment building that Ena now manages. Silvia and her mother, who fled their war-torn homeland (referred to only as “Back Home”) years ago, have been brought over as part of a “repopulation” program to ensure people continue to inhabit Island City. At the Morningside, Silvia becomes obsessed with the mysterious Bezi Duras, an artist from Back Home who lives in the penthouse apartment with her three huge hounds, and is drawn by a young neighbor named Mila into dangerous nighttime excursions across the city. The plot arcs somewhat haphazardly between myth and reality, and the tone is a slippery mix of YA and literary fiction. Still, Obreht skillfully crafts this alternate world through Silvia’s determined efforts to make sense of both her present and her past, and adds deft touches of horror and magic along the way. Readers will once again be beguiled by Obreht’s lyrical imagination. Agent: Seth Fishman, Gernert Co. (Mar.)

From the Publisher

The dreamlike novel draws on elements of folklore and fairy tales for a narrative set eerily close to present day that explores environmental collapse and human resilience.”—Time

“I marveled at the subtle beauty and precision of Obreht’s prose. . . . By weaving in folklore and ample wonder, Obreht gives her climate fiction ancient roots, forcing us to reckon with the ruined world that future generations will inherit, while reminding us that even in the face of catastrophe, there’s solace to be found in art.”—Jessamine Chan, The New York Times

“A touching, inventive novel about belonging and loss.”People

“A beautiful examination of displacement, identity, and the effects of unchecked political power, enriched with touches of magical realism and dystopia.”—Bustle

“This touching and inventive novel follows a young woman searching for meaning and belonging, both through her loving aunt’s stories and the enigmatic resident of the building’s penthouse suite.”—Oprah Daily

“An astounding rethink of the mother-daughter narrative.”—Real Simple

“Try to read ten pages of this book and resist its fairy dust. . . . Obreht is a pure, natural storyteller with a direct hotline to the collective unconsciousness.”—Star Tribune

“Obreht is such an expert and generous storyteller, infusing The Morningside with the pleasures of folklore and fairy tale while simultaneously diving deep into the silences and irreconcilable contradictions in the stories we inherit about the past.”—Karen Russell, author of Orange World and Other Stories

“Imagine a Ballardian dystopia injected with a double dose of magic realism, so that the pages seem to glow. . . . An ideal novel in which all is invented and everything is true. I loved it.”—Ed Park, author of Same Bed Different Dreams

“Fresh and immensely gripping, The Morningside is a rich saga of migration and the search for belonging, bravely imagining our capacity for survival and love in an uncertain future. . . . A stunning achievement.”—Claire Vaye Watkins, author of I Love You But I’ve Chosen Darkness

The Morningside is like nothing I’ve read—at once playful and profound, harrowing and tender, a sparklingly original story of coming of age in a broken world.”—Karen Thompson Walker, author of The Dreamers

“Obreht is offering a cautionary vision of what our future might look like, but she’s also asking questions that are as old as storytelling. What do we want to tell ourselves about ourselves? What do we try to hide from ourselves? And what’s the cost of our lives?”Kirkus Reviews (starred review)

“A bewitchingly atmospheric, psychologically lush, and deeply knowing tale of ancient sorrows and coalescing crises, courage and fortitude.”Booklist (starred review)

Library Journal

02/01/2024

Obreht's third novel (after Inland) is an enthralling story set in fictional Island City. After years of moving from place to place, Silvia and her mother join Sil's aunt Ena in the titular apartment building and quickly join the superintendent and custodial staff. Their landing is not happenstance. They are part of a questionable repopulation program meant to bring residents back to a city that coastal flooding has nearly overtaken. Through Sil, Obreht explores how a child's curiosity, fueled by secrets, mysteries, and superstitions that her aunt's stories only heighten, can lead to obsession. The object of Sil's focus is Bezi Duras, the penthouse resident, an artist who walks her dogs daily. Sil intends to discover the artist's true identity as well as the true nature of her three canine companions. Might they be supernatural? When Mila, another new resident who befriends Sil, discovers Sil's fascination, she doesn't just join the adventure, she more or less takes over. VERDICT Obreht draws upon plausible dystopian and postapocalyptic futures and strong elements from Serbian folktales, as well as magical realism. The result is a strange, almost dreamlike novel, distinctive for its memorable characters and beautiful writing.—Faye A. Chadwell

FEBRUARY 2024 - AudioFile

This near-future dystopian novel is set in a time of ecological disaster in the mostly underwater community of Island City. Carlotta Brentan portrays the cast of characters smartly by subtly shifting tone, cadence, and timbre. She smoothly portrays the protagonist, who begins as a gangly 11-year-old named Sylvia. Brentan contrasts Sylvia's size and temperament with those of her secretive and diminutive Eastern European-sounding mother. The voices are nicely differentiated for the other female characters and for the single man in the story, who is both the voice of a pirate radio station and a friend to the mother and daughter. The once stately Morningside building is now home to "repopulated" folks who are part of a government program. Mysteries shroud this imaginative work. A.D.M. Winner of AudioFile Earphones Award © AudioFile 2024, Portland, Maine

Kirkus Reviews

★ 2024-01-05
The author of Inland (2019) and The Tiger’s Wife (2011) takes a glimpse into the future.

Looking back on her life, a narrator called Silvia remembers emigrating to an island city (that might once have been New York) and moving into the Morningside with her mother. This apartment building is barely clinging to its former grandeur, but Sil and her mother count themselves lucky to be the beneficiaries of a program designed to repopulate a once-great metropolis that has been devastated by floods. Sil’s aunt Ena is the superintendent of the Morningside, and Ena not only tells Sil more than her mother wants her to know about their family’s past, but she also says just enough about the mysterious resident of the building’s penthouse to make Sil suspect that this woman is a Vila—a powerful, often vengeful, nature spirit from their homeland. As she did in her first novel, Obreht uses folklore as a tool for navigating war and displacement. Sil knows how the heroine in a fairy tale should behave but, when she suspects that she might be a fairy tale heroine, she does not want to be that girl. Sil is, as it turns out, an excellent guide to a world in which old rules don’t make sense. She’s skeptical and credulous and reticent by turns, but she also has instincts for self-preservation that maybe only the most vulnerable among us can understand. Obreht is offering a cautionary vision of what our future might look like, but she’s also asking questions that are as old as storytelling. What do we want to tell ourselves about ourselves? What do we try to hide from ourselves? And what’s the cost of our lives?

A captivating blend of science fiction and magical realism with a wonderfully engaging protagonist.

Product Details

BN ID: 2940159542021
Publisher: Penguin Random House
Publication date: 03/19/2024
Edition description: Unabridged
Sales rank: 1,022,085

Read an Excerpt

Long ago, before the desert, when my mother and I first arrived in Island City, we moved to a tower called the Morningside, where my aunt had already been serving as superintendent for about ten years.

The Morningside had been the jewel of an upper-city neighborhood called Battle Hill for more than a century. Save for the descendants of a handful of its original residents, however, the tower was, and looked, deserted. It reared above the park and the surrounding townhomes with just a few lighted windows skittering up its black edifice like notes of an unfinished song, here-and-there brightness all the way to the thirtythird floor, where Bezi Duras’s penthouse windows blazed, day and night, in all directions.

By the time we arrived, most people, especially those for whom such towers were intended, had fled the privation and the rot and the rising tide and gone upriver to scattered little freshwater townships. Those holding fast in the city belonged to one of two groups: people like my aunt and my mother and me, refuge seekers recruited from abroad by the federal Repopulation Program to move in and sway the balance against total urban abandonment, or the stalwart handful of locals hanging on in their shrinking neighborhoods, convinced that once the right person was voted into the mayor’s office and the tide pumps got working again, things would at least go back to the way they had always been.

The Morningside had changed hands a number of times and was then in the care of a man named Popovich. He was from Back Home, in the old country, which was how my aunt had come to work for him.

Ena was our only living relative—or so I assumed, because she was the only one my mother ever talked about, the one in whose direction we were always moving as we ticked around the world. As a result, she had come to occupy valuable real estate in my imagination. This was helped by the fact that my mother, who never volunteered intelligence of any kind, had given me very little from which to assemble my mental prototype of her. There were no pictures of Ena, no stories. I wasn’t even sure if she was my mother’s aunt, or mine, or just a sort of general aunt, related by blood to nobody. The only time I’d spoken to her, when we called from Paraiso to share the good news that our Repopulation papers had finally come through, my mother had waited until the line began to ring before whispering, “Remember, her wife just died, so don’t forget to mention Beanie,” before thrusting the receiver into my hand. I’d never even heard of the wife, this “Beanie” person, until that very moment.

For eight long years I’d been conjuring Ena out of nothing— and I’d come up with a version of her that really suited me: a tall, flowing, vulpine sort of person, generous and chuckling and mantled in benevolence. Imagine my disappointment when she turned out to be short, loud, and incredibly illpracticed at speaking to eleven-year-old nieces.

“My God, Silvia” was the first thing she said to me face-to face, standing out there by the Morningside gate with her camera while my mother and I dragged our suitcases up the hill. “Are we going to have enough rations for you?”

It was impossible to tell whether she felt I should have more or less than I was already getting. Something about her tone implied that she might be able to secure a grander breakfast than I was used to, the kind I’d only ever read about—pastries and jam, maybe even eggs. But, of course, Island City was adhering to its own version of Posterity measures, and breakfast here was a roll of the dice, just as it was in every other place we’d ever lived. Sometimes it was government tea and canned mush. Sometimes a loaf of bread and a suspect egg to share between two or three or four people. Whatever your ration card happened to say when it refreshed in the morning—assuming your local convenience store could even fulfill the request.

Ena lived in the battered little two-bedroom superintendent’s suite on the tenth floor of the Morningside. The place was furnished with scrounged items: a haphazardly reupholstered sofa, a small dining table surrounded by chairs in different states of refurbishment, a jungle of ferns and ivies Ena had found abandoned on the sidewalk and nursed back to abundance. The bay, gray and brackish, filled the view from our window. On low-tide days you could see the old freeway, which had once run just west of the building. Every now and again, a barge would get stuck between the submerged guardrails, and the whole neighborhood would descend to the waterline to watch its rescue, reminding you that the city was not as empty as it seemed.

My mother and I shared a cot in the room that had served as Beanie’s study. Our first night under that greening roof, I lay awake, watching unfamiliar lights rove the ceiling. You could have fit our whole Paraiso flat in just this room, but that smallness had felt safe. Upstairs, downstairs, all around us, neighbors had been laughing and quarreling, playing music, tromping up and down the ancient, echoing stairs. But here, the only noise seemed to come from the occasional lighthouse horn, and a strange clatter and screech that periodically sounded through the window. My mother didn’t seem to hear it, which made things worse.

I hadn’t felt the urge to make a protection for us in a long time. I was proud of that—not just because I had followed through on my decision to leave all that behind in Paraiso, but because doing so meant that I had managed to conceal the habit from my mother. For years, I had lived in fear that she would find the talismans I’d hidden around our flat, mistake them for trash, and throw them away without my knowledge, thus nullifying their effect. Or, worse, confront me about them.

“What the hell is this?” she would say. I, having imagined this precise moment, would be ready. “Looks like your old perfume bottle.”

“What’s it doing behind the stove?”

“I have no idea.”

“I could have sworn I threw it out years ago.”

“Huh.” That was meant to be my innocent, ignorant closer—because what else was there to say? “You actually did throw it out, Mama, but I dug it out of the trash because you really loved that perfume, and Signora Tesseretti said that I need at least three meaningful objects to make a good protection”?

Anyway, that was all behind me now. The Morningside could be as looming and empty and laden with unfamiliar noises as it liked. I didn’t have three items to make a protection with anymore. I had deliberately thrown away the fragment of a photograph of a person I suspected might be my father, breaking the necessary triad. All I had left were a pair of scissors and the perfume bottle my mother had continued to spray in the vicinity of her neck long after it was empty. And I was determined that nothing would compel me to use them.

Besides, Ena was a kind of protection in and of herself. There was nothing she couldn’t explain or abate. When I asked her about the clattering and shrieking the next morning, she pointed out a huge nest that crowned the roof of a neighboring townhouse.

Rook cranes had begun migrating through the city only about ten years before, so they were still a novelty—though to even more recent newcomers like us, they seemed as much a fixture of its rooftops as the water towers where they made their nests. We had a few breeding pairs up-island, but their big rookery was sixty blocks south, in what had come to be known as the Marsh, that impassible waistline of the island that separated its upper and lower reaches, newly narrowed by the river on one side and the bay on the other. Callers to the Drowned City Dispatch radio station were equally divided between the opinion that Island City must honor its place on the birds’ migratory route and the belief that the whole flock should be exterminated. Ena leaned toward the latter view—though, in truth, she would probably have felt differently had the birds just bypassed the surfaces she was responsible for maintaining.

Anything that hindered Ena’s work was a liability. She was getting too old to serve as superintendent, and was keenly aware of it. She was prideful about her endurance, her mind stretched by the constant tally of what she had done, was doing, and had yet to do. On matters not pertaining to the Morningside, she cultivated a cool neutrality. Had she spent the past few years fervently praying that my mother and I would number among the lucky few accepted by the Repopulation Program? Not really—but she was glad we had made it. Did she have a lot of optimism about the Posterity Initiative—did she believe that ration cards and tidal mitigation and everyone pulling together would actually work, and that we would, as promised, be rewarded with a new townhouse on South Falls Island for doing our part to revive the city? Perhaps. She would believe it when she saw it. For now, she ate breakfast by the pale light of five a.m., leaning over the sink, locked in a onesided argument with those callers to the Drowned City Dispatch whose opinions enraged her the most. To supplement our rations, she foraged in the park at the bottom of our street, returning with bags full of nameless greens, which she boiled, pinned between flat disks of dough, and stacked in the back of the freezer. She smelled of metal and soap. Her right thumb stuck out from the rest of her hand at an odd angle, and when she felt like f***ing with me, she pretended she’d just broken it anew.

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