Paperback(Revised ed.)

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Overview

Notes From Your Bookseller

A horror classic that still terrifies modern readers. It’s the story of an abbott as he gives in to temptation and wanders down the depths of depravity that land you a special place in hell. It may not have been welcomed in 1796, but we love it all the more now!

‘Few could sustain the glance of his eye, at once fiery and penetrating’

Savaged by critics for its supposed profanity and obscenity, and bought in large numbers by readers eager to see whether it lived up to its lurid reputation, The Monk became a succès de scandale when it was published in 1796 – not least because its author was a member of parliament and only twenty years old. It recounts the diabolical decline of Ambrosio, a Capuchin superior, who succumbs first to temptations offered by a young girl who has entered his monastery disguised as a boy, and continues his descent with increasingly depraved acts of sorcery, murder, incest and torture. Combining sensationalism with acute psychological insight, this masterpiece of Gothic fiction is a powerful exploration of how violent and erotic impulses can break through the barriers of social and moral restraint.

This edition is based on the first edition of 1796, which appeared before Lewis’s revisions to avoid charges of blasphemy. In his introduction, Christopher MacLachlan discusses the novel’s place within the Gothic genre, and its themes of sexual desire and the abuse of power.


Product Details

ISBN-13: 9780140436037
Publisher: Penguin Publishing Group
Publication date: 06/01/1999
Series: Penguin Classics Series
Edition description: Revised ed.
Pages: 416
Sales rank: 296,093
Product dimensions: 5.07(w) x 7.76(h) x 0.75(d)
Age Range: 18 Years

About the Author

Hugh Thomas (Lord Thomas of Swynnerton) is widely known for his work on the history of Spain, including his epic masterpiece The Spanish Civil War, available as a Modern Library Paperback.

Read an Excerpt

Chapter I
(Continues…)



Excerpted from "The Monk"
by .
Copyright © 1999 Matthew Lewis.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Reading Group Guide

Reading Group Guide

1)One of the most damning criticisms of The Monk was made by Reverend Thomas Mathias, who called it blasphemous. Because of controversy like this, Lewis excised certain passages for the fourth and fifth editions. Mathias pointed to the passage in the first edition where Antonia reads from an expurgated bible because the original was improper for women. Are there other instances of blasphemy in the text? What critiques of Christianity does Lewis seem to be making? How might the novel be considered anti-Catholic?

2)The main plot, concerning Ambrosio, derives from the story of Santon Barsisa, which appeared in The Guardian in 1713. The secondary plot, of Raymond and Agnes, which seems to be of Lewis’s own creation. What do you believe he intended by telling this multi-faceted tale? Why not let the story of Ambrosio stand alone? How do the two stories run parallel to each other?

3)How does Lewis reconcile religion and superstition? Consider the roles of the Bleeding Nun and the Wandering Jew.

4)What kind of position was Monk Lewis taking with respect to the social and religious establishments of the eighteenth centuries? Might he have been commenting on what may happen when our individual choices are taken away? Consider how this might be applicable to contemporary issues.


5)The Monk was Lewis’s only novel; he was primarily known as a playwright. Look at both the physical and structural architecture in The Monk. How might the novel be considered theatrically structured?


6)Critic Christopher Maclachlan notes that in many ways this novel presents a more positive portrayal of women’s sexuality than does other gothic fiction. Does this arguments hold true for all the female characters? What deeper significance could this proto-feminism have?

7)Consider the shifting tone throughout the novel. How do these nuances affect our reading?

8)Ann Radcliffe was disgusted by The Monk and retaliated with her version of a gothic novel called The Italian, first published in 1797. Radcliffe’s novel ends on a happy note, the lovers reuniting. This provided a stark contrast to the Lewis’s ending with Ambrosio’s demonical torture. Compare these endings. What seems to work better? Keep in mind that these novels were originally known as romance novels.

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