The Modernist Papers

by Fredric Jameson

Overview

Cultural critic Fredric Jameson, renowned for his incisive studies of the passage of modernism to postmodernism, returns to the movement that dramatically broke with all tradition in search of progress for the first time since his acclaimed A Singular Modernity .

The Modernist Papers is a tour de froce of anlysis and criticism, in which Jameson brings his dynamic and acute thought to bear on the modernist literature of the nineteenth and twentieth centuries. Jameson discusses modernist poetics, including intensive discussions of the work of Baudelaire, Rimbaud, Mallarmé, Wallace Stevens, Joyce, Proust, and Thomas Mann. He explores the peculiarties of the American literary field, taking in William Carlos Williams and the American epic, and examines the language theories of Gertrude Stein. Refusing to see modernism as simply a Western phenomenon he also pays close attention to its Japanese expression; while the complexities of a late modernist representation of twentieth-century politics are articulated in a concluding section on Peter Weiss’s novel The Aesthetics of Resistance.

Challenging our previous understanding of the literature of this pperiod, this monumental work will come to be regarded as the classic study of modernism.

Product Details

ISBN-13:	9781784783471
Publisher:	Verso Books
Publication date:	03/08/2016
Sold by:	Penguin Random House Publisher Services
Format:	eBook
Pages:	448
File size:	1 MB

About the Author

Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture’s relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, The Modernist Papers, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital.

Table of Contents

Introduction ix

Part 1

1 The Poetics of Totality 3

2 Celine and Innocence 45

Part 2

3 Form Production in The Magic Mountain 55

4 Kafka's Dialectic 96

5 Allegory and History: On Rereading Doktor Faustus 113

Part 3

6 Ulysses in History 137

7 Modernism and Imperialism 152

8 Joyce or Proust? 170

Part 4

9 Exoticism and Structuralism in Wallace Stevens 207

10 Baudelaire as Modernist and Postmodernist 223

11 Rimbaud and the Spatial Text 238

12 Towards a Libidinal Economy of Three Modern Painters 255

13 A Note on a Vision 269

Part 5

14 In the Mirror of Alternate Modernities 281

15 Soseki and Western Modernism 294

Part 6

16 Mallarme Materialist 313

17 Gertrude Stein and Parts of Speech 342

Part 7

18 "Madmen like Kings" 361

19 Euphorias of Substitution 371

20 "A Monument to Radical Instants" 380

Acknowledgments 420

Index of Names 422

Editorial Reviews

"Fredric Jameson is America’s leading Marxist critic. A prodigiously energetic thinker whose writings sweep majestically from Sophocles to science fiction."
—Terry Eagleton

"Probably the most important cultural critic writing in English today … It can truly be said that nothing cultural is alien to him."
—Colin MacCabe

"Jameson’s chef d’oeuvre, Postmodernism, Or, The Cultural Logic of Late Capitalism, provides one of the more persuasive cognitive maps we have of the evolution of culture in the West in the period from the mid-twentieth century to the present day. His achievement is all the more notable in that he is by conviction a Marxist, hostile to Anglo-American empiricism, the anti-theoretical theory that reigns supreme today."
—J. M. Coetzee, Australian Book Review

From the Publisher

Probably the most important cultural critic writing in English today … It can truly be said that nothing cultural is alien to him.

Colin MacCabe

Fredric
Jameson is American’s leading Marxist critic. A prodigiously energetic thinker whose writings sweep majestically from Sophocles to science fiction.

Terry Eagleton