The Mistresses of Cliveden: Three Centuries of Scandal, Power, and Intrigue in an English Stately Home

The Mistresses of Cliveden: Three Centuries of Scandal, Power, and Intrigue in an English Stately Home

by Natalie Livingstone

Narrated by Elizabeth Knowelden

Unabridged — 17 hours, 8 minutes

The Mistresses of Cliveden: Three Centuries of Scandal, Power, and Intrigue in an English Stately Home

The Mistresses of Cliveden: Three Centuries of Scandal, Power, and Intrigue in an English Stately Home

by Natalie Livingstone

Narrated by Elizabeth Knowelden

Unabridged — 17 hours, 8 minutes

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Overview

For fans of Downton Abbey comes an immersive historical epic about a lavish English manor and a dynasty of rich and powerful women who ruled the estate over three centuries of misbehavior, scandal, intrigue, and passion.

Five miles from Windsor Castle, home of the royal family, sits the Cliveden estate. Overlooking the Thames, the mansion is flanked by two wings and surrounded by lavish gardens. Throughout its storied history, Cliveden has been a setting for misbehavior, intrigue, and passion-from its salacious, deadly beginnings in the seventeenth century to the 1960s Profumo Affair, the sex scandal that toppled the British government. Now, in this immersive chronicle, the manor's current mistress, Natalie Livingstone, opens the doors to this prominent house and lets the walls do the talking.

Built during the reign of Charles II by the Duke of Buckingham, Cliveden attracted notoriety as a luxurious retreat in which the duke could conduct his scandalous affair with the ambitious courtesan Anna Maria, Countess of Shrewsbury. In 1668, Anna Maria's cuckolded husband, the Earl of Shrewsbury, challenged Buckingham to a duel. Buckingham killed Shrewsbury and claimed Anna Maria as his prize, making her the first mistress of Cliveden.

Through the centuries, other enigmatic and indomitable women would assume stewardship over the estate, including Elizabeth, Countess of Orkney and illicit lover of William III, who became one of England's wealthiest women; Augusta of Saxe-Gotha, the queen that Britain was promised and then denied; Harriet, Duchess of Sutherland, confidante of Queen Victoria and a glittering society hostess turned political activist; and the American-born Nancy Astor, the first female member of Parliament, who described herself as an "ardent feminist" and welcomed controversy. Though their privileges were extraordinary, in Livingstone's hands, their struggles and sacrifices are universal.

Cliveden weathered renovation and restoration, world conflicts and cold wars, societal shifts and technological advances. Rich in historical and architectural detail, The Mistresses of Cliveden is a tale of sex and power, and of the exceptional women who evaded, exploited, and confronted the expectations of their times.

Praise for The Mistresses of Cliveden

"Theatrical festivities, political jockeying and court intrigues are deftly described with a verve and attention to domestic comforts that show the author at her best. . . . [Livingstone's] portraits of strenuous and assertive women who resisted subjection, sometimes deploying their sexual allure to succeed, on other occasions drawing on their husband's wealth, are astute, spirited, and empathetic."-The Wall Street Journal

"Missing Downton Abbey already? This tome promises 'three centuries of scandal, power, and intrigue' and Natalie Livingstone definitely delivers."-Good Housekeeping

"Lively . . . The current chatelaine-the author herself-deserves no small credit for keeping the house's legend alive. . . . Any of her action-filled chapters would merit a mini-series."-The New York Times Book Review

"Though the personal tales and tidbits are fascinating, and the sensational details of these women's lives will intrigue Downton Abbey devotees, the real star of the story is Cliveden."-Booklist

"Lovers of modern English history and the scandals that infiltrated upper-crust society will find much to enjoy in this work."-Library Journal


From the Hardcover edition.

Editorial Reviews

The New York Times Book Review - Liesl Schillinger

Natalie Livingstone's lively chronology of one storied manse and its canny chatelaines…shows that even when they stayed put, majestic properties like Cliveden continually shapeshifted as leading figures of successive ages took them over while jockeying for position on England's chessboard…The current chatelaine—the author herself—deserves no small credit for keeping the house's legend alive. [Livingstone] and her husband bought the estate, which is now a hotel and spa, in 2012; then she set about writing this engaging book. Any of her action-filled chapters would merit a mini-series…

Publishers Weekly

03/28/2016
This lively, accessible work from English writer Livingstone follows five mistresses of Cliveden from the time of late-17th-century Restoration-era rakes to the swinging 1960s. Anna Maria, Countess of Shrewsbury, and Elizabeth, Countess of Orkney, were louche paramours of prominent noblemen. Augusta, Princess of Wales, was the wife of a progressive but doomed heir. Harriet, Duchess of Sutherland, was a do-gooder and close friend of Queen Victoria. The last mistress, American-born Nancy Astor, became the first woman elected to Parliament. Her son presided over the estate’s most notorious modern scandal, 1963’s Profumo Affair, when Britain’s war minister shared the charms of party girl Christine Keeler with a possible Soviet spy. Cliveden flourished as a center of hedonism, culture, and politics. King George III, who aroused the ire of American colonists, spent a portion of his childhood there. Guests included Jonathan Swift, William Gladstone, and Lawrence of Arabia. Downton Abbey this is not: it traces the saga of unrelated women, not a single aristocratic family. Sutherland and Astor truly influenced history; other women of Cliveden were activists, and all chafed under the restrictions imposed on women. Packed with details about architecture, gardens, clothing, and manners, Livingstone’s debut is an entertaining, anecdotal popular history. Photos. (June)

From the Publisher

Theatrical festivities, political jockeying and court intrigues are deftly described with a verve and attention to domestic comforts that show the author at her best. . . . [Natalie Livingstone’s] portraits of strenuous and assertive women who resisted subjection, sometimes deploying their sexual allure to succeed, on other occasions drawing on their husband’s wealth, are astute, spirited, and empathetic.”The Wall Street Journal
 
“Missing Downton Abbey already? This tome promises ‘three centuries of scandal, power, and intrigue’ and Natalie Livingstone definitely delivers.”Good Housekeeping
 
“Natalie Livingstone’s lively chronology of one storied manse and its canny chatelaines . . . shows that even when they stayed put, majestic properties like Cliveden continually shapeshifted. . . . The current chatelaine—the author herself—deserves no small credit for keeping the house’s legend alive. . . . Any of her action-filled chapters would merit a mini-series.”The New York Times Book Review
 
“Though the personal tales and tidbits are fascinating, and the sensational details of these women’s lives will intrigue Downton Abbey devotees, the real star of the story is Cliveden and the manner in which the evolution of the estate reflects the last three centuries of English history.”Booklist
 
“As the current ‘mistress of Cliveden,’ the author’s passion for the subject comes through in her extensive research, providing a thorough look at the drama involving these figures. The book not only delves into their varying roles in English society but uses their stories to craft the estate’s history as well. . . . Lovers of modern English history and the scandals that infiltrated upper-crust society will find much to enjoy in this work.”Library Journal
 
“This lively, accessible work from English writer Livingstone follows five mistresses of Cliveden from the time of late-seventeenth-century Restoration-era rakes to the swinging 1960s. . . . Packed with details about architecture, gardens, clothing, and manners, Livingstone’s debut is an entertaining, anecdotal popular history.”Publishers Weekly
 
“In her debut book, Livingstone ably avoids tabloid-like gossip to profile five remarkable women. . . . Readers who enjoy English history will be happy to have this in their libraries.”Kirkus Reviews

“An utterly fascinating and completely beguiling account of three centuries of high living, high politics, and high drama at one of Britain’s most famous stately homes. A page-turner from start to finish, The Mistresses of Cliveden perfectly illustrates why social history rules the shelves; it’s history with all the good stuff left in.”—Amanda Foreman, author of A World on Fire
 
“A wonderful voyage through the fascinating history of Cliveden—this is a brilliant book full of gripping personalities and beautiful detail.”—Kate Williams, author of Ambition and Desire
 
“Well-researched, well-written and narratively enthralling . . . Romance, sex, scandal and political intrigue have been central to the history of the house for more than three centuries and Mrs. Livingstone . . . has chronicled it all with scholarship, readability, wit and a fine eye for telling detail.”Evening Standard
 
“[A] wide-ranging and deliciously enjoyable biography of one of England’s grandest country houses . . . Livingstone interweaves the huge panorama of three centuries of British history. . . . But at the heart of the book, the seductive power of the house itself affects each generation of women.”The Telegraph
 
“Her scholarship is considerable and yet she wears it lightly, producing a book which is always lively, entertaining and immensely readable.”Daily Express

Library Journal

04/15/2016
Journalist and debut author Livingstone examines the lives of five memorable women, from Anna Maria Talbot in the 17th century to Nancy Astor in the 20th, and the mansion that connects them. As the current "mistress of Cliveden," the author's passion for the subject comes through in her extensive research, providing a thorough look at the drama involving these figures. The book not only delves into their varying roles in English society but uses their stories to craft the estate's history as well. However, Livingstone's commitment to encapsulating the goings-on of the period can confuse the narrative, in places taking attention away from the women's compelling struggles and triumphs in order to describe Cliveden's features or introduce concurrent events happening at the time. Whereas books such as John Martin Robinson's Requisitioned: The British Country House in the Second World War offer overviews of houses and their relevance to historical occasions, this work uniquely approaches the background of a single residence and the tremendous women who occupied its rooms. VERDICT Lovers of modern English history and the scandals that infiltrated upper-crust society will find much to enjoy in this work.—Katie McGaha, County of Los Angeles P.L.

Kirkus Reviews

2016-03-08
A series of biographies of the women connected to Cliveden, the house made famous in the Profumo affair. The first, Anna Maria (1642-1702), was widowed when her lover, the Duke of Buckingham, killed her husband in a duel in 1668. Scandal was a way of life in Restoration England, and Anna Maria eventually moved into Buckingham's London home—with him and his wife. By the time Cliveden was completed, they had separated. Elizabeth Villiers, a cousin to Buckingham, was educated with two of James II's daughters, Mary and Anne. Elizabeth accompanied Mary when she married William of Orange and promptly had an affair with him. After Queen Mary's death, William granted Irish estates to Elizabeth that made her the richest woman in England, which made for a convenient marriage to the Earl of Orkney and life at Cliveden. Orkney's heir leased the property to Frederick, Prince of Wales, and his successful marriage to Augusta of Saxe Gotha proved to be a contrast to the rigidity of the court. Harriet, raised at Castle Howard and a great friend of Queen Victoria, married the even wealthier Duke of Sutherland. Together, they created a calm retreat at Cliveden where Victoria often came for walks on the grounds. Harriet was also a prolific political and social campaigner, and she fought against slavery in the United States. Throughout its history, Cliveden was a haven for great minds, and famous guests were the norm for all the women of Cliveden. Nancy Astor (1879-1964) was an acerbic, quick-tempered woman. Like her predecessors, she changed conceptions of female power and served as a member of Parliament for 25 years. She made Cliveden a symbol of highly politicized forms of power, class and ideology. In her debut book, Livingstone ably avoids tabloidlike gossip to profile five remarkable women, and she provides a helpful cast of characters at the beginning of the story. Readers who enjoy English history will be happy to have this in their libraries.

Product Details

BN ID: 2940171849191
Publisher: Penguin Random House
Publication date: 06/14/2016
Edition description: Unabridged

Read an Excerpt

Chapter 1

The Duel

Barn Elms, 16 January 1668

In the thin light of a January morning, the Duke of Buckingham galloped towards Barn Elms, the appointed site for the duel he had so long awaited. In springtime and summer, revellers flocked to Barn Elms with their bottles, baskets and chairs, recorded the diarist Samuel Pepys, ‘to sup under the trees, by the waterside’, but in winter the ground next to the Thames was frozen and deserted. Nevertheless, there was still activity on the river. Nearby Putney was famous for its fishery and was also the point at which travellers going west from London disembarked from the ferry and continued by coach. The harried cries of watermen and the shouts of fishermen returning from dawn trips filled the air as Buckingham neared his destination.

The grounds of the old manor of Barn Elms lay on a curve in the river just west of Putney. The land was divided into narrow agricultural plots – some open, others fenced off by walls or hedgerows. Pepys recorded that the duel took place in a ‘close’, meaning a yard next to a building or an enclosed field – somewhere screened off from passers-by. 

But as his horse’s hoofs thundered along the icy riverbank, Buckingham’s thoughts lay on a more distant turf. Anna Maria, the woman who had provoked the duel, was 270 miles away, in self-­imposed exile in a convent in France. Nine years before, in 1659, Anna Maria Brudenell had married Francis Talbot, 11th Earl of Shrewsbury, but the union had been an unhappy one. He was 36, a wealthy but sedate landowner; she was a pleasure-loving 16-year-old already conscious of her seductive charms. Anna Maria kept a series of lovers but Shrewsbury turned a blind eye, making himself a laughing stock at court. During a trip to York in 1666, she began a new affair, this time with the flamboyant courtier George Villiers, 2nd Duke of Buckingham, and the following summer sexual rivalry between him and another of her paramours, the hot-headed rake Henry Killigrew, exploded in a violent scuffle. This very public fracas made it abundantly clear that Anna Maria had been serially unfaithful, and Shrewsbury’s failure to challenge either man to a duel was seen as a dereliction of his role as a noble husband. Anna Maria fled to France in shame. 

Amid reports that Buckingham was actually hiding Anna Maria in England, Shrewsbury at last summoned the courage to defend his marriage and his name. He challenged Buckingham to a duel and the duke eagerly accepted. Anna Maria exerted an extraordinary hold over a great number of men but she quite simply possessed the duke. ‘Love is like Moses’ serpent,’ he lamented in his commonplace book, ‘it devours all the rest.’ 

Pepys reported that King Charles II had tried to dissuade Buckingham from fighting the duel but the message was never received. Even if it had been delivered, Buckingham would probably have taken little heed of the king’s wishes. Charles II was more like his brother than his monarch. Buckingham’s father, also George Villiers, had been made a duke by Charles I and, when Villiers senior was assassinated in 1628, the king took the Buckingham children into his household. Young George became a close friend of the future king and many of Charles’s happiest childhood memories involved Buckingham. The pair spent their student days at Cambridge University and their names appear side by side in the records of matriculation at Trinity College. Buckingham felt little obligation to defer to the king, while Charles tended to turn a blind eye to Buckingham’s reckless conduct. 

Unknown to Shrewsbury, Buckingham had another reason to be riding to Barn Elms that January day in 1668. Shortly after the start of his affair with Anna Maria, Buckingham had viewed a magnificent estate next to the Thames. The site, then owned by the Manfield family, was within easy boating distance of London and included two hunting lodges set in 160 acres of arable land and woods. The estate was known as Cliveden, or Cliffden, after the chalk cliffs that rose above the river. From the lodges the ground dropped sharply towards the Thames, and on the far side of the river flooded water meadows and open land spread out for miles beyond. There had once been a well-stocked deer park on the site and Buckingham knew he could restore the estate to its former glory. He intended to replace the lodge with a large house that would boast the best views in the kingdom.

Buckingham bought Cliveden with the pleasures of the flesh at the forefront of his mind. This, he fantasised, would be his grand love nest with Anna Maria, a place for them to freely indulge in their affair – hunting by day, dancing by night. It was Buckingham’s obsession with Anna Maria and his dream of a gilded life with her at Cliveden that led him to accept Shrewsbury’s challenge.

Buckingham’s fight with Shrewsbury was not to be an impulsive brawl of the sort seen every night across London’s streets and taverns, but a carefully calibrated episode of violence. Although there had been medieval precedents for settling disputes through combat, the duel of honour was essentially a Renaissance invention, imported from Italy. Duelling formalised conflicts between aristocrats, replacing cycles of revenge, usually romantic in nature, with a single, rule-bound encounter. Its outcome served to resolve and annul any other grievances. The duel was part of a new court culture, which placed heavy emphasis on civility and courtesy; when these principles were ignored, duelling provided a means of redress. In the 1660s, after the monarchy was restored, duels became more common and attracted significant public interest and press comment, even if the participants lacked any kind of celebrity status.8 Charles II did issue an anti-duelling proclamation in 1660: ‘It is become too frequent,’ this stated, ‘especially with Persons of quality, under a vain pretence of Honour, to take upon them to be the Revengers of their private quarrels, by Duel and single Combat.’ In reality, however, Charles II had no moral objection to the culture of romantic fighting, and in the absence of effective legislation from Parliament, duels were judged on a case-by-case basis. 

A duel was conventionally initiated with a challenge from the aggrieved party, whose complaint could be anything from the monumental to the trivial. The philosopher Thomas Hobbes wrote that men fought duels ‘for trifles, as a word, a smile, a different opinion, and any other sign of undervalue in their Kindred, their Friend, their Nation, their Profession or their Name’. Even if a challenge were accepted, the duel itself could be avoided, either by one of the parties backing down or by a third party intervening. When a fight did take place, the duellists were each required to select two men as ‘seconds’. In earlier times the seconds had merely an auxiliary role, carrying weapons and arbitrating, but by the 1660s it had become fashionable for them to engage at the same time as the main combatants – turning the duel into a ritualised piece of gang violence. Nominally, the aim was to prove one’s honour by exposing oneself to danger, not to kill the opponent, but inevitably some duels ended in serious injury or death. 

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