The Miracle & Tragedy of the Dionne Quintuplets

The Miracle & Tragedy of the Dionne Quintuplets

by Sarah Miller

Narrated by Robin Miles

Unabridged — 9 hours, 18 minutes

The Miracle & Tragedy of the Dionne Quintuplets

The Miracle & Tragedy of the Dionne Quintuplets

by Sarah Miller

Narrated by Robin Miles

Unabridged — 9 hours, 18 minutes

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Overview

In this riveting, beyond-belief true story from the author of The Borden Murders, meet the five children who captivated the entire world.

When the Dionne Quintuplets were born on May 28, 1934, weighing a grand total of just over 13 pounds, no one expected them to live so much as an hour. Overnight, Yvonne, Annette, Cécile, Émilie, and Marie Dionne mesmerized the globe, defying medical history with every breath they took. In an effort to protect them from hucksters and showmen, the Ontario government took custody of the five identical babies, sequestering them in a private, custom-built hospital across the road from their family--and then, in a stunning act of hypocrisy, proceeded to exploit them for the next nine years. The Dionne Quintuplets became a more popular attraction than Niagara Falls, ogled through one-way screens by sightseers as they splashed in their wading pool at the center of a tourist hotspot known as Quintland. Here, Sarah Miller reconstructs their unprecedented upbringing with fresh depth and subtlety, bringing to new light their resilience and the indelible bond of their unique sisterhood.

Editorial Reviews

SEPTEMBER 2019 - AudioFile

Robin Miles narrates the story of the famed quintuplets, born in Canada in 1934 to Olivia and Elzire Dionne. Speaking in a tone of authority and engagement, Miles captures the story’s dramatic elements and the author’s impeccable research. The birth quickly became a media frenzy, and Miles dramatically renders the parents’ fight to retain custody of the children and control of the income they produced. Listeners will hear about the complex emotional dynamics of children being raised as tourist attractions—their attachment to attention and contrasting loneliness, their closeness to caregivers and distance from family, and, ultimately, the price they paid while others benefited financially. Each chapter begins with a headline that encapsulates a key event from a 64-year period. Miles’s readings of dialogue and journal writings add emotion to the real-life drama. S.W. © AudioFile 2019, Portland, Maine

The New York Times Book Review - Melissa Walker

…Miller offers a detailed, captivating work of narrative nonfiction that reveals how the miracle of the Dionne quintuplets' survival morphed into a spectacle that forever altered the lives of the girls and the rest of the Dionne family…Throughout, Miller avoids a sensational tone, and her fresh and detailed reconstruction of this famous story is riveting—part tabloid story, part poignant biography. Young readers will relate to many of sisters' struggles about individuality and independence, and they'll find it hard to hold onto a single, solid truth in this story, rife as it is with both disturbing and sympathetic moments.

Publishers Weekly

08/05/2019

Beginning two days after their premature birth in rural Ontario on May 28, 1934, “the lives of the Dionne quintuplets were inextricably bound with the press,” asserts Miller (Caroline: Little House, Revisited), whose headline-style chapter titles reinforce that point in this compelling account. Together, the five babies weighed only 13 pounds, 6 ounces, and their desperate parents, Oliva and Elzire Dionne, traded privacy for critical necessities: breast milk and incubators. Those rushing to provide support simultaneously saved the quintuplets’ lives and wreaked emotional havoc upon the family. Miller details the efforts of Dr. Dafoe, the local medical practitioner; the nurses he chose to keep the infants alive; Dr. Blatz, who attended to the sisters’ emotional and mental development; and the government of Ontario, which tried to protect the family from being exploited by unscrupulous Americans seeking to profit from the story. The Dionne parents’ rights to raise their children were continually overruled, and the physical separation of the quintuplets from the rest of their family until age nine produced lifelong emotional dysfunction. Miller presents multiple viewpoints with sensitivity, enmeshing the reader in the Dionnes’ lives so successfully that it is impossible not to feel the tragedy of the quintuplets’ lives. Black-and-white family photos and notes further expand this eye-opening, thoroughly researched title. Ages 12–up. (Aug.)

From the Publisher

A Bulletin 2019 Blue Ribbon Book

"Miller avoids a sensational tone, and her fresh and detailed reconstruction of this famous story is riveting — part tabloid story, part poignant biography."
New York Times Book Review

"[A] thorough, fascinating deep dive into the lives of five girls who captured the attention of millions"–Booklist, Starred Review

"Miller demonstrates herself once again to be a dab hand at examining a historic media frenzy and analyzing the legacy of its lore, leaving trails of ill-informed opinion and blame that lingers into the present."–Bulletin, Starred Review

Fascinating and well-told. Miller negotiates the multiple viewpoints with a clear eye and extensive research.” – Voya, Starred Review

“International media darlings during the Great Depression, the Dionne sisters are virtually unknown to today’s young people, but Miller’s intense focus on what the girls were going through makes their story timeless.” –Horn Book, Starred Review

“It is impossible not to feel the tragedy of the quintuplets’ lives….  eye-openingthoroughly researched.”—Publishers Weekly

Captivating and enchanting, as well as respectful…. Thoughtfully, cautiously, and candidly researched.”—School Library Journal

School Library Journal

08/23/2019

Gr 7 Up-In May of 1934, a 24-year-old farmer's wife in North Bay, Ontario gave birth to five identical girls. The Dionne Quintuplets, as the media would christen them, were named Yvonne, Annette, Cécile, Émilie, and Marie. Born prematurely, the girls were tiny—surprising even the two midwives who had helped deliver hundreds of babies. Miller (The Borden Murders: Lizzie Borden and the Trial of the Century) is no stranger to writing historical nonfiction astutely and accurately. The story of the quintuplets is told in chronological order, and the dialogue is directly rendered from diaries, books, and newspapers. Photographs put faces to the names. Miller's style is captivating and enchanting, as well as respectful. The references section offers further reading or watching, and the well-organized notes section proves Miller did her due diligence. VERDICT Thoughtfully, cautiously, and candidly researched. A must-purchase for all YA/junior high nonfiction collections.-Gretchen Schulz, Schaumburg Township District Library, IL

SEPTEMBER 2019 - AudioFile

Robin Miles narrates the story of the famed quintuplets, born in Canada in 1934 to Olivia and Elzire Dionne. Speaking in a tone of authority and engagement, Miles captures the story’s dramatic elements and the author’s impeccable research. The birth quickly became a media frenzy, and Miles dramatically renders the parents’ fight to retain custody of the children and control of the income they produced. Listeners will hear about the complex emotional dynamics of children being raised as tourist attractions—their attachment to attention and contrasting loneliness, their closeness to caregivers and distance from family, and, ultimately, the price they paid while others benefited financially. Each chapter begins with a headline that encapsulates a key event from a 64-year period. Miles’s readings of dialogue and journal writings add emotion to the real-life drama. S.W. © AudioFile 2019, Portland, Maine

Kirkus Reviews

2019-05-22
The true story of the Dionne quintuplets—the first quintuplets to survive infancy.

On May 28, 1934, five identical girls were born to Elzire and Oliva Dionne in an Ontario farmhouse that lacked central heating, running water, or electricity. The combined weight of all five at birth was just 13 pounds, 6 ounces, and their struggle to survive (as copiously reported by the press, which rapidly descended on the farmhouse) captured people's hearts in the midst of the Great Depression. Overwhelmed by publicity and in legal trouble from an ill-considered contract to display the quintuplets at the Chicago World's Fair, Elzire and Oliva turned custody of the girls over to the Red Cross, which built a hospital/nursery for them. Instead of shielding the quintuplets from exploitation (one of the reasons put forward for custody), the Red Cross instead displayed them to the thousands of visitors a day who arrived, visitors who could also buy souvenirs at several shops—two owned by Oliva. Miller (Caroline, 2017, etc.) tells the story chronologically with a succinct perceptiveness that is riveting in its detailing of well-meaning intentions turning to exploitation, and her inclusion of dialogue—drawn from contemporary materials—and photographs delivers a fresh feel. Notably, she individualizes the girls by always referring to them by name rather than lumping them together.

An altogether fresh, perceptive, well-written chronicle of this cautionary tale. (afterword, note on dialogue, references, notes, index) (Nonfiction. 12-18)

Product Details

BN ID: 2940172227844
Publisher: Penguin Random House
Publication date: 08/27/2019
Edition description: Unabridged
Age Range: 10 - 13 Years

Read an Excerpt

November 1943
 
In an empty nursery, behind two woven wire fences topped with barbed wire, five nine-year-old girls waited for their father. Five suitcases sat alongside them. Five smiling Shirley Temple dolls were clutched in their arms. Yvonne stared out the window at the yellow brick mansion up the hill. Annette quietly seethed, pretending not to be afraid. Cécile sat in a corner, rocking her doll. Émilie prayed that it was all just a bad dream. Marie tried to tell a silly story, but no one laughed.
At the sound of their father’s footsteps in the hall, all five sisters hugged their Shirley Temples closer to their chests. The moment they dreaded had come.
For the first time in their lives, the Dionne Quintuplets were going home.
Oliva Dionne did not speak as he and his five identical daughters walked through the hospital’s guarded gate, down the road, and through another gate that led to the colossal Georgian house that was to be their new home. He did not lead them up the steps to the grand front door. Instead, he entered through a service door into the kitchen. Yvonne followed first, trying to be brave for her sisters’ sake. Though Yvonne was no more than a few minutes older than Annette, Cécile, Émilie, and Marie, she had acted the part of the little mother since she was a toddler. For nine years Mr. Dionne had battled with the government to unite his family under a single roof. Now that his triumphant moment had arrived, the man who had once crawled through a drainpipe to elude hospital guards just so he could glimpse his five famous babies through a window spoke a single sentence.
“The little girls are here,” he told his wife, and continued into the house, leaving his daughters standing in the unfamiliar kitchen with their dolls and suitcases.
“Bonsoir, Mom,” Yvonne, Annette, Cécile, Émilie, and Marie said, greeting their mother in a mixture of French and English.
“Supper will be ready soon,” Mrs. Dionne replied in French, then called for two of her elder daughters. “Show the little girls around the house,” she instructed.
Without a word, “the little girls” followed as their big sisters pointed into one doorway after another. The living room, the den, the sewing room, their father’s office. Redolent of fresh paint and filled with pristine furniture, the house felt new and sterile, more sterile by far than the hospital that had been their home since they were four months old.
Then they reached the dining room. Like everything else in the house, it was big, in this case big enough to seat fourteen—Mr. and Mrs. Dionne, Yvonne, Annette, Cécile, Émilie, Marie, and their seven brothers and sisters, Ernest, Rose-Marie, Thérèse, Daniel, Pauline, Oliva Jr., and Victor. An archway divided the room in half, with a table on each side. “This side is for our family,” the little girls remembered one of their elder sisters saying. “The other side is for your family.”
Not one of the bewildered nine-year-olds knew what to say.

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