Publishers Weekly
★ 05/29/2023
Horror debuts don’t come much more impressive than this unsettling offering from Milas, who puts his experience as a U.S. Marine stationed in Afghanistan to good use. While setting a haunted house in the Afghan desert isn’t intuitive, Milas’s facility for capturing the mixed terror and boredom of war makes this a standout. It’s 2010, and Cpl. Alex Loyette is in Helmand Province overseeing soldiers at a forward operating base that provides logistical support for transport helicopters. Near the base is an abandoned Soviet-era building known as the militia house, which, according to British soldiers who’ve been at the base the longest, was the site of a brutal massacre of Russian soldiers, who’d purportedly been skinned alive by mujahideen in the ’80s. Loyette and his men can’t resist the temptation to sneak a visit to the house, a brief foray that leads to some terrifying consequences, leaving all parties haunted. Milas is brilliant at making his lead’s eerie experiences and surreal hallucinations vivid, scary, and psychologically nuanced. Fans of classic horror will welcome this outstanding new talent. (July)
From the Publisher
A Roxane Gay Book Club Pick
An Indie Next Pick for July 2023
“Milas’s prose is laconic and wise, writing that gives it to you straight. At times Loyette’s voice is so frank and revealing, it sounds nearly confessional. Through it we get the stark admissions of a mind bruised by war and its terrifying secrets, encapsulated here by a classic horror device: the haunted house.”
—Daniel Woodrell, The New York Times Book Review
“Milas is a wordsmith, and this novel is as haunting as it is impressive.”
—CrimeReads, "Most Anticipated Crime Fiction of Summer 2023"
“Horror debuts don’t come much more impressive than this unsettling offering from Milas...Milas is brilliant at making his lead’s eerie experiences and surreal hallucinations vivid, scary, and psychologically nuanced.”
—Publishers Weekly (starred review)
“Q: What happens when the fog of war gets inside one's head? A: The military novel gone gothic....Milas nimbly and delicately balances the book between genres: It would be a relief for Loyette, and for the reader, if we could classify it—label it, defang it—as horror rather than having, agonizingly, to view it as a realistic portrait of a war-damaged mind collapsing in on itself.”
—Kirkus Reviews
“This is a beautiful horror story told masterfully and elegantly. It is a brilliant, different kind of war novel, one that reveals the insidious ways the violences of war can tear people apart from the inside out.”
—Roxane Gay, New York Times bestselling author of Hunger: A Memoir of (My) Body
“A page-turner that is also a searing, gut-wrenching, literally haunting portrait of war and military allure, with its endless mirages and trap doors. I'll never stop thinking about The Militia House.”
—Gabriela Garcia, New York Times bestselling author of Of Women and Salt
“It's not enough to say that The Militia House is one of the great haunted house stories of this century. In his startling and aching portrait of American soldiers in Afghanistan, John Milas takes us deep into the psychological damage of war that these young people carry with them. This is an indelible first novel—terrifying and heart-rending, full of scenes and images that will linger for long afterward.”
—Dan Chaon, author of Sleepwalk
“I was floored from the very first page of The Militia House. Milas takes the absurdity of war and plants a haunted house tale in its heart. The result is terrifying and uncanny, with an ending so devastating that it felt like those final pages took a piece of me with them.”
—Gus Moreno, author of This Thing Between Us
“The Militia House is a stunningly original examination of the enduring darkness not just in humanity’s capacity for war but in our very souls. In these times particularly, this is a book that speaks importantly to us all.”
—Robert Olen Butler, Pulitzer Prize-winning author of A Good Scent from a Strange Mountain
“The Militia House seamlessly joins war and horror, reminding me of something Ambrose Bierce might have written, had he been born a Millennial, just as bleak, twice as earnest, and done a deployment with the U.S. Marines in Southwest Asia. This is not the bloodiest Afghanistan war novel I have read, but the most unsettling.”
—Brian Van Reet, author of Spoils
“Dear Reader, prepare to scream inside your heart. This is a haunting, soulful, and beautifully disturbing novel about the psychological toll of serving in modern war. Speaks to the horror and personal abyss of young people in uniform stepping into history and taking up arms in a foreign land. John Milas is like Tim O'Brien and Edgar Allen Poe writing Rod Serling's The Twilight Zone. Timely and timeless, this book is both a swashbuckling adventure tale of Marines at war who encounter a haunted house and a piercing work of art. Catch-22 but make it horror.”
—Gabe Hudson, author of Dear Mr. President
Library Journal
04/13/2023
DEBUT The narrator of this debut novel is a 22-year-old corporal responsible for a small group of U.S. soldiers on FOB Z, a base in Helmand Province, Afghanistan. He's unprepared for his responsibilities, but he realizes everyone else is unprepared too. Days on the base tick by with a mixture of boredom, low-grade anxiety, and reflections on cultural differences between the American and British troops with whom they share the base. When the Brits tell the Americans about an allegedly haunted building just past the boundaries of the base, the lure proves too tempting for the Americans to resist. What follows is a slow descent into a psychological hell that only war could conjure, one that will follow Corporal Loyette long after he has left the battlefields of Afghanistan. The terror in this novel is gothic and ominous but will nevertheless keep readers enthralled. VERDICT Milas served in Helmand Province and writes with clarity and precision about the physical and psychological realities of the war in Afghanistan. Fans of Stephen King's horror and Phil Klay's fictional explorations of war will be drawn to this.—Colin Chappell
Kirkus Reviews
2023-04-24
Q: What happens when the fog of war gets inside one's head? A: The military novel gone gothic.
2010. Loyette, a corporal newly assigned to a forward base in Afghanistan, has been tasked with leading a small group in offloading cargo from helicopters. After his brother was killed in action, Loyette—in what he now sees as a gung-ho blunder—left college to join up, and he's mostly marking time until he can go home. The work is lonely, intermittent, often dreary; he and his squad are safe within the walls of the compound but bored and anxious and hypervigilant. Just outside the camp's gates sits the empty husk of a Soviet-era barracks in which, they’re told, a massacre of the occupiers occurred, and—an idle mind being the gothic novelist’s workshop—they decide to make a brief tour; perhaps they can snag a souvenir. While there, Loyette and his men grow disoriented, lose track of time, and a staircase to a basement seems to disappear. Once they emerge, they ignore or explain away the oddity and get back to their stultifying routine, but strange things start happening—inexplicably altered drawings, a notebook disappearing and reappearing (Loyette has been in trouble for acts of too-candid journalism, which is part of how he's ended up here), porcupine quills showing up in odd places, sleepwalking—and then, it seems, the shadows and strangenesses extend beyond them, start to affect everyone on the base. When one of Loyette’s men goes missing, there's only one place he could possibly be. Loyette and another member of the squad feel they have no choice but to attempt a rescue mission...straight down the rabbit hole that is the militia house. At this point, Milas nimbly and delicately balances the book between genres: It would be a relief for Loyette, and for the reader, if we could classify it—label it, defang it—as horror rather than having, agonizingly, to view it as a realistic portrait of a war-damaged mind collapsing in on itself. The novel turns, as the gothic often does, on what happens when one can no longer distinguish inside from out, mind from world, fear from menace.
A mostly sharp, disturbing debut.
