The Mexican Crack Writers: History and Criticism

The Mexican Crack Writers: History and Criticism

The Mexican Crack Writers: History and Criticism

The Mexican Crack Writers: History and Criticism

Paperback(Softcover reprint of the original 1st ed. 2017)

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Overview

This book provides a rich and cutting-edge analysis of one of the most prominent literary groups in Latin America: the Mexican Crack Writers. The first part explores the history of the group and its relation to the Latin American literary tradition, while the second part is devoted to the critical analysis of the works of each of the authors: Ricardo Chávez Castañeda, Ignacio Padilla, Pedro Ángel Palou, Eloy Urroz and Jorge Volpi. The volume is further enriched by the inclusion, in the appendix, of the two manifestos of the group: the Crack Manifesto and the Crack Postmanifesto (1996-2016). It will be of great interest to students and scholars focusing on contemporary Latin American literature.


Product Details

ISBN-13: 9783319873763
Publisher: Springer International Publishing
Publication date: 05/17/2018
Series: Literatures of the Americas
Edition description: Softcover reprint of the original 1st ed. 2017
Pages: 210
Product dimensions: 5.83(w) x 8.27(h) x 0.02(d)

About the Author

Héctor Jaimes is Professor of Latin American Literature and Culture at North Carolina State University, USA. His areas of expertise are Mexican Studies and the Latin American essay. He is the author of Filosofía del muralismo mexicano: Orozco, Rivera y Siqueiros (2012) and La reescritura de la historia en el ensayo hispanoamericano (2001).

Table of Contents

1. Introduction. The Mexican Crack Writers: Towards a New Literary Aesthetics; Jaimes.- 2. The Crack Movement’s Literary Cartography (1996-2016); Alvarado Ruiz.- 3. The Crack: Generational Strategies in Mexico; Regalado.- 4. Narrative Techniques in Jorge Volpi’s fictions; Calderón.- 5. Science, Art, and Magic: Totalization and Totalitarianism in Jorge Volpi’s In Search of Klingsor; González.- 6. Soldiers and Shadows: The Post-National Militant in Ignacio Padilla’s Amphitryon and El daño no es de ayer; Stachura.- 7. Living in Las Rémoras. An introduction to Eloy Urroz’s Fiction; Regalado.- 8. Towards a Philosophy of Love: Pedro Ángel Palou’s Qliphoth and La profundidad de la piel; Jaimes.- 9. El dinero del diablo by Pedro Angel Palou: A New Moral Dialogue; Houvenaghel.- 10. Ricardo Chávez Castañeda: The Limits of Fiction; Sánchez Prado.- 11. Crack Manifesto.- 12. Crack Postmanifesto (1996-2016).- Notes on Contributors.

What People are Saying About This

From the Publisher

“This fine collection of essays on the Mexican Crack that revolutionized Latin American literature invites us to analyze the birth of a new literary era, conceived in the midst of neoliberalism and globalization. This timely study of this generation’s literary production revisits key concepts related to identity and literary influence, innovative writing techniques, literary field, and spatial shifts. A rich cartography of critical and theoretical approaches that sheds light on contemporary Mexican literature and culture.” (Oswaldo Estrada, University of North Carolina at Chapel Hill, USA)

“A long overdue single-volume analysis of the Mexican “Crack” phenomenon, the essays included aptly contextualize the poetics and themes of the Crack writers, as well as offering both the group’s manifesto and “post manifesto”. A required reading for all those interested in the avatars of recent Mexican fiction.” (Pablo Brescia, Professor of Latin American Literature, University of South Florida,USA)

“Twenty years after the defying “We are the crack” pronouncement (1996-2016), and following the unexpected tragic loss of Ignacio Padilla, the book recovers the origins and innovative proposals of a generation and celebrates their coming of age.” (Professor Sara Poot-Herrera, University of California Santa Barbara, USA)

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