The Marriage of the Sea: A Novel
In a damp Venetian palace, Oswaldo contemplates the ravages of time to his body and his beloved city. In New York, Lach savors his freedom, having just dropped Vera to join his new love, Francesca, in Venice. In rainy London, Max packs for New Orleans, in pursuit of Lucinde, a woman he barely knows. From New Orleans, Lucinde flies to the aid and comfort of Vera, who has accepted a grant to paint in Venice. While elsewhere in the Crescent City, Anton, leaving for Venice, sketches a good-bye upon the slumbering body of his wife, Josephine. With wit, sympathy, and surpassing deftness, Jane Alison choreographs an intricate dance among these characters, whom love and loneliness, aspiration and desperation, have drawn to two famously romantic, venal, and elusive cities of water.

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The Marriage of the Sea: A Novel
In a damp Venetian palace, Oswaldo contemplates the ravages of time to his body and his beloved city. In New York, Lach savors his freedom, having just dropped Vera to join his new love, Francesca, in Venice. In rainy London, Max packs for New Orleans, in pursuit of Lucinde, a woman he barely knows. From New Orleans, Lucinde flies to the aid and comfort of Vera, who has accepted a grant to paint in Venice. While elsewhere in the Crescent City, Anton, leaving for Venice, sketches a good-bye upon the slumbering body of his wife, Josephine. With wit, sympathy, and surpassing deftness, Jane Alison choreographs an intricate dance among these characters, whom love and loneliness, aspiration and desperation, have drawn to two famously romantic, venal, and elusive cities of water.

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The Marriage of the Sea: A Novel

The Marriage of the Sea: A Novel

by Jane Alison
The Marriage of the Sea: A Novel

The Marriage of the Sea: A Novel

by Jane Alison

Paperback(First Edition)

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Overview

In a damp Venetian palace, Oswaldo contemplates the ravages of time to his body and his beloved city. In New York, Lach savors his freedom, having just dropped Vera to join his new love, Francesca, in Venice. In rainy London, Max packs for New Orleans, in pursuit of Lucinde, a woman he barely knows. From New Orleans, Lucinde flies to the aid and comfort of Vera, who has accepted a grant to paint in Venice. While elsewhere in the Crescent City, Anton, leaving for Venice, sketches a good-bye upon the slumbering body of his wife, Josephine. With wit, sympathy, and surpassing deftness, Jane Alison choreographs an intricate dance among these characters, whom love and loneliness, aspiration and desperation, have drawn to two famously romantic, venal, and elusive cities of water.


Product Details

ISBN-13: 9780312422554
Publisher: Picador
Publication date: 04/01/2004
Edition description: First Edition
Pages: 272
Product dimensions: 5.50(w) x 8.50(h) x 0.61(d)

About the Author

Jane Alison is the author of The Love-Artist and The Marriage of the Sea. She lives in Germany.

Read an Excerpt

The Marriage of the Sea

A Novel
By Jane Alison

Picador

Copyright © 2004 Jane Alison
All right reserved.

ISBN: 9780312422554

The Marriage of the Sea
Begin readingMax landed in New Orleans like a sprinter. His cab barreled over the toxic empty highway into town, the battered streets and battered sidewalks and battered, crooked houses. He'd chosen the most romantic hotel, just beyond the Garden District, lopsided and seedy. Once he'd checked in he ran up the staircase, noting with delight the stained glass promise in the window: Let my beloved come into his garden and eat his pleasant fruits! Then he had barely put down his bag, barely phoned Sea & Air to provide a temporary number (should his fur teacup and cookbooks and secondhand Paul Smiths be lost at sea in their nailed, stamped crates), before he washed his hands, looked at his teeth, tried to order his fly-away ringlets, paced once up and down the room, lifted the receiver, and dialed. He did it standing, bursting from his body, his mouth stretched in the same wide smile that had stretched it inanely that whole wondrous week. And there, miraculously, she was."Well!" she said, slowly but with an unmistakable exclamation mark. Which meant--? "So, Maximilian, you're actually here."Yes, yes, he tried not to babble, here I am, here I am, for you! He sat down on the bed, but one leg continued to jog and bounce so he clapped a hand heavily upon it."We'll have to see each other, then, won't we?" she said.Which meant--? Max stood up again. His mouth was open in a half-smile, poised to say the next giddy thing, but it went dry that way as, at her end, there was a sudden noise and her voice changed."Oh dear, I've got to run. Money's calling, can't be resisted. Call me back in a couple of hours."Max hung up, suddenly vague, and lay down, or rather unfolded, on the bed. He could hear people out on the porch downstairs. With one eye he studied the floor, which sloped. Perhaps he could smell margaritas from here. Suddenly he sneezed the way he always did, as if the sneeze had erupted from deep in the ground and shaken his whole body with force; he blew his nose noisily and shut his eyes, recovering.Thick air, very thick air you could almost see hanging--but better than London, certainly. Max looked at his watch and noticed that he had not yet adjusted it. This took some seconds. He got up and lifted the rotting window higher and looked out. The place seemed lazy, all those things it was famed for: Spanish moss, crumbling columns. A hum of voices, a certain smell--electricity, he realized, from the streetcar rattling by. Unknown plants all over. Reluctantly he went out for a walk.When he came back, he paced around the room a few minutes, whistling between his teeth, then arched, touched his toes, and called her again. No answer. He felt sick and lay down once more on the bed. He opened the Times Literary Supplement, which, folded, he'd banged upon his knee almost the entire Virgin Air flight, and now managed with it to consume more than an hour, until at last it was again time to call.She had changed her recording, just for him, which had a mixed effect. He was to call tomorrow, her voice said, so sorry she didn't have his number, so rude to make him keep calling.Now Max had an entire night. He drank two exceptionally salty margaritas on the porch downstairs, and thought of that island somewhere nearby that was supposed to be made of salt, and watched the news, which seemed very American. He ate not the best sample of red beans and rice. For a time he studied the different bottles of hot sauce, comparing ingredients and quantities of sugar and making a few notes about peppers; briefly but vividly he thought about how the heat trickled from the pepper's veins to its seeds, and how when people said pepper, most often they confused the capsicum with Piper nigrum itself, and how for true pepper (by which he meant Piper nigrum) men had once sailed all the seas, and how, in contrast, the flavor of paprika disappeared so quickly, poor little fugitive spice. Finally he trudged upstairs, fell asleep, and, without knowing it, snored violently.The next morning Max was all fresh and shaven at seven o'clock, ready to grapple bulls, all bright smile. And when he dialed her number, there it was, her live voice!"I'm so sorry, darling," she said. "I'm afraid we've missed. I'm leaving this afternoon for a meeting in New York, and then I'm on to Venice.""Ahh." A single note was breathed from him, an involuntary expiration, and without wishing it at all, he felt his mouth fall into that sad shape, that ghost from the old flat upstairs.But very well. He was here. She'd be back. Patience he'd always had.Copyright © 2003 by Jane Alison

Continues...

Excerpted from The Marriage of the Sea by Jane Alison Copyright © 2004 by Jane Alison. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Reading Group Guide

Reading Group Guide Questions

1. How does opening scene with Oswaldo set up the novel's main themes concerning time and place?

How important is location and atmosphere to the story? Why? Which descriptive passages about location did you find the most affecting and evocative?

2. "If you want nothing," Oswaldo observes on page 134. "You do not want to live." Discuss the thematic connection between life and "wanting" as represented by the characters of Max, Lach,

Anton, Lucinde and Josephine.

3. Would you describe Marriage of the Sea as a realistic novel? How does Alison use magical and fantastical elements throughout the story?

4. Which character in the novel did you have the most sympathy for? Which the least? Explain.

5. Do you see any connection between some of the characters professions and their personalities?

Explain.

6. Did the course of the relationships in the novel turn out as you anticipated? Were you surprised by any of characters' decisions? Explain.

7. What past events haunt Lucinde, Anton and Max? How do those events respectively affect their present? Discuss Alison's allusive writing style in evoking these characters' histories.

8. Discuss the significance of the title Marriage of the Sea. How does water figure into the story, both literarily and metaphorically?

9. On page 249, Oswaldo thinks, "All the busyness and vainglorious fuss that we make, all for nothing. A day will come when nothing is left and no one will see. Why bother?" What answer does the novel pose to this question?

10. What do you make of the story's ending? Were you overcome by a sense of despair or hope?

Explain.

11. If you could write another chapter for each of the characters, what would you envision happening?

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