In 1956, trumpeter
Thad Jones was making his way forward as a leader and apart from his important role with the
Count Basie Orchestra, having recorded for the
Charles Mingus owned
"Debut" and
Period labels. But this release for
Blue Note most firmly established him as one of the premier musicians and composers in modern
jazz; it's titled "Magnificent" for many great reasons. There are several precedents set here; the initial foray out of Detroit for the young pianist and fellow Michiganian
Barry Harris, the identifying of a personalized small group, as well as individual sound of
Jones, and his ability to easily bring great
jazz icons together as a team. With Detroit's
Billy Mitchell on tenor sax,
Percy Heath's bass, and stellar drummer
Max Roach, this quintet makes truly great
jazz music together. Starting with
Heath's spooky bass lines surrounding
"April in Paris" melting into the silky smooth tenor of
Mitchell, you immediately know you're in for a unique listening experience.
Jones' singing
soul on his horn comes through best on the
ballads "If Someone Had Told Me," in tandem with the pristine piano of
Harris during
"I've Got a Crush on You," and in duet with
Kenny Burrell on
"Something to Remember You By." Not forgetting to follow in the footsteps of
Dizzy Gillespie/
Miles Davis/
Clifford Brown examples before him,
Jones bops strong and proud on
"If I Love Again," spurred on by
Roach constantly mutating the rhythm changes, and using counter-melodies while jousting with
Mitchell on
"Billie-Doo." The single, definitive, and most enduring piece is the near-11-minute
"Thedia," a classic
post-bop case study that everyone should know and revere. The musicianship being at such a lofty plateau, so intelligently selected and executed, this CD is a must-have for every collection, and is generally regarded as the very best work of
Jones, later
big-band recordings with
Mel Lewis notwithstanding. [An RVG remastered version of the CD was released in 2007.] ~ Michael G. Nastos
