Table of Contents
INTRODUCTION Christopher Partridge & Eric ChristiansonPart I: MusicCHAPTER 1: Satanism and Popular Music Asbjorn Dyrendal (Norwegian University of Science and Technology)CHAPTER 2: Between Hymn and Horror Film: How Do We Listen to the Cradle of Filth?Peter Mercer-Taylor (University of Minnesota)CHAPTER 3: When Demons Come Calling: Dealing with the Devil and Paradigms of Life in African American MusicAnthony Pinn (Rice University, Houston)CHAPTER 4: Dark Theology: Dissident Commerce, Gothic Capitalism and The Spirit of Rock 'n' Roll Charlie Blake (Liverpool Hope University)Part II: FilmCHAPTER 5: Speak of the Devil: The Portrayal of Satan in the Christ FilmBill Telford (University of Durham)CHAPTER 6: Celluloid Vampires, Technology, and the Decline of ReligionTitus Hjelm (University of Helsinki)CHAPTER 7: A Man of Wealth and Taste: The Strange Career of Hannibal LecterBrian Baker (University of Lancaster)CHAPTER 8: Demons of the New Polytheism George Aichele (Adrian College, Michigan)CHAPTER 9: Scriptural Dimensions of Evil: Biblical Text as Timepiece, Talisman, and TatooLarry Kreitzer (University of Oxford)Part III: LiteratureCHAPTER 10: James Hogg and the Demons of Scottish PresbyterianismCrawford Gribben (University of Manchester)CHAPTER 11: Voldemort, Death Eaters, Dementors, and the Dark Arts: A Contemporary Theology of Spiritual Perversion in the Harry Potter StoriesColin Duriez