"Witty and sagacious....The persistence of anti-Semitism after the Holocaust has been an enduring theme for American writers, from Bernard Malamud and Philip Roth to more contemporary writers like Michael Chabon, Shalom Auslanderand Steve Stern. Gross earns a spot in that company....People want to know about a place that escaped a slaughter, which frees Gross to write a fine and often funny speculative novel. But he knows people are less eager to confront the roots of that slaughter, which makes “The Lost Shtetl” a potent cautionary tale as well. — USA Today
"A gorgeous debut." — New York Post
"[A] dose of fabulism may be the best cure yet for a psychologically intolerable contemporary moment…[The Lost Shtetl is] a riveting narrative about the costs of living in one’s own time as opposed to the benefits and disadvantages of living in a “lost horizon” that has been overlooked by the contemporary world. It’s filled with a slew of intriguing characters….If this novel doesn’t take your mind off being holed up in a shuttered-down city or trying to escape the reality of the pandemic by socially distancing somewhere in the country, nothing will." — Vogue
"Lively and imaginative.... alternately reminiscent of early Isaac Bashevis Singer and a Catskills comedian. Gross’s entertaining, sometimes disquieting tale delivers laugh-out-loud moments and deep insight on human foolishness, resilience, and faith." — Publishers Weekly (starred review)
"[G]reat fun, packed with warmth, humor, and delightful Yiddish expressions....Reaching into the storytelling tradition that stretches from Sholem Aleichem to Isaac Bashevis Singer to Michael Chabon, the author spins an ingenious yarn about the struggle between past and present." — Kirkus Reviews (starred review)
“I was blown away…. ‘The Lost Shtetl’ is a Jewish fantasy in the vein of Michael Chabon’s ‘The Yiddish Policemen’s Union’ and Steve Stern’s Jewish magical realism novels. There are even echoes of Simon Rich’s New Yorker story, ‘Sell Out,’ about a time-travelling Orthodox Jewish immigrant, soon to be the major motion picture ‘An American Pickle’ starring, yes, Seth Rogen…..The novel’s narrator, a kind of first-person collective, sounds both contemporary and folkloric, as if one of the great Yiddish writers had somehow survived, like Kreskol, to tell its story. ‘The Lost Shtetl’ stands on its own.” — Jewish Week
"Gross is hilariously funny as he weaves this story....We laugh, but… do we? Yes. The miracle of this book is that it provokes theories about its intention and doesn’t let you stop trying to figure them out.” — Literary Hub
“Novelist Max Gross poses precisely this question in The Lost Shtetl . Gross’ debut novel unfolds with a transfixing, howlingly funny and achingly sad tale of incompatible cultures colliding with the looping, shaggy dog humor of Jonas Jonasson, and delightful echoes of Washington Irving’s Rip Van Winkle , Mark Twain’s A Connecticut Yankee in King Arthur’s Court , Michael Chabon’s The Yiddish Policeman’s Union , and Woody Allen’s Sleeper .” — New York Journal of Books
“Judging by The Lost Shtetl , his brilliant debut novel, author Max Gross is the metaphysical love child of Sholem Aleichem and J.K. Rowling." — Hadassah Magazine
‘With warmth and charm, Gross spins a resonant and poignant tale of village life complete with gossip and matchmakers" — The National Book Review
Novelist Max Gross poses precisely this question in The Lost Shtetl . Gross’ debut novel unfolds with a transfixing, howlingly funny and achingly sad tale of incompatible cultures colliding with the looping, shaggy dog humor of Jonas Jonasson, and delightful echoes of Washington Irving’s Rip Van Winkle , Mark Twain’s A Connecticut Yankee in King Arthur’s Court , Michael Chabon’s The Yiddish Policeman’s Union , and Woody Allen’s Sleeper .
New York Journal of Books
"[A] dose of fabulism may be the best cure yet for a psychologically intolerable contemporary moment…[The Lost Shtetl is] a riveting narrative about the costs of living in one’s own time as opposed to the benefits and disadvantages of living in a “lost horizon” that has been overlooked by the contemporary world. It’s filled with a slew of intriguing characters….If this novel doesn’t take your mind off being holed up in a shuttered-down city or trying to escape the reality of the pandemic by socially distancing somewhere in the country, nothing will."
"Gross is hilariously funny as he weaves this story....We laugh, but… do we? Yes. The miracle of this book is that it provokes theories about its intention and doesn’t let you stop trying to figure them out.
"A gorgeous debut."
"Witty and sagacious....The persistence of anti-Semitism after the Holocaust has been an enduring theme for American writers, from Bernard Malamud and Philip Roth to more contemporary writers like Michael Chabon, Shalom Auslanderand Steve Stern. Gross earns a spot in that company....People want to know about a place that escaped a slaughter, which frees Gross to write a fine and often funny speculative novel. But he knows people are less eager to confront the roots of that slaughter, which makes “The Lost Shtetl” a potent cautionary tale as well.
Judging by The Lost Shtetl , his brilliant debut novel, author Max Gross is the metaphysical love child of Sholem Aleichem and J.K. Rowling."
I was blown away…. ‘The Lost Shtetl’ is a Jewish fantasy in the vein of Michael Chabon’s ‘The Yiddish Policemen’s Union’ and Steve Stern’s Jewish magical realism novels. There are even echoes of Simon Rich’s New Yorker story, ‘Sell Out,’ about a time-travelling Orthodox Jewish immigrant, soon to be the major motion picture ‘An American Pickle’ starring, yes, Seth Rogen…..The novel’s narrator, a kind of first-person collective, sounds both contemporary and folkloric, as if one of the great Yiddish writers had somehow survived, like Kreskol, to tell its story. ‘The Lost Shtetl’ stands on its own.
‘With warmth and charm, Gross spins a resonant and poignant tale of village life complete with gossip and matchmakers"
"Witty and sagacious....The persistence of anti-Semitism after the Holocaust has been an enduring theme for American writers, from Bernard Malamud and Philip Roth to more contemporary writers like Michael Chabon, Shalom Auslanderand Steve Stern. Gross earns a spot in that company....People want to know about a place that escaped a slaughter, which frees Gross to write a fine and often funny speculative novel. But he knows people are less eager to confront the roots of that slaughter, which makes “The Lost Shtetl” a potent cautionary tale as well.
