The Longing for a Form: Essays on the Fiction of C. S. Lewis
C. S. Lewis's extremely popular works of fiction have been widely discussed in terms of the ideas and religious themes they express and defend, but less often in terms of their purely literary qualities. Ironically, Lewis, himself a noted literary critic, would have objected to any such one-sided analysis of his works. To concentrate exclusively, or even primarily, on the content of a work without a consideration of its form and style was, in his view, a seriously unbalanced method of criticism. The Longing for a Form corrects this critical imbalance by supplying a theoretical background and detailed close readings for a better understanding and appreciation of Lewis's fiction as works of art. Following three general studies, a section of the book is devoted to each to Lewis's major efforts in fiction--the Ransom trilogy, the Chronicles of Narnia, and Till We Have Faces--considering the distinctive literary features of each group and individual books within the group. Running through the book is an emphasis on form--as literary kind and as structure--and a recurrent attention to three themes of particular importance in Lewis as a writer of fiction: objectivism, longing, and the literary artist as creator. Individually, the essays supply fresh insights into the style and meaning of specific works by Lewis; as a group they illustrate a depth, technical skill, and unity of thought and theme which have not previously been accorded Lewis as an artist in fiction.
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The Longing for a Form: Essays on the Fiction of C. S. Lewis
C. S. Lewis's extremely popular works of fiction have been widely discussed in terms of the ideas and religious themes they express and defend, but less often in terms of their purely literary qualities. Ironically, Lewis, himself a noted literary critic, would have objected to any such one-sided analysis of his works. To concentrate exclusively, or even primarily, on the content of a work without a consideration of its form and style was, in his view, a seriously unbalanced method of criticism. The Longing for a Form corrects this critical imbalance by supplying a theoretical background and detailed close readings for a better understanding and appreciation of Lewis's fiction as works of art. Following three general studies, a section of the book is devoted to each to Lewis's major efforts in fiction--the Ransom trilogy, the Chronicles of Narnia, and Till We Have Faces--considering the distinctive literary features of each group and individual books within the group. Running through the book is an emphasis on form--as literary kind and as structure--and a recurrent attention to three themes of particular importance in Lewis as a writer of fiction: objectivism, longing, and the literary artist as creator. Individually, the essays supply fresh insights into the style and meaning of specific works by Lewis; as a group they illustrate a depth, technical skill, and unity of thought and theme which have not previously been accorded Lewis as an artist in fiction.
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The Longing for a Form: Essays on the Fiction of C. S. Lewis

The Longing for a Form: Essays on the Fiction of C. S. Lewis

by Peter J. Schakel (Editor)
The Longing for a Form: Essays on the Fiction of C. S. Lewis

The Longing for a Form: Essays on the Fiction of C. S. Lewis

by Peter J. Schakel (Editor)

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Overview

C. S. Lewis's extremely popular works of fiction have been widely discussed in terms of the ideas and religious themes they express and defend, but less often in terms of their purely literary qualities. Ironically, Lewis, himself a noted literary critic, would have objected to any such one-sided analysis of his works. To concentrate exclusively, or even primarily, on the content of a work without a consideration of its form and style was, in his view, a seriously unbalanced method of criticism. The Longing for a Form corrects this critical imbalance by supplying a theoretical background and detailed close readings for a better understanding and appreciation of Lewis's fiction as works of art. Following three general studies, a section of the book is devoted to each to Lewis's major efforts in fiction--the Ransom trilogy, the Chronicles of Narnia, and Till We Have Faces--considering the distinctive literary features of each group and individual books within the group. Running through the book is an emphasis on form--as literary kind and as structure--and a recurrent attention to three themes of particular importance in Lewis as a writer of fiction: objectivism, longing, and the literary artist as creator. Individually, the essays supply fresh insights into the style and meaning of specific works by Lewis; as a group they illustrate a depth, technical skill, and unity of thought and theme which have not previously been accorded Lewis as an artist in fiction.

Product Details

ISBN-13: 9781725220409
Publisher: Wipf & Stock Publishers
Publication date: 06/02/2008
Series: C. S. Lewis Secondary Studies Series
Sold by: Barnes & Noble
Format: eBook
Pages: 256
Sales rank: 724,825
File size: 23 MB
Note: This product may take a few minutes to download.

About the Author

Peter J. Schakel is Professor of English at Hope College in Holland, MI.

Table of Contents


Editions of Frequently Used Texts     vii
Preface     ix
Introduction   Peter J. Schakel     xi
General Studies
"The Thing Itself": C. S. Lewis and the Value of Something Other   Scott Oury     1
Triadic Patterns in Lewis's Life and Through   Edward G. Zogby, S. J.     20
The Creative Act: Lewis on God and Art   Janice Witherspoon Neuleib     40
The Ransom Trilogy
The Cosmic Trilogy of C. S. Lewis   Wayne Shumaker     51
The Reeducation of the Fearful Pilgrim   Chad Walsh     64
A Preface to Perelandra   Margaret P. Hannay     73
That Hideous Strength: A Double Story   Richard L. Purtill     91
The Chronicles of Narnia
Narnia: The Author, the Critics, and the Tale   Walter Hooper     105
C. S. Lewis's Narnia and the "Grand Design"   Charles A. Huttar     119
Imagination Baptized, or, "Holiness" in the Chronicles of Narnia   Eliane Tixier     136
Epistemological Release in The Silver Chair   John D. Cox     159
Till We Have Faces
Till We Have Faces: An Interpretation   Clyde S. Kilby     171
From Mt. Olympus to Glome: C. S. Lewis's Dislocation of Apuleius's "Cupid andPsyche" in Till We Have Faces   Steve J. Van Der Weele     182
Archetypal Patterns in Till We Have Faces   Joe R. Christopher     193
Notes     213
Index     225
Contributors and Editor     233
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