**The New Yorker's "Best Books of 2024 So Far"**
“Gutsy. . . . D’Erasmo plants her subjects together in unexpected arrangements, throwing in some favorite seeds of her own—a reference to Colette or Roberto Bolaño here, a look at Ruth Asawa’s sculptures there—and then steps back to see what patterns emerge.....The page glows.”—Alexandra Schwartz, The New Yorker
“Through its fusion of interview and memoir, The Long Run offers a model for what we can provide each other as we nurture the long run of our art-making lives.”—Tony Trigilio, On the Seawall
“The Long Run is a fitting culmination of that togetherness, a showcase of arcs and possibilities each as unique as the person to whom they belong. Each artist has their own path, but every now and then, these paths overlap. And this is how we learn from each other, each on our own long run.”—Abigail Oswald, Write or Die Magazine
“D’Erasmo explores not just what it means to have a long career in the arts, but what it means to be an artist, to be queer, and to be a citizen of the Earth, making this book a unique contribution to the canon of work about the life of an artist. Artists of all kinds will find inspiration and good company within these thoughtful essays.”— Kirkus (starred review)
“Novelist D’Erasmo (The Complicities) takes a rewarding deep dive into why—and how—artists are able to go on making art. . . . Artists seeking inspiration would do well to check this out.” —Publishers Weekly
“Stacey D'Erasmo' s exploration of sustained creativity, The Long Run, is poignant, exhilarating and full of wise advice from lives well lived.”—Mary Gabriel, The New York Times Book Review
“Alongside deeply personal observations of cities, lineage, queerness, and life itself, a self-portrait emerges. . . . The Long Run is at once a record of long, fulfilling careers in the arts and a study of how they can come to be.”—Poets & Writers
“Plenty of artists burn brightly for a short (or viral) spell but can’t sustain creative momentum. Others manage to keep creating over decades, weathering career ups and downs, remaining committed to their visions, and adapting to new media. Novelist Stacey D’Erasmo wanted to know how they do it, so she talked with eight artists, including author Samuel R. Delany and poet and visual artist Cecelia Vicuña, to learn the secrets to their longevity.”— Claire Kirch, The Millions
“Oh, how I needed this book! Stacey D'Erasmo has given us a tender and fascinating lineage of artists who demonstrate the myriad ways to build a life around an artistic practice and sustain it. Between their stories emerges her own gorgeous and intimate memoir, a queer künstlerroman that had me rapt. Every moment of reading these pages felt like ingesting a delicious, life-saving tonic. What a gift of a book.”—Melissa Febos, author of Girlhood, winner of the National Book Critics Circle Award
“Stacey D’Erasmo is one of my favorite writers, full stop. For years, I’ve been learning from her, admiring her wisdom and style, attempting to emulate her cool. I suspected she held secrets about how to really live, and I was right. Here she offers wisdom in the form of portraits—appreciations—each one precise, wondrous, meditative, often sexy, and exquisitely wrought. The Long Run is a revelation. A book about sustaining an artistic practice, yes, but also a book that offers sustenance itself.”—Justin Torres, author of Blackouts, winner of the National Book Award
“In and around these conversations with a range of disparate creators, Stacey D’Erasmo gives us a master class in openness, in generosity, and in courage. Fierce, funny, and philosophical, The Long Run is a necessary companion for anyone who makes things.”—Lauren Elkin, author of Flâneuse and Art Monsters
“In this brief but impressively substantive exploration of the lives and work of eight artists who have sustained enduring careers, D'Erasmo also interrogates her own path as a novelist, literary critic, and teacher as she searches for the answer to one pressing question: ‘How do we keep doing thismaking art?””—Harvey Freedenberg, Shelf Awareness
“Stacey D’Erasmo takes her place alongside Olivia Laing with these brilliant portraits of artists who have stayed in over decades and the perspectives that have kept them returning to their work. The surprise bonus is the portrait of D’Erasmo herself and the New York scenes that have buoyed her own long writing practice. An essential book that I’ll always keep at hand.”—Alice Elliott Dark, author of Fellowship Point and In the Gloaming
“What sustains creative people over the long run? What allows certain people to continue to learn and grow, both as artists and as humans Those are the kinds of questions at the heart of Stacey D’Erasmo’s book The Long Run: A Creative Inquiry, which is all about living a creative life.”—Ann Douglas, Psychology Today
“. . . .this book is as much about effort as it is about inspiration, and D’Erasmo’s candor about the rough spots opens up possibilities for deeper awareness about the process of maintaining an artistic life. ”—Mattilda Bernstein Sycamore, Los Angeles Review of Books
★ 2024-04-02
A rich meditation on the artist’s life and work over time.
Two decades into her writing career, D’Erasmo, author of The Sky Below and Wonderland, contemplates a question so many artists have likely posed: “How do we keep doing this—making art?” Seeking the answer, she presents the results of her interviews with a variety of artists including musicians, photographers, dancers, and sculptors, as well as her personal experience and research. The result is a lyrical exploration of life and art. “In my own long run, one of the main things I have always reached for to sustain me is company,” she writes. “The company of lovers. The company of friends. The company of other writers and artists, living and dead.” D’Erasmo’s essays invite readers to be part of that company, to find themselves in her pages, and, in turn, to invite other artists into the conversation. Though each essay stems from an artist the author interviewed, D’Erasmo’s associative genius takes her into new and surprising territory. For example, in “Garden,” the author wanders from queer landscape designer Darrel Morrison to Colette and climate change: “If my question is, What sustains artists over the long run?, then the answer from Morrison and Colette might clearly be: earth, which sounds so charming. However, one can’t garden, or be in a garden, or a forest, or on a prairie very long before one notices the death.” In musical sentences such as these, D’Erasmo explores not just what it means to have a long career in the arts, but what it means to be an artist, to be queer, and to be a citizen of the Earth, making this book a unique contribution to the canon of work about the life of an artist.
Artists of all kinds will find inspiration and good company within these thoughtful essays.