The Lieutenant: A Novel

The Lieutenant: A Novel

by Kate Grenville
The Lieutenant: A Novel

The Lieutenant: A Novel

by Kate Grenville

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Overview

A young astronomer in colonial Australia faces tragedy on the ground in this follow-up to the award-winning The Secret River—“A triumph. Read it at once” (The Sunday Times, UK).
 
A stunning follow-up to her Commonwealth Writers’ Prize-winning book, The Secret River, Grenville’s The Lieutenant is a gripping story of friendship, self-discovery, and the power of language set along the unspoiled shores of 1788 New South Wales, Australia.
 
As a boy, Daniel Rooke was an outsider. Ridiculed in school for his intellect and misunderstood by his parents, he finds a path for himself in the British Navy—and in his love for astronomy. As a young lieutenant, Daniel joins a voyage to Australia. And while his countrymen struggle to control their cargo of convicts and communicate with nearby Aboriginal tribes, Daniel constructs an observatory to chart the stars and begin the work he prays will make him famous.
 
Out on his isolated point, Daniel becomes involved with the local Aborigines, forging an intimate connection with one girl that will change the course of his life. But when his compatriots come into conflict with the indigenous population, Daniel must turn away from the stars and declare his loyalties on the ground.

Product Details

ISBN-13: 9780802197689
Publisher: Grove/Atlantic, Inc.
Publication date: 09/01/2018
Sold by: Barnes & Noble
Format: eBook
Pages: 320
Sales rank: 328,592
File size: 2 MB

About the Author

Kate Grenville is one of Australia’s best-loved authors. Her works of fiction include The Secret River, winner of the Commonwealth Writers’ Prize for Best Book and shortlisted for the Man Booker Prize and The Idea of Perfection, winner of the Orange Prize for Fiction.

Read an Excerpt

CHAPTER 1

PART ONE The Young Lieutenant

* * *

Daniel Rooke was quiet, moody, a man of few words. He had no memories other than of being an outsider.

At the dame school in Portsmouth they thought him stupid. His first day there was by coincidence his fifth birthday, the third of March 1767. He took his place behind the desk with his mother's breakfast oatmeal cosy in his stomach and his new jacket on, happy to be joining the world beyond his home.

Mrs Bartholomew showed him a badly executed engraving with the word 'cat' underneath. His mother had taught him his letters and he had been reading for a year. He could not work out what Mrs Bartholomew wanted. He sat at his desk, mouth open.

That was the first time he was paddled with Mrs Bartholomew's old hairbrush for failing to respond to a question so simple he had not thought to answer it.

He could not become interested in the multiplication tables. While the others chanted through them, impatient for the morning break, he was looking under the desk at the notebook in which he was collecting his special numbers, the ones that could not be divided by any number but themselves and one. Like him, they were solitaries.

When Mrs Bartholomew pounced on him one day and seized the notebook, he was afraid she would throw it in the fire and smack him with the hairbrush again. She looked at it for a long time and put it away in her pinny pocket.

He wanted to ask for it back. Not for the numbers, they were in his head, but for the notebook, too precious to lose.

Then Dr Adair from the Academy came to the house in Church Street. Rooke could not guess who Dr Adair was, or what he was doing in their parlour. He only knew that he had been washed and combed for a visitor, that his infant sisters had been sent next door to the neighbour woman, and that his mother and father were sitting on the uncomfortable chairs in the corner with rigid faces.

Dr Adair leaned forward. Did Master Rooke know of numbers that could be divided by nothing but themselves and one? Rooke forgot to be in awe. He ran up to his attic room and came back with the grid he had drawn, ten by ten, the first hundred numbers with these special ones done in red ink: two, three, five and on to ninety-seven. He pointed, there was a kind of pattern, do you see, here and here? But one hundred numbers was not enough, he needed a bigger sheet of paper so he could make a square twenty or even thirty a side, and then he could find the true pattern, and perhaps Dr Adair might be able to provide him with such a sheet?

His father by now had the rictus of a smile that meant his son was exposing his oddness to a stranger, and his mother was looking down into her lap. Rooke folded the grid and hid it under his hand on the table.

But Dr Adair lifted his fingers from the grubby paper.

'May I borrow this?' he asked. 'I would like, if I may, to show it to a gentleman of my acquaintance who will be interested that it was created by a boy of seven.'

After Dr Adair went, the neighbour woman brought his sisters back. She inspected Rooke and said loudly, as if he were deaf, or a dog, 'Yes, he looks clever, don't he?'

Rooke felt the hairs on his head standing up with the heat of his blush. Whether it was because he was stupid or clever, it added up to the same thing: the misery of being out of step with the world.

* * *

When he turned eight Dr Adair offered the bursary. It was just words: a place at the Portsmouth Naval Academy. The boy thought it could not be too different from the life he knew, went along blithely and hardly waved goodbye to his father at the gate.

The first night there he lay rigid in the dark, too shocked to cry.

The other boys established that his father was a clerk who went every day to the squat stone building near the docks where the Office of Ordnance ran its affairs. In the world of Church Street, Benjamin Rooke was a man of education and standing, a father to be proud of. At the Portsmouth Naval Academy a mile away, he was an embarrassment. A clerk! Oh dearie me!

A boy took everything out of his trunk, the shirts and under-things his mother and grandmother had so carefully made, and hurled them through the window into the muddy yard three flights below. A man in a billowing black gown caught Rooke painfully by the ear and hit him with a cane when he tried to say that he had not done it. A big boy sat him up on a high wall out behind the kitchens and poked him with a stick until he was forced to jump down.

His ankle still hurt from the fall, but that was not the pain at his heart.

His attic in Church Street wrapped its corners and angles around him, the shape of his own odd self. At the Academy, the cold space of the bleak dormitory sucked out his spirit and left a shell behind.

Walking from the Academy back to Church Street every Saturday evening to spend Sunday at home was a journey between one world and another that wrenched him out of shape each time. His mother and father were so proud, so warm with pleasure that their clever son had been singled out, that he could not tell them how he felt. His grandmother might have understood, but he could not find the words to tell even her how he had lost himself.

When it came time for him to walk back, Anne held his hand with both hers, pulling at him with all her child's weight and crying for him to stay. She was not yet five, but somehow knew that he longed to remain anchored in the hallway. His father peeled her fingers away one by one and shooed him out the door, waving and smiling, so that Rooke had to wave too and put a grin on his face. All the way up the street he could hear Anne wailing, and his nan trying to comfort her.

Many great men had received their educations at the Academy, but no one there was excited by the numbers he learned to call primes. Nor were they interested when he showed them the notebook where he was trying to work the square root of two, or how you could play with pi and arrive at surprising results.

Rooke learned at last that true cleverness was to hide such thoughts. They became a kind of shame, a secret thing to be indulged only in private.

Conversation was a problem he could not solve. If no answer seemed necessary to a remark, he said nothing. Before he learned, he had unwittingly rebuffed several overtures. Then it was too late.

At other times he talked too much. In response to some remark about the weather, he might wax enthusiastic about the distribution of rainfall in Portsmouth. He would share the fact that he had been keeping a record of it, that he had a jar on the windowsill on which he had scratched calibrations, of course when he was home on Sundays he took the jar with him, but the windowsill there was somewhat more exposed to the prevailing south-westerly wind than the one at the Academy and therefore got more rain. By this time whoever had commented on it being a fine day was sidling away.

He yearned to be a more ordinary sort of good fellow, but was helpless to be other than he was.

He came to hate the boastful cupola on the roof of the Academy, its proud golden globe, hated the white stone corners that hemmed in the bricks of the façade. The portico of the main doorway seemed too narrow for its grandiose columns and its miniature pediment, the door tiny in the middle like a face with eyes too close together.

Reluctantly approaching the place after a Sunday at home, still feeling Anne's hands pulling at him, Rooke would look up at the second floor where the rich boys had their rooms. If the curtains were open on the left-hand window, it meant that Lancelot Percival James, the son of the Earl of Bedwick, was in. A plump booming slow-witted boy, he had no time for a schoolfellow whose father was nothing more than a clerk and whose home did not have proper servants, only a maid-of-all-work. Even boys who fawned on Lancelot Percival were tired of hearing about his butler, his cook, his many maids and footmen, not to mention the sundry grooms and gardeners who took care of the estate, and the gamekeeper who protected the earl's pheasants from those who might try to help themselves.

Lancelot Percival lay in wait for Rooke and usually managed to give him a punch in passing, or spill ink on his precious linen shirt. The other boys watched without expression, as if it were normal, like killing a fly.

Lancelot Percival James's illustrious line was based on the sugar trade, and behind that on the islands of Jamaica and Antigua, and finally on the black slaves on those islands. Lancelot Percival did not understand why the square on the hypotenuse was equal to the sum of the squares on the other two sides, but he became eloquent on why the British Empire in general, and his own illustrious family in particular, would collapse if slavery were abolished.

Rooke puzzled about that idea as he puzzled at his primes. He had never seen a black man, so the issue was abstract, but something about the argument did not cohere. Think as he might, though, he could not find a path around Lancelot Percival's logic.

In any case, it was best to keep out of Lancelot Percival's way.

When he could, he slipped down to the water's edge at the mouth of the harbour where the Round Tower looked out to sea. There was a shingle beach at the foot of the ancient masonry where no one ever came. Its emptiness matched his own, a companion of sorts.

He had a secret slot in the wall where he kept his collection of pebbles. They were all ordinary, each valuable only for being different from the others. He whispered to himself as he crouched over them, pointing out their qualities. Look at how this one has little dark specks in it! And do you see how that one is like the surface of the moon?

He became his own question and his own answer.

At the Academy his only consolations were found within the pages of books. Euclid seemed an old friend. Things that equal the same thing also equal one another. The whole is greater than the part. In Euclid's company it was as if he had been speaking a foreign language all his life, and had just now heard someone else speaking it too.

He pored over Lily's Grammar of the Latin Tongue, loved the way the slippery mysteries of language could be reduced to units as reliable and interchangeable as numbers. Dico, dicis, dicet. Dative, genitive, ablative. He came to feel that Greek and Latin, French and German were not so much ways of speaking as machines for thinking.

Most of all, the heavens were transformed by the Academy's instruction in astronomy and navigation. It was a revelation to learn that the stars were not whimsical points of light, but part of a shape so gigantic it made Rooke dizzy. There was a cross-eyed feeling, standing on the earth and at the same time watching it from somewhere beyond. From that vantage point it was not rooms, fields, streets, but a ball of matter hurtling through space on an orbit the exact shape of which had been intuited by a German called Mr Kepler and proved by an Englishman called Mr Newton, who had a bridge named after him in Cambridge.

Rooke spent fruitless hours wishing that Euclid or Kepler were still alive to converse with him. The world they described was an orderly one in which everything had a place. Even, perhaps, a boy who seemed to have no place.

When the chaplain discovered that he had perfect pitch, it seemed another curse.

'C sharp!' he cried, and Rooke listened inside himself some-where and sang a note. The chaplain jabbed at the piano.

'B flat, Rooke, can you give me B flat?'

Rooke listened, and sang, and the man turned to him on the piano stool, so flushed that for a shocked moment Rooke thought that he was going to kiss him. Behind him in the choir stalls his classmates snickered, and Rooke knew he would pay later.

But as soon as his legs were long enough the chaplain taught him to play the organ in the chapel. A door opened in a world that had seemed nothing but wall.

Rooke loved the logic of the notation, the way the fundamental unit of the breve could be broken into smaller and smaller pieces. Even the quickest hemi-demi-semi-quaver was part of that original breve, the sonority unheard but underlying and giving meaning to every note.

Then there was the machine itself. An organ was nothing more than dozens of tubes of air. Every pipe had just one note to sing, was incapable of any other: one pipe, one note. Each stood in its place alongside the others, its metal mouth open, full of air waiting to be moved. Sitting at the keyboard twenty yards away at the other end of the chapel, Rooke would play a chord and listen as each pipe sang out its note. He almost wept with gratitude that the world could offer such a glory of sound.

He sat in the chapel for hours picking his way through fugues. A dozen notes, hardly music. But then those few notes spoke to each other, subject and answer, by repetition, by diminution, by augmentation, even looping backwards on themselves in a course like the retrograde motion of Mars. He listened as if he had as many ears as fingertips, and, like a blind man, could feel textures that were barely there. At the end of two or three pages of music he would hear all the voices twining together in a construction of such dizzying power that the walls of the chapel could barely contain it.

Others, tiring of the sound of Buxtehude and Bach for hours on end, would complain there was no tune. That was exactly the thing he liked best about a fugue, the fact that it could not be sung. A fugue was not singular, as a melody was, but plural. It was a conversation.

On the organ bench he sat through hundreds of sermons, his back to the crowded pews, and he mumbled the morsels of bread and sipped from the chalice with the others. But the God of sin and retribution, of the mysteries of suffering and resurrection, did not speak to him. He had no argument with God, but for him God was not in those words or those rituals.

He had seen God in the night sky long before he understood its patterns. There was something about the way the body of the stars moved together as one that he had always found miraculous and comforting.

On the long winter evenings Rooke would slip outside, past the kitchens, and stand in the yard looking up. In the cold the constellations were close and brilliant. He was comforted by the way you could always find the Charioteer and the Little Bear circling the sky together. Each sparkle did not need to find its way across the darkness alone but moved together with its fellows, held fast in its place by some mighty hand.

That the moon was sometimes a sliver and sometimes a plate had seemed when he was a child to be a sly trick. But when he understood the reason, he was awed. There was a pattern, but he had been looking for it on the wrong scale. A week was not enough to see it, a month was needed.

He hoped that all understanding might be as simple as a matter of scale. If a man had not a week, not a year, not even a lifetime — if he had millennia, aeons — all the seemingly erratic movements of heavenly bodies and earthly vicissitudes would turn out to have meaning. Some kinds of order were too vast for a human to know. But below the chaos of a single human life, you could trust that a cosmic breve was sounding.

As the chaplain had his Gospels, Rooke had his own sacred text in which his God made Himself plain: mathematics. Man had been given a brain that could think in numbers, and it could not be coincidence that the world was unlocked by that very tool. To understand any aspect of the cosmos was to look on the face of God: not directly, but by a species of triangulation, because to think mathematically was to feel the action of God in oneself.

He saw others comforted by their ideas of God: as a stern but kindly father, or a brother sharing a burden. What comforted Rooke, on the contrary, was the knowledge that as an individual he did not matter. Whatever he was, he was part of a whole, one insignificant note within the great fugue of being.

That imposed a morality beyond the terse handful of commands in the chaplain's book. It was to acknowledge the unity of all things. To injure any was to damage all.

He dreamed of leaving the place, not just the Academy but Portsmouth, closed in on itself, squeezed tightly around the harbour, those narrow streets where everyone knew him too well, Benjamin Rooke's eldest, a good enough lad but a little fey.

He had no evidence, but doggedly believed that there would one day be a place, somewhere in the world, for the person he was.

* * *

In 1775 Rooke turned thirteen and Dr Adair took his talented pupil with him to Greenwich to meet his friend the Astronomer Royal.

It was further from home than Rooke had ever travelled. He spent the journey staring from the coach window at everything that passed, all as unfamiliar as darkest Africa. Every muddy hamlet was unknown, every gawping farmhand was a stranger. By the end of the day he was drunk with novelty.

Dr Vickery was a man of middle age with a heavy-jowled face and sleepy eyes that slid away. Rooke recognised that: he also found it hard to meet the eyes of another person.

(Continues…)


Excerpted from "The Lieutenant"
by .
Copyright © 2008 Kate Grenville.
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

PART ONE The Young Lieutenant,
PART TWO The Astronomer,
PART THREE The Names of Things,
PART FOUR To Be of the Party,
PART FIVE Antigua, 1836,

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