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Overview
Welcome to the Library of Lost Things, where the shelves are stuffed with books that have fallen through the cracks—from volumes of lovelorn teenage poetry to famous works of literature long destroyed or lost. They’re all here, pulled from history and watched over by the Librarian, curated by the Collectors, nibbled on by the rats. Filed away, never to be read. At least, until Thomas, the boy with the secret, comes to the Library.
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Product Details
| ISBN-13: | 9781250164407 |
|---|---|
| Publisher: | Tor Publishing Group |
| Publication date: | 08/23/2017 |
| Sold by: | Macmillan |
| Format: | eBook |
| Pages: | 32 |
| File size: | 1 MB |
About the Author
Read an Excerpt
CHAPTER 1
The Librarian turned his eyes upon me, reversed the single sheet of paper once, then neatly back again.
"An excellent candidate," he said.
And:
"Thomas Hardy. An apropos name. We have one of his, you know? No relation, I assume?"
And:
"'Favourite grammatical form: passive voice.'" He looked me up and down, pinprick eyes narrowed, and licked his dry bottom lip. "Marvellous."
"Sir?" I said.
The Librarian's tongue flickered. "So wonderfully uninterested. Most boys, well they come here with their nasty adverbs and their present tense, or, God forbid, second person." When he shuddered his spine cracked like an old hardback opened in one swift, cruel motion. "Quite unsuitable. You on the other hand ..."
And, after some deliberation:
"Very well. The job is yours, young Thomas."
"Tom," I said and swallowed with relief that he hadn't asked me why I wanted to work for the Library. I'd prepared a response, but I doubted it would impress. The Librarian's eyes were sharp and astute, shadowed in the hollows beneath a foxed brow. He would have picked apart my half-truths, separating non-fiction from fiction and, suspicious, sniffed around the superlative adjectives.
"Come along." He unfolded his eight-foot frame from the armchair. A stick insect stretching. He led me out of his office, down a long hall which echoed our footsteps, and to a set of ornate double doors. "Through here," he said, "is the main hall of the Library. You must always treat this place with the utmost respect. We serve a greater good. Stay long and you will know this."
He guided me through the doors. On the other side, bookshelves reached the horizon.
The Librarian bent close to my ear. He reeked like damp second-hand bookshops, or comic books left to moulder in the bottom of a wardrobe. "How would you describe it, Tom?"
I was still being tested. The interview was not truly over. Perhaps it never would be.
I looked from one behemoth shelf to the next: it was a graveyard of spines, leather, paper, string, the wormed carcasses of all those books, buried next to each other one after another into the dark. The feeling of disintegrated sentences hung in the air, a deadness of language, like a word abandoned mid-syllable.
"It's impressive," I said.
"Impressive." The Librarian outstretched his arms to the expectant hall. "It takes you three syllables to encompass all this?"
I had been memorizing Roget's 1911. "Large," I said.
He chuckled. "Better to be faced with an eternity of literature and render it down to one uttered word, one brief sound. 'Large' — I think you'll be perfect."
From beneath a shelf of peeling grimoires, scratchy muttered sounds could be heard. At first I interpreted them as squeaks, then realized instead that they were voices. Words, I realized. "Stripling! Gangrel! Pilgarlic!" A scurry of grey tiny shapes crossed our path and disappeared among the nearest bookshelf.
"Ignore the rats," the Librarian said. "So bothersome. I try to keep them away from the books, but they over-run the place. They have a particular taste for the folios. I suppose it's only natural they've picked up some words. But such bothersome words." He licked a spindly forefinger and thumbed his lapel as if he could turn the page of his suit. "To work then, my unremarkable boy."
He led me through the stacks, past row upon row of books. Some were bound in leather, some gaudy, some decrepit, some little more than stapled paper, and some emanating a faint electric glow. Skittering around in the shadows, the rats could be heard in our wake: "Jackanape! Welkin!"
"Voila!" said the Librarian. "The Index."
Like a still pool in a forest, the library had given way to clear empty space containing a circle of doors, freestanding and unsupported, each unadorned apart from a single round window at head height. Narrow bookcases stood attendant by each, laid out like spokes within the wheel of doors.
"Observe." The Librarian plucked the first volume waiting on one of the bookcasespokes. It was gently smoking; the Librarian carefully patted out its glowing embers. He inspected both of its covers. "Sonnenfinsternis by Arthur Koestler. You do know German? I've been waiting for this one. File this under Wartime Casualties."
And:
A sandy pile of barely bound papers. "The Visions of Iddo the Seer — fascinating. File under Myriad Apocrypha."
And:
A sheaf of laser-printed paper. "Untitled Novel About a Boy with No Hands (Incomplete) by S. Berman. That's one for the Self-Doubt section — half a novel deleted in a crisis of confidence, if I'm not mistaken." He coughed. No, it was a laugh. "I'm never mistaken."
And:
A threadbare exercise book missing one of its staples. "The Collected Works of the Poet Jeremiah Blenkinsop, Aged 13-and-Three-Quarters. Much as I regret that we must collect such ephemeral dross: file under Adolescent Verse. Do I make the task at hand clear? Take the volume, examine its cover, file in the appropriate section."
I nodded.
"Under no circumstances do you open the book. Is that clear?"
When I was late in responding, he peered at me. "You are not a curious boy are you? I insist on no aspirations, no predilections. Books are not to be read."
"I haven't read a word since my GCSEs, sir."
He smiled. I suppressed a shudder. His teeth were spotted, like the acid foxing on old paper.
In the round window of the door directly behind the Librarian, a face appeared. It was a wide, flat face, that of a rag doll's, or a scarecrow's — the look emphasized further by thick stitches that shut his eyes. The door opened to admit the lumpish creature. Behind it, I saw a vista: not the Library stretching away but a courtyard at night. A mound of books burned and the silhouettes of men watched from below scarlet flags. At the sound of a bugle, each figure raised their right arm high in salute.
The Librarian noted how I stared. "1943 Common Era," he said in a grave tone. "So many books lost forever. We were understaffed — had been since the Great Pandemic."
The rag-doll creature unloaded an armful of still-smoldering books onto the case before turning back to the door. The Librarian stopped it. "This is a Collector," he said, then added, squinting at the nametag sewed on his chest, "Gadzooks."
"Why are his eyes sewn shut?"
The Librarian scowled. "That's only a metaphor." He squinted at me. "You know ... symbolic? Not real?" He sighed and bent an arm around my shoulder. "Gadzooks, this is Thomas Hardy. Passive voice, mind you. He's our new Indexer."
Gadzooks bowed his head.
"I trust you'll show him the ropes," said the Librarian, "and then to his chambers at the end of the day." He picked up the next book on the shelf. "Misguided Pornography," he said, then placed it into my hands and shuffled away.
So:
I worked, for an indeterminate number of hours, filing away the books as they were deposited on the stands for my inspection. I saw many more Collectors, barging in and out of their respective doors, carrying armfuls of books; through the frames, I caught glimpses of a multitude of places — a sun-baked Jerusalem, a Scottish highland under water, the underwear-strewn floor of a teenager's bedroom. 1943 remained where it was even as the others changed; clearly there was much work to be done there. Gadzooks lumbered around gloomily beside me, pointing in the right direction for each department: "Censored Tracts? By the fountain. Suicide? Fourth on your left. Hard Drive Failure? Up the ladders by Rejected First Novels." His gentle voice belied his maimed face.
Occasionally on my journeys I would spy the rats. One might dash close and spit out a forgotten word at me — "Nidgery! Boyborygmus!" — then skitter away back beneath the stacks. Gadzooks grunted and chased them away. "They seem to like you," he said.
And then:
The day closed, Collectors unloaded their last piles and vanished. All but Gadzooks, who gestured for me to follow him. I did so, because I was a curious boy, and let him lead me into the deep warren of the Library. We arrived at a rickety spiral staircase at the back of Reformation Sermons. The small room at the top was drafty and sparsely furnished, nothing much more than an unmade bed and a little writing table.
"Your room," said Gadzooks.
I thanked him, expecting him to leave. Instead he hovered in the doorway, wringing his massive and scarred hands.
"Yes?" I asked.
"Sometimes at night, we — well, I wondered if you might like to come ... to a party?"
And then:
A trio of Collectors recited couplets from Love's Labour's Won, regaling each other with smutty double entendres. In another corner, a gaggle of Collectors poured over Byron's diaries, pausing frequently to ooh and ahh. Another group gathered in armchairs, pouring absinthe over sugar cubes into their glasses, and repeating lines to each other from Rimbaud's La Chasse Spirituelle. "Welcome to the Speakeasy." Gadzooks moved with a bit of mirth.
He led me to the bar, introducing me to those we passed on the way, a series of names — Tango, Philtrum, Esperanza, Pushkin — that I immediately failed to correctly attribute to their proper owners. "This is Tom, the new Indexer," he said, and they all earnestly shook my hand and recited couplets for me by way of introduction.
"Whiskey," said Gadzooks at the bar. "You do drink whiskey?"
I felt bold. "Naturally." A glass was pressed into my hand.
Perched on a bar stool atop a table, there was another boy, who looked older than me because of his long silvery hair. He played an elegant tune on the violin. "From the Library of Music across the Silent Canyon." Gadzooks caught me looking, and perhaps mistook the expression on my face. "They sneak across when the Librarian isn't looking. That tune he's playing — Mozart and Salieri's Per la Ricuperata Salute di Ophelia. One of their prize possessions." But I wasn't thinking of a boy from the halls of lost music; instead, I was remembering a boy from a place far more ordinary and humdrum, though his fingers were no less nimble on the strings.
Still — he was a long way away, and I was here, in the Library, and that was the price I had paid.
They refilled my glass a second, then a third time, and I gladly accepted.
The door burst open and two Collectors entered, flanking a man covered entirely by a threadbare blanket. The door safely closed behind him, he threw off his covering, and spread his arms; he was greeted with a cheer. At first glance he appeared emaciated, almost consumptive, resembling a child's pipe-cleaner puppet, but he had a flamboyant assertiveness that belied the wispiness of his physical presence. "Ladies and gentlethings, I am here! Quite enough of the sad songs, don't you think?"
The musician switched to a guitar and launched into a rendition of David Bowie's "Jean Genie," though this version of the lyrics weren't those Tom remembered; a lost version, he supposed, like everything else here. The song seemed to prompt a sea-change in the party; a Collector with beautiful silver stitching climbed up beside him and swayed her hips, the bartender began acrobatically tossing bottles, the patrons starting to turn around the dancefloor with a newly giddy energy.
"That's more like it," said the man, sauntering to the bar. "And, why hello to you! Gadzooks, who might this handsome fellow be?"
"Tom — the new Indexer," said Gadzooks.
Although I had known the man was referring to me, I feigned surprised.
"A shame — one must never fall for an Indexer; the lamps are lit, but there's never anyone home." The man seized a glass from the bar, and tapped me on the nose. "Lovely you might be ... but I require a tryst to possess a modicum of intelligence. What comes out of a mouth is just as vital as what goes in." He gave me a lingering look and then left for the swell of partiers.
"Who's he?"
Gadzooks looked at me as if I'd spat on his paws. "Jean Genet. We recovered the original Notre Dame des Fleurs. The Librarian has no idea."
Genet perched himself atop a suitcase in the centre of the room, thumbing theatrically through a sheaf of papers in his hand. "Shall I read?" he called out to the crowd, who cheered and held their drinks aloft. "Very well, very well. 'I wanted to swallow myself by opening my mouth very wide and turning it over my head ...' Oh, this is one of my favourite bits! I remembered it word for word — got this one just right!"
Gadzooks handed me another glass. "That's Hemingway's suitcase that he's standing on," he said, with great import.
When I did not react with awe, he sighed and abandoned me.
I didn't remain alone for long.
Genet plucked at my shirt-sleeve. "Remarkably, I find it easier as the night wears on to ignore your lack of discursive faculties. Animals rut, and they cannot reason."
I sipped from my glass, holding it as a meagre barricade between myself and him. I had been with men. I preferred it. But never with a Genet.
He summoned two tall conical glasses from the barman, and placed a slotted spoon across each one, on which he placed a sugar cube. His fingers — contrary to his otherwise louche presence — were long and nimble, executing his actions with quiet delicacy. I found the practiced nature of his preparations reassuring.
Absinthe trickled over the cube, dissolving the sugar, and pooling in the bottom of the glass. Genet interlinked his arm through mine, bending it back around to reach his mouth. "Thank goodness you're not Rimbaud," he said before taking a gulp. I sipped and coughed. He laughed. His warm breath traced across my cheek before he kissed me hard. He drank again, and determined, this time, I matched him sip for sip. It lit an emerald fire in my belly.
There were boisterous shouts rippling around the Speakeasy — Genet wheeled around, discarding his empty glass. "What's that? You want me to go on a night run?"
I swayed on my stool. "What's a night run?" Was it the longest sentence I had said all day? It felt marvelous.
"Wait and see," said Genet. I caught a glimpse of Gadzooks across the room. He shook his head, and I wondered if the gesture indicated disappointment or a warning. No matter — Genet took my hand and pulled me up. "I'm hearing ... 'The Ocean to Cynthia' by Walter Raleigh? Any other offers?"
Calls sounded from around the room.
"The Romance of the Devil's Fart!" "Inventio Fortunata!" "A Time for George Stavros!" "The Poor Man and the Lady!"
Genet gestured as if he had tasted a bad oyster. "Boring!" "Plath's Double Exposure!"
Genet grinned. "Excellent. Come along, my handsome witling!"
And then:
The overhead gas lamps were extinguished, but a kind of luminescence, much the same lustre as moonlight, emanated from the stitching of the oldest books on the shelves like silvery skeletons. I crouched low.
Genet swaggered ahead of me. I half expected him to burst into song, or start skipping.
At the Index firelight still burned in one door window, casting a lone spot of colour across the flagstones. Genet stood and looked through, waiting for me to catch up. "1943," he said. "I escaped from one hell into another."
He spun on his heel. "Just through that door and a few streets away there is a room above a tavern. And in that room is a bed with springs that sing as you fuck. Would you like to discover conjugating?"
A rat scurried. I jumped, startled, which he mistook for virginal anxieties.
Genet laughed. "Relax. We must forge a path to Plath." He led me away from the ring of doors. He seemed to have a knack for moving without eliciting noise; I did not share it. Each footfall of my own rang back at me from the shelves. I fell behind. Genet had vanished, leaving lazy spirals of disturbed dust in the air, and I was on my own.
I anticipated he would be thumbing through the Suicide section, but I arrived and found it solemn. Rather than being alphabetized, here the shelves were organized by methods of dispatch. Most works were incomplete. I traced my finger along the shelves, moving from gas oven to hanging, then finally to razorblade. I squatted, tilted my head to read the spines.
And there it was:
The Sum of All Our Tales. Barnabus Hardy. A single slim volume, it seemed insignificant in the vastness of the Library. I pulled it carefully from the shelf, and ran my fingers over the plain cover. The type was raised; my skin prickled. To hold the book in my hands had been worth the exhausting pretenses of the day.
A tiny voice spoke in the dark, inches from my ear. "Swivet."
I nearly fainted.
I envisioned the Librarian leaning down from the ceiling, his hands armed with a needle and cord with which to sew my eyes shut.
The rat sat bolt upright on the fourth shelf, grooming its snout. "Zamzodden."
I looked around before uttering "Rumblegumption." The sheer delight of multiple syllables, held dammed up inside me all day, burst onto my tongue. I added another for good measure. "Falstaffian."
(Continues…)
Excerpted from "The Library of Lost Things"
by .
Copyright © 2017 Matthew Bright.
Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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