The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing
Examining technological advances, genre and late nineteenth-century mental science, Grimes shows writers' failed attempts to use technology as a way of translating the supernatural at the fin de siècle. She treats a wide range of authors, including Henry James, George Du Maurier, Mary Louisa Molesworth, Vernon Lee and Sarah Grand to show the end of the nineteenth century produced a Gothicism specific to the period.
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The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing
Examining technological advances, genre and late nineteenth-century mental science, Grimes shows writers' failed attempts to use technology as a way of translating the supernatural at the fin de siècle. She treats a wide range of authors, including Henry James, George Du Maurier, Mary Louisa Molesworth, Vernon Lee and Sarah Grand to show the end of the nineteenth century produced a Gothicism specific to the period.
112.49 In Stock
The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing

The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing

by Hilary Grimes
The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing

The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing

by Hilary Grimes

eBook

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Overview

Examining technological advances, genre and late nineteenth-century mental science, Grimes shows writers' failed attempts to use technology as a way of translating the supernatural at the fin de siècle. She treats a wide range of authors, including Henry James, George Du Maurier, Mary Louisa Molesworth, Vernon Lee and Sarah Grand to show the end of the nineteenth century produced a Gothicism specific to the period.

Product Details

ISBN-13: 9781409478942
Publisher: Ashgate Publishing Ltd
Publication date: 05/28/2013
Sold by: Barnes & Noble
Format: eBook
File size: 2 MB

About the Author

Hilary Grimes is an independent scholar living in Massachusetts, USA.

Table of Contents

Contents: Introduction; (Ghost)writing Henry James: mental science, spiritualism and uncanny technologies of writing at the fin de siècle; Sensitive to the invisible: photography and the supernatural in the Holmes stories, Arthur Conan Doyle's spiritualism and Francis Galton's composite portraits; Identities and powers in flux: mesmerism, hypnotism and George Du Maurier's Trilby; Ghostwomen, ghostwriting; Case study: Vernon Lee, aesthetics and the supernatural; Balancing on supernatural wires: the figure of the new woman writer in Sarah Grand's The Beth Book and George Paston's A Writer of Books; Postscript; Bibliography; Index.
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