A timely, important novel... Fans of Celeste Ng won't be able to put down this heartfelt, cross-generational novel about the powerful bond and fragility of family and what it really means to strive for the “American dream.”" —Popsugar
“The book, delicately understated in style, offers lessons in racism from the viewpoints of both mother and daughter. But the matter of tracking Mina’s killer provides a steady stream of pure sleuthing that is authentic and persuasive.” —Toronto Star
“The plotline smoothly shifts from the present to the past and back as Mina’s stories pull us into life in Koreatown... a sensitive and moving family saga.” —Mystery Scene Magazine
"Kim has a gift for page-turning plot.... A moving tale of a mother and daughter finding each other, a reunion made all the more poignant by coming too late." —Seattle Times
"A moving look at what immigrants to America go through before their journey and what they lose upon arrival, and how their American children can be caught between worlds." —Alyssa Cole, CrimeReads
“Haunting and heartbreaking, troubled threads between a mother and daughter blend together in a delicate and rich weave… With both sadness and beauty, [Kim] describes grief, regret, loss, and the feeling of being left behind. Fans of Amy Tan and Kristin Hannah will love Kim's brilliant debut.” —Booklist, STARRED review
"A magnificent exploration of a mother-daughter bond even when words fail them, when past stories and heartbreaks remain untold.” —San Diego Union Tribune
“Suspenseful and deeply felt, The Last Story of Mina Lee begins when Margot Lee discovers her mother's death before reeling back in time to explore the secrets that divided Mina and Margot—as well as those that bound them together. Nancy Jooyoun Kim's debut artfully explores a diverse range of immigrant experiences, the meaning of family and home, and the nature of language—how it can be an ocean that divides, or a bridge that connects. In the process, The Last Story of Mina Lee raises questions about the reality of the American dream and illuminates stories that often go untold, in life as well as fiction.” —Chloe Benjamin, New York Times bestselling author of The Immortalists
"In The Last Story of Mina Lee, Nancy Jooyoun Kim explores with tenderness and grace the intricate web of guilt, love and secrecy that entangles a mother and daughter. Powerful and poignant, this riveting novel speaks to the complexities of the immigration experience while keeping the reader enthralled by the mystery of the mother's suspicious death." —Jean Kwok, New York Times bestselling author of Searching for Sylvie Lee
“Nancy Jooyoun Kim’s debut carefully illuminates the two sides of the silence between a Korean immigrant mother and her Korean American daughter, a silence only too familiar to many of us—and emerges with a stunningly powerful and original novel about social class, immigration and family. Kim is a brilliant new voice in American fiction.” —Alexander Chee, bestselling author of How to Write an Autobiographical Novel
“The Last Story of Mina Lee is a fierce, gripping call to love and memory. Nancy Jooyoun Kim has written a beautiful debut novel that is unafraid to delve into the scary, deeply vulnerable places of our hearts. It's a riveting dance between mother and daughter, moving fluidly back and forth through time, documenting the quiet traumas that can divide generations. Tremendously readable, The Last Story of Mina Lee is a real page-turner and Nancy Jooyoun Kim is a knockout.” —Kristen Arnett, New York Times bestselling author of Mostly Dead Things
“Nancy Jooyoun Kim writes with brilliant exactitude about the anxious topographies of being a mother and a daughter, and the choices that lead to migration. The Last Story of Mina Lee is a confident and gripping account of where families bury secrets and what happens when you dig.” —Ingrid Rojas Contreras, bestselling author of Fruit of the Drunken Tree
“In her stunning debut, Nancy Jooyoun Kim weaves together two poignant story lines: Mina Lee, an immigrant flees tragedy in Korea for a new start in Southern California. When she mysteriously dies, her American-born daughter, Margot, seeks out the truth of what happened. Gripping and gritty, The Last Story of Mina Lee is a story of their yearning, their struggle, and the enduring mystery of family. Unforgettable.” —Vanessa Hua, bestselling author of A River of Stars and Deceit and Other Possibilities
"A suspenseful and unflinching novel, The Last Story of Mina Lee had me glued to the page until its surprising and poignant end.” —Amy Meyerson, bestselling author of The Bookshop of Yesterdays and The Imperfects
“Nancy Jooyoun Kim’s The Last Story of Mina Lee reckons with the historical trauma of Korean women and the women of the Korean diaspora. Kim negotiates the boundaries of language, geography, and identity, creating a work that is dynamic and piercing. She uses the language inherited by a deep collective sorrow, or han, and makes possible an understanding between mothers and daughters that have crossed the transpacific divide, together and yet alone. Kim confronts the meaning of “one life in the wreckage” of Korean women’s bodies. The Last Story of Mina Lee is a glimpse of the Korean American presence, from Seoul to Los Angeles, critical to American history and literature.” —E. J. Koh, author of The Magical Language of Others and A Lesser Love
07/06/2020
In Kim’s uneven debut, an unexpected death highlights both the rifts and the bonds in a mother-daughter relationship. Margot Lee, 26, figures she’ll stop in for an overdue visit with her mother, Mina, while she’s in Los Angeles helping a coworker relocate from Seattle. At the house, she finds her mother dead. The death was ruled accidental, but the circumstances gradually appear more suspicious as Margot uncovers Mina’s mementos and learns about her mother’s secrets, both long-buried and more recent. Margot’s investigations alternate with (and in some cases, awkwardly parallel) the story of Mina’s 1987 arrival in Los Angeles’s Koreatown, having fled Korea in the wake of a personal tragedy. Mina’s immigration story poignantly mingles optimism with the heartbreak of exploitation. The more contemporary portions of the narrative, however, lack both emotional pull and narrative conviction. Margot’s characterization feels flat, and her supposed artistic aspirations lack any sort of passion or urgency. Most problematic, however, is the mystery plot, which hinges not only on a series of fairly implausible coincidences but also on some unconvincing police work. As a personal immigration narrative Kim’s novel largely succeeds, but as a mystery novel or a mother-daughter drama it fails to connect. (Sept.)