The Language of the Heart, 1600-1750
In The Motion of the Heart and Blood (1653), William Harvey had set forth the scientific model of a phallic, generative organ pumping blood through a feminized body; in Paradise Lost, it is through the protracted rape and violation of Eve's heart that the Fall of Man occurs; nearly a century later Samuel Richardson's Clarissa would present a no less forceful but far more feminist and heroic narrative of the heart's power. Examining these other—and mostly English-literary, medical, religious, and philosophical texts, Erickson uncovers two ruling clusters of metaphors: one associating the heart with language, writing, and thought, the other with sex, passion, and gender. Charting the tension between the two, he offers a brilliant new reading of one of the central symbols in Western culture.
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The Language of the Heart, 1600-1750
In The Motion of the Heart and Blood (1653), William Harvey had set forth the scientific model of a phallic, generative organ pumping blood through a feminized body; in Paradise Lost, it is through the protracted rape and violation of Eve's heart that the Fall of Man occurs; nearly a century later Samuel Richardson's Clarissa would present a no less forceful but far more feminist and heroic narrative of the heart's power. Examining these other—and mostly English-literary, medical, religious, and philosophical texts, Erickson uncovers two ruling clusters of metaphors: one associating the heart with language, writing, and thought, the other with sex, passion, and gender. Charting the tension between the two, he offers a brilliant new reading of one of the central symbols in Western culture.
69.95
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The Language of the Heart, 1600-1750
296The Language of the Heart, 1600-1750
296Hardcover
$69.95
69.95
In Stock
Product Details
ISBN-13: | 9780812233940 |
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Publisher: | University of Pennsylvania Press, Inc. |
Publication date: | 01/29/1997 |
Series: | New Cultural Studies |
Pages: | 296 |
Product dimensions: | 6.00(w) x 9.00(h) x 1.00(d) |
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