The Lab Book: Situated Practices in Media Studies
An important new approach to the study of laboratories, presenting a practical method for understanding labs in all walks of life

From the “Big Science” of Bell Laboratories to the esoteric world of séance chambers to university media labs to neighborhood makerspaces, places we call “labs” are everywhere—but how exactly do we account for the wide variety of ways that they produce knowledge? More than imitations of science and engineering labs, many contemporary labs are hybrid forms that require a new methodological and theoretical toolkit to describe. The Lab Book investigates these vital, creative spaces, presenting readers with the concept of the “hybrid lab” and offering an extended—and rare—critical investigation of how labs have proliferated throughout culture.

Organized by interpretive categories such as space, infrastructure, and imaginaries, The Lab Book uses both historical and contemporary examples to show how laboratories have become fundamentally connected to changes in the contemporary university. Its wide reach includes institutions like the MIT Media Lab, the Tuskegee Institute’s Jesup Wagon, ACTLab, and the Media Archaeological Fundus. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.

Providing rich historical breadth and depth, The Lab Book brings into focus a critical, but often misunderstood, aspect of the contemporary arts and humanities. 

1139224439
The Lab Book: Situated Practices in Media Studies
An important new approach to the study of laboratories, presenting a practical method for understanding labs in all walks of life

From the “Big Science” of Bell Laboratories to the esoteric world of séance chambers to university media labs to neighborhood makerspaces, places we call “labs” are everywhere—but how exactly do we account for the wide variety of ways that they produce knowledge? More than imitations of science and engineering labs, many contemporary labs are hybrid forms that require a new methodological and theoretical toolkit to describe. The Lab Book investigates these vital, creative spaces, presenting readers with the concept of the “hybrid lab” and offering an extended—and rare—critical investigation of how labs have proliferated throughout culture.

Organized by interpretive categories such as space, infrastructure, and imaginaries, The Lab Book uses both historical and contemporary examples to show how laboratories have become fundamentally connected to changes in the contemporary university. Its wide reach includes institutions like the MIT Media Lab, the Tuskegee Institute’s Jesup Wagon, ACTLab, and the Media Archaeological Fundus. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.

Providing rich historical breadth and depth, The Lab Book brings into focus a critical, but often misunderstood, aspect of the contemporary arts and humanities. 

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The Lab Book: Situated Practices in Media Studies

The Lab Book: Situated Practices in Media Studies

The Lab Book: Situated Practices in Media Studies
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The Lab Book: Situated Practices in Media Studies

The Lab Book: Situated Practices in Media Studies

Overview

An important new approach to the study of laboratories, presenting a practical method for understanding labs in all walks of life

From the “Big Science” of Bell Laboratories to the esoteric world of séance chambers to university media labs to neighborhood makerspaces, places we call “labs” are everywhere—but how exactly do we account for the wide variety of ways that they produce knowledge? More than imitations of science and engineering labs, many contemporary labs are hybrid forms that require a new methodological and theoretical toolkit to describe. The Lab Book investigates these vital, creative spaces, presenting readers with the concept of the “hybrid lab” and offering an extended—and rare—critical investigation of how labs have proliferated throughout culture.

Organized by interpretive categories such as space, infrastructure, and imaginaries, The Lab Book uses both historical and contemporary examples to show how laboratories have become fundamentally connected to changes in the contemporary university. Its wide reach includes institutions like the MIT Media Lab, the Tuskegee Institute’s Jesup Wagon, ACTLab, and the Media Archaeological Fundus. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.

Providing rich historical breadth and depth, The Lab Book brings into focus a critical, but often misunderstood, aspect of the contemporary arts and humanities. 

Product Details

ISBN-13: 9781517902179
Publisher: University of Minnesota Press
Publication date: 03/22/2022
Pages: 328
Product dimensions: 5.50(w) x 8.50(h) x 0.90(d)

About the Author

Darren Wershler is Concordia University Research Chair in media and contemporary literature, cofounder of the Media History Research Centre, and Director of the Residual Media Depot in the Milieux Institute at Concordia University in Montreal. Wershler’s other books include Guy Maddin’s My Winnipeg; The Iron Whim: A Fragmented History of Typewriting; and FREE as in Speech and Beer: Open Source, Peer-to-Peer, and the Economics of the Online Revolution. 

Lori Emerson is associate professor in the Department of English and director of the Intermedia Arts, Writing, and Performance Program at the University of Colorado at Boulder. She is founding director of the Media Archaeology Lab and author of Reading Writing Interfaces: From the Digital to the Bookbound (Minnesota, 2014). 

Jussi Parikka is professor of technological culture and aesthetics at the Winchester School of Art (University of Southampton) and founding codirector of the Archaeologies of Media and Technology research unit. He is visiting professor at the Academy of Performing Arts, Prague, as research leader for the project Operational Images. He is author of A Geology of Media; Insect Media: An Archaeology of Animals and Technology; and The Anthrobscene; coauthor of Remain; and editor of Digital Memory and the Archive, all from Minnesota. 

Table of Contents

Contents

Acknowledgments

Introduction: Everything Is a Lab

Case Study: The French Language Lab (Middlebury College, U.S.)

1. Lab Space

Case Study: Menlo Park Laboratory (Menlo Park, U.S.)

Case Study: MIT Media Lab, Part 1 (MIT, U.S.)

Case Study: Media Archaeological Fundus (Humboldt University, Germany)

2. Lab Apparatus

Case Study: The Signal Laboratory (Humboldt University, Germany)

Case Study: The Media Archaeology Lab (University of Colorado Boulder, U.S.)

3. Lab Infrastructure

Case Study: Home Economics Labs and Extension on the Canadian Prairies (Manitoba, Canada)

Case Study: Black Laboratories and Agricultural Extension

4. Lab People

Case Study: MIT Media Lab, Part 2 (MIT, U.S.)

Case Study: ActLab (University of Texas Austin, U.S.)

5. Lab Imaginaries

Case Study: Hybrid Spaces of Experimentation and Parapsychology

Case Study: Bell Labs, A Factory for Ideas

6. Lab Techniques

Conclusion

Notes

Bibliography

Index

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