The Knockout Artist

by Harry Crews, S. A. Cosby (Foreword by)

Overview

Crews’s novel about a boxer with the gift of knocking himself unconscious, with a new foreword by New York Times-bestselling author S. A. Cosby

A Penguin Classic

A favorite of longtime Harry Crews fans, The Knockout Artist (1988) portrays Eugene Talmadge Biggs, a young boxer from rural Georgia whose champion rise is diverted by a vulnerability, or gift, for knocking himself unconscious. As he begins to exploit his talents, the notorious Knockout Artist journeys a hero’s descent into the New Orleans underworld and meets characters who have long since checked their morals at the door. The unforgettable climax shows Crews at his virtuoso best, when Eugene confronts his truth, and sets out to claim his freedom and win his own self-respect.

Product Details

ISBN-13:	9780143137931
Publisher:	Penguin Publishing Group
Publication date:	06/11/2024
Pages:	272
Product dimensions:	5.07(w) x 7.73(h) x 0.46(d)

About the Author

Harry Crews was born in 1935 at the end of a dirt road in Alma, Bacon County, Georgia, a rural community near the Okefenokee Swamp. A protégé of Southern novelist Andrew Lytle, Crews published his first short story in the Sewanee Review in 1962. He published his first novel, The Gospel Singer, in 1968. Its publication earned Crews a new teaching job at the University of Florida and paved the way for the publication of seven more novels over the next eight years, including Naked in Garden Hills (1969); Car (1972); The Hawk Is Dying (1973), which was adapted into a film released in 2006; The Gypsy’s Curse (1974); and the widely acclaimed A Feast of Snakes (1976). Crews’s reputation as a bold and daring new voice in Southern writing grew during this time. In the 1970s, he wrote for popular magazines, including a monthly column for Esquire and essays for Playboy, and screenplays. In 1978, Crews’s memoir of his youth, A Childhood: The Biography of a Place, was published to enduring acclaim. Two compilations of his nonfiction works, Blood and Grits and Florida Frenzy, were issued in 1979 and 1982, respectively. A decade of drug and alcohol abuse and creative lapses ended in 1987 with the publication of his ninth novel, All We Need of Hell. Crews retired from the classroom after teaching for thirty years at the University of Florida in Gainesville. Crews, who died in 2012 at age seventy-six, was a prominent writer in the literary genre known as Dirty South or Grit Lit.Crews remade Southern gothic in his own rough-hewn image in eighteen memorable novels, including Karate Is a Thing of the Spirit (1971), The Knockout Artist (1988), and Body (1990), dozens of riveting nonfiction pieces, and one of the finest memoirs in American literature. In 2002, the University of Georgia Libraries inducted Harry Crews into the Georgia Writers Hall of Fame. S.A. Cosby (foreword) is the author of the New York Times bestseller Razorblade Tears and Blacktop Wasteland, which won the Los Angeles Times Book Prize, was a New York Times Notable Book, and was named a best book of the year by NPR, The Guardian, and Library Journal, among others. His latest novel is All The Sinners Bleed.

Editorial Reviews

Crews, one of the most inventive practitioners in modern American letters, returns to a milieu that has long fascinated him: the seedy world of fighters and musclemen. Eugene Talmadge Biggs, ex-farmboy and ex-boxer (he won 13 fights and lost the next four by knockouts), knows an amazing trickhe can knock himself out with one punch to the jaw. Abandoned by his manager, Crews's glass-jawed hero has to support himself by exhibiting his trick at parties. After 73 self-inflicted KO's, the routine gets a little wearing. Meanwhile, Eugene is taken up by Charity, a rich, all-but-the-dissertation Ph.D. candidate bent on constructing a thesis that relates every fact in the world to every other fact. She thinks Eugene and his prizefighting friends are a gold mine of information for this dubious project. A brilliant specialist in black humor, Crews delivers the goods once again. His deadpan prose style is uncannily effective in meshing the surreal and everyday life. While the characters are mainly freaks, they come across so directly, often with an affecting sweetness, that they acquire extraordinary vibrancy. Crews is a modernist all right, but he isn't a facile one. The moral here and elsewhere in his work is old-fashioned: to thine own self be true. (April)

Publishers Weekly - Publisher's Weekly

A superbly crafted novel of deceptions and darkness, this look at the underside of a strange group in New Orleans moves inexorably toward a stunning climax. Eugene Gibbs, a failed boxer, becomes popular on the kinky circuit and is taken in hand by Charity, a wealthy girl who beds him. Eugene is drawn into the circle of another boxer, his addict girlfriend, a hooker/lesbian, and a wealthy businessman who gets his kicks by controlling people by day and being led about with a leash by night. Basically decent, Eugene is tormented because he is deceived and let down by everyone, except a young boxer he is training. Characterization, incidents, and tone are all beautifully sustained in this unusual book. R. H. Donahugh, Youngstown and Mahoning Cty. P.L., Ohio

Library Journal