The Justification of Johann Gutenberg: A Novel
Blake Morrison has woven a stunning novel around the few facts known about the life and work of Johann Gensfleisch (aka Gutenberg), master printer, charmer, con man, and visionary — the man who invented "artificial writing" and printed the Gutenberg Bible, putting thousands of monks out of work.

In this dazzling debut novel, Morrison gives Gutenberg's final testament: a justification and apologia he dictated, ironically, to one of the young scribes made obsolete by his invention of movable metal type. Through the eyes of the aging narrator, we see the Middle Ages in a strange new light and witness a moment of cultural transition as dramatic as the communications revolution of today.

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The Justification of Johann Gutenberg: A Novel
Blake Morrison has woven a stunning novel around the few facts known about the life and work of Johann Gensfleisch (aka Gutenberg), master printer, charmer, con man, and visionary — the man who invented "artificial writing" and printed the Gutenberg Bible, putting thousands of monks out of work.

In this dazzling debut novel, Morrison gives Gutenberg's final testament: a justification and apologia he dictated, ironically, to one of the young scribes made obsolete by his invention of movable metal type. Through the eyes of the aging narrator, we see the Middle Ages in a strange new light and witness a moment of cultural transition as dramatic as the communications revolution of today.

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The Justification of Johann Gutenberg: A Novel

The Justification of Johann Gutenberg: A Novel

by Blake Morrison
The Justification of Johann Gutenberg: A Novel

The Justification of Johann Gutenberg: A Novel

by Blake Morrison

Paperback(Reprint)

$14.99 
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Overview

Blake Morrison has woven a stunning novel around the few facts known about the life and work of Johann Gensfleisch (aka Gutenberg), master printer, charmer, con man, and visionary — the man who invented "artificial writing" and printed the Gutenberg Bible, putting thousands of monks out of work.

In this dazzling debut novel, Morrison gives Gutenberg's final testament: a justification and apologia he dictated, ironically, to one of the young scribes made obsolete by his invention of movable metal type. Through the eyes of the aging narrator, we see the Middle Ages in a strange new light and witness a moment of cultural transition as dramatic as the communications revolution of today.


Product Details

ISBN-13: 9780060935719
Publisher: HarperCollins
Publication date: 11/25/2003
Series: Harper Perennial
Edition description: Reprint
Pages: 272
Product dimensions: 5.31(w) x 8.00(h) x 0.61(d)

About the Author

Blake Morrison is the author of the bestselling memoir And When Did You Last See Your Father? and another critically acclaimed memoir, Things My Mother Never Told Me, as well as two collections of poems, a children's book and a study of the Bulger case, As If. He lives in London.

Read an Excerpt

Chapter One

I was born in Mainz on ... But let me not trot the usual river-bank path. Honest though I am pledged to be, I may surely be granted this omission -- whether it springs from vanity or a fading memory I leave to you. For neatness' sake, I could offer 1400, so my birth and the century's are joined. To add a flourish, I might give a saint's day, John the Baptist's, June twenty-fourth. But those are games for chroniclers. I am past threescore but less than seventy. You have an abacus to work it out. Closer than that I will not come.

My first years were spent ... Can I ride straight past them, too? Since I have kept few impressions of infancy, better that page of life stay blank. Only a single early memory will I own. It is dusk in the kitchen, and I am lying contented in my crib. Overhead, clothes are drying from a rack. By the hearth, my mother is telling the maid how to sew britches and nagging the cook to add more pepper to the stew. Beyond the door, a horse clops by, carrying some bearded wool-trader from market. The click of hooves without, the clank of pans within, the drift of woodsmoke in the rafters, the murmur of women absorbed in homely tasks -- I feel at peace among them, as though still wombed or cauled. Suddenly, at the side of the cradle, a moon rises -- my brother Friele smiling palely down. Pleased to have his attention for once, I smile back. Next thing my smile is wider still, for at the other side of the cradle a second planet has risen, the shining crimson of my sister Else. Sun and moon, sister and brother: how blessed I am to live beneath their playful orbit! Soon my cradle, which had been stirring only gently before, asfrom a breeze, begins to sway this way and that, like a boat moored on the Rhine. And as I laugh to be thus swayed between my siblings, so their eyes shining down at me gleam a little more sharply, and the swaying becomes a rocking, and the rocking becomes a bucking, and the bucking becomes a gale, and the gale a storm, and the storm a tempest, till the wooden vessel I am encribbed in is being tossed wildly to and fro. Now my content has turned to panic, and my laughter to fear. Too shocked to find my voice, I am at first a silent howl of rage, until my screams break open and drive the planets from the sky. Stirred to action, my mother hastens over, snatches me from the waves and takes me to the harbour of her bosom: 'Oh, Henne, poor little Henne,' she croons. Through my sobs and tears, I cannot find her nipple at first, but soon I am feeding and content again -- my little voyage happily concluded in a lapping haven. Or so it should be. But in my memory there is more to come. The maid pricks her finger with a needle. The cook upsets a pot and scalds her hand. My mother, rushing to help, parts me from her breast and I am thrust half-fed back in the cradle -- where I sob and bawl at being so rudely cast out. When my eyes clear from weeping, what I see is Friele and Else come back again -- not to taunt me, but to take up residence at my mother's breasts, one to each teat, she (between scolding the maid and bandaging the cook) calmly allowing it. And so night falls in the kitchen.

With what clarity that episode is printed on my memory! Even now the impression returns unwilled whenever I see a starlit sky, as though the galaxies were the profligate spray and scatter of all the milk intended for me but given to my siblings instead. And yet, in all honesty, I distrust the recollection. No infant can see back to the cradle. Friele and Else must by then have been long past weaning. And surely my mother, however distracted, would not have missed their roughness with me nor forgiven it so easily. No, that this is the sole picture retrieved from my first five years on earth suggests to me, when I study it cold, not a real event but a sentiment which infected my childhood -- the feeling that I, as the third-born, came last in my mother's affection.

Best call it not a memory but a dream -- though one dreamt for good reason, since in dreams lie the achings of the soul. Whatever the truth of that episode, from it was formed this firm resolve: that since I came last in the family, I would be first at something else.

As for the rest of my infancy, it is a passing lantern-show of swaddling bands, sore gums, wooden rattles, tops, hoops, rods, whips, tears, tantrums, messed underclothes, pulled hair, grazed knees, teeth left under pillows, burning candlewax, stone flags, water-rats, whiskery old aunts, causeless laughter and unreined grief. I do not mourn the loss of such detail as would make these phantoms live again in all their vigour. Once his forelife has been closed off from the mind, a man becomes free to pursue more profitable meditations. To recollect infancy would be to dwell perpetually in its foetid prison. Since it prefers to forget itself, I choose to forget it too.

- - -

What did I get at my mother's bosom? I am tempted to say nothing of sustenance, but that would be unjust.

Letters and numbers: she taught me those. Writing, too. We had a goosequill in the house, and an inkwell to draw from, and she inducted me in the art: which angle to hold a pen at so the ink flows freely from the nib; how I should bend and raise my wrist so as not to smudge the script ...

The Justification of Johann Gutenberg. Copyright © by Blake Morrison. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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