Publishers Weekly
02/09/2015
Baptiste (Angel’s Grace) mines Caribbean folklore for her second novel. The jumbies are ancient, shape-shifting spirits living amid old-growth mahogany forests, feared and whispered about by humans. Eleven-year-old Corinne and her father, Pierre, don’t care; they live in a cottage under the forest eaves and tend the richest garden in the village, which is dominated by an orange tree planted by Corinne’s mother before her untimely death. It’s a happy household despite their loss, and Corinne’s fearless energy and can-do attitude are celebrated throughout. Her father, though, is lonely, and gradually falls under the spell of Severine, a jumbie in human disguise, embittered and seeking revenge. The storytelling pace is slow and descriptive—Baptiste takes seriously the job of familiarizing readers with what, for many, will be an unfamiliar setting and culture. It’s not until Severine appears in Pierre’s cottage, a quarter of the way through the book, that a plot begins to takes shape. What the story lacks in page-turning momentum, however, is made up for in its vivid evocation of Corinne’s island home. Ages 8–12. Agent: Marie Lamba, Jennifer De Chiara Literary Agency. (Apr.)
From the Publisher
“Tracey Baptiste scares up new audiences to learn about jumbies . . . She builds a fairy tale about a brave girl and her adventures among Caribbean creatures.”—Washington Post “A scary but cheerful tale that draws on Caribbean folk traditions. A great update on the "town under supernatural attack" story, with a marvelous setting.”—Baltimore Sun “The Jumbies starts off with a chase and leaves the reader wanting more, in a very good way.” —Bustle “Far more than just your average spooky supernatural story, Baptiste uses the underpinnings of a classic folktale to take a closer look at colonization, rebellion, and what it truly takes to share the burden of tolerating the “other”. Plus there are monsters. Gotta love the monsters.” —Elizabeth Bird, Fuse 8 “Entrancing and engaging, frightening but never slacking, Baptiste enters an all-new folktale adaptation into our regular fantasy lore. Best suited for the kids seeking lore where creatures hide in the shadows of trees, but where they’re unlike any creatures the kids have seen before. Original. Haunting.” —Elizabeth Bird, Fuse 8 “Endlessly addictive and hypnotic”—Essencemagazine “The themes of fairness, justice, and retribution meld into a better than average evil witch story . . . This is a well written tale full of action with enough scary elements to satisfy fans of Adam Gidwitz’s A Tale Dark and Grimm or Laura Amy Schlitz’s Splendors and Glooms.”—School Library Journal “Baptiste’s story, based on a Haitian folktale, is action-packed and original with an appealing cast of characters.”—The Horn Book Guide “A spine-tingling tale rooted in Caribbean folklore that will have readers holding their breath as they fly through its pages. Be forewarned! This tale isn’t some cozy, tropical vacation and it’s not for the weak at heart, oh, no! If you like spooky tales, this is the book for you. Corinne’s story is truly a welcome and refreshing edition to the world of fairytales.”—Valerie R. Lawson “This girl’s got guts. Even as she wanders the mystery-shrouded forest full of creepy-crawlies from Haitian folklore and faces up to the frightening newcomer to her village, Corrine La Mer brings badassery and wisdom beyond her years. Launching brave kids into the world of the horror novel, and leading them through it with lyrical prose, author Tracey Baptiste knows just how to seize kids’ attention.”—Foreword Reviews “It’s refreshing to see a fantasy with its roots outside Europe . . . this is a book worth reading simply for its originality.”—Kirkus Reviews
School Library Journal
04/01/2015
Gr 3–5—A middle grade twist on a traditional Haitian folktale. Corinne and her father don't believe in jumbies, malevolent creatures that come out of the island's dark woods to prey on people. Then one day a strangely beautiful lady named Severine walks into Corinne's house and takes over, her Papa begins acting weird, and evil creatures attack the village. Corinne and her friends approach the white witch for help but she can't assist because it would affect the ancient balance between creatures and humans. However, the white witch does tell Corinne that she has a special power that can help. Readers will find Corinne engaging and her determination authentic. Corinne's friends, Dru, Bouki, and Malik are also fully formed and believable characters whose loyalty and bravery help save the day. Even the evil Severine is drawn well enough to evoke empathy in readers. The story builds nicely to the inevitable confrontation between Corinne and Severine. Though the denouement seems a little too good to be true, the themes of fairness, justice, and retribution meld into a better than average evil witch story. VERDICT This is a well written tale full of action with enough scary elements to satisfy fans of Adam Gidwitz's A Tale Dark and Grimm (Penguin, 2010) or Laura Amy Schlitz's Splendors and Glooms (Candlewick, 2012).—Gretchen Crowley, Alexandria City Public Libraries, VA
Kirkus Review
2015-01-20
A fantasy based in Caribbean folklore.Corinne La Mer is a brave 11-year-old growing up on a Caribbean island. On All Hallow's Eve, when a pair of troublemaking brothers tie her deceased mother's prized necklace to a wild animal, Corinne chases the animal into the forest to retrieve it. However, this is no ordinary forest: It's known for being the abode of "jumbies," creatures "hidden in the shadows, always waiting for their moment to attack." Though Corinne doesn't believe in them, a jumbie follows her out of the forest. The third-person narration tells the back story—in bits and pieces—of this jumbie, who reveals herself to be Corinne's mother's sister. It's never satisfactorily explained why Severine (as Corinne's jumbie aunt calls herself) seeks out her niece, nearly a decade after her sister's death. In order to fight Severine—who, sympathetically, only wants a family but is bent on turning humans to jumbies to get one—Corinne must rely not only on her own strength, but that of newfound friends. The novel is based on a Haitian folk tale, according to the author's note, and it's refreshing to see a fantasy with its roots outside Europe. Baptiste never quite manages to control the story's pacing, though, and certain elements in the ending feel arbitrary. Despite flaws, this is a book worth reading simply for its originality. (Fantasy. 9-12)
