The Journal of Jules Renard
Spanning 1887 to a month before his death in 1910, The Journal of Jules Renard is a unique autobiographical masterpiece that, though celebrated abroad and cited as a principle influence by writers as varying as Somerset Maugham and Donald Barthelme, remains more of a cult object in the United States.

Throughout his journal, Renard develops not only his artistic convictions but also his humanity as he reflects on the nineteenth-century French literary and art scene, and on the emergence of his position as an important novelist and playwright in that world. Through a mix of aphorisms and observations, short scenes, gossip, jokes, and meditations on life and art, Renard portrays the details of his personal life—his love interests, his position as a socialist mayor of Chitry, the suicide of his father—that often appear in his work.

In recent years, the fragmented memoir has grown in popularity, and there’s been a resurgence of diary as an artistic form. Once again, Jean Paul Sartre’s assessment that “directly, or indirectly, Renard is at the origin of contemporary literature” rings true. In a new introduction, Sarah Manguso—whose groundbreaking nonfiction incorporates elements of diary and aphorism—both contextualizes and celebrates Renard’s seminal journal.

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The Journal of Jules Renard
Spanning 1887 to a month before his death in 1910, The Journal of Jules Renard is a unique autobiographical masterpiece that, though celebrated abroad and cited as a principle influence by writers as varying as Somerset Maugham and Donald Barthelme, remains more of a cult object in the United States.

Throughout his journal, Renard develops not only his artistic convictions but also his humanity as he reflects on the nineteenth-century French literary and art scene, and on the emergence of his position as an important novelist and playwright in that world. Through a mix of aphorisms and observations, short scenes, gossip, jokes, and meditations on life and art, Renard portrays the details of his personal life—his love interests, his position as a socialist mayor of Chitry, the suicide of his father—that often appear in his work.

In recent years, the fragmented memoir has grown in popularity, and there’s been a resurgence of diary as an artistic form. Once again, Jean Paul Sartre’s assessment that “directly, or indirectly, Renard is at the origin of contemporary literature” rings true. In a new introduction, Sarah Manguso—whose groundbreaking nonfiction incorporates elements of diary and aphorism—both contextualizes and celebrates Renard’s seminal journal.

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The Journal of Jules Renard

The Journal of Jules Renard

The Journal of Jules Renard

The Journal of Jules Renard

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Overview

Spanning 1887 to a month before his death in 1910, The Journal of Jules Renard is a unique autobiographical masterpiece that, though celebrated abroad and cited as a principle influence by writers as varying as Somerset Maugham and Donald Barthelme, remains more of a cult object in the United States.

Throughout his journal, Renard develops not only his artistic convictions but also his humanity as he reflects on the nineteenth-century French literary and art scene, and on the emergence of his position as an important novelist and playwright in that world. Through a mix of aphorisms and observations, short scenes, gossip, jokes, and meditations on life and art, Renard portrays the details of his personal life—his love interests, his position as a socialist mayor of Chitry, the suicide of his father—that often appear in his work.

In recent years, the fragmented memoir has grown in popularity, and there’s been a resurgence of diary as an artistic form. Once again, Jean Paul Sartre’s assessment that “directly, or indirectly, Renard is at the origin of contemporary literature” rings true. In a new introduction, Sarah Manguso—whose groundbreaking nonfiction incorporates elements of diary and aphorism—both contextualizes and celebrates Renard’s seminal journal.


Product Details

ISBN-13: 9781941040812
Publisher: Tin House Books
Publication date: 11/14/2017
Pages: 264
Product dimensions: 5.60(w) x 8.50(h) x 1.00(d)

About the Author

Jules Renard (1864-1910) was a French author and member of the Académie Goncourt, most famous for the works Poil de Carotte (Carrot hair) (1894) and Histoires naturelles (Natural Histories) (1896). Among his other works are Le Plaisir de rompre (The Pleasure of Breaking) (1898) and Huit jours à la campagne (Eight Days in the Countryside) (1906).

Sarah Manguso is the author of seven books including 300 Arguments, a genre-defying work of nonfiction; Ongoingness, a meditation on motherhood and time; The Guardians, an investigation of friendship and suicide; The Two Kinds of Decay, a memoir of her experience with a chronic autoimmune disease, and Hard to Admit and Harder to Escape, a collection of very short stories. She is also the author of the poetry collections Siste Viator and The Captain Lands in Paradise.

Table of Contents

Introduction Sarah Manguso 11

Preface Louise Bogan 15

Before 1887 Elizabeth Roget 19

1887 25

1888 30

1889 33

1890 46

1891 53

1892 61

1893 70

1894 79

1895 90

1896 103

1897 118

1898 138

1899 149

1900 159

1901 173

1902 185

1903 195

1904 212

1905 232

1906 250

1907 274

1908 289

1909 306

1910 322

Index of Proper Names 327

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