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Overview
In The Invisible Life of Ivan Isaenko, Scott Stambach presents a hilarious, heart-wrenching, and powerful debut novel about an orphaned boy who finds love and hope in a Russian hospital after Chernobyl.
Seventeen-year-old Ivan Isaenko is a life-long resident of the Mazyr Hospital for Gravely Ill Children in Belarus. Born deformed yet mentally keen with a frighteningly sharp wit, strong intellect, and a voracious appetite for books, Ivan is forced to interact with the world through the vivid prism of his mind. For the most part, every day is exactly the same for Ivan, which is why he turns everything into a game, manipulating people and events around him for his own amusement. That is, until a new resident named Polina arrives at the hospital.
At first Ivan resents Polina. She steals his books. She challenges his routine. The nurses like her. She is exquisite. But soon he cannot help being drawn to her and the two forge a romance that is tenuous and beautiful and everything they never dared dream of. Before, he survived by being utterly detached from things and people. Now Ivan wants something more: Ivan wants Polina to live.
Product Details
| ISBN-13: | 9781250081889 |
|---|---|
| Publisher: | St. Martin's Publishing Group |
| Publication date: | 08/09/2016 |
| Sold by: | Macmillan |
| Format: | eBook |
| Pages: | 350 |
| File size: | 1 MB |
About the Author
Read an Excerpt
The Invisible Life of Ivan Isaenko
By Scott Stambach
St. Martin's Press
Copyright © 2016 Scott StambachAll rights reserved.
ISBN: 978-1-250-08188-9
CHAPTER 1
The Anesthetization of Ivan Isaenko
Dear Reader, whom I do not know, who may never be, I write not for you but for me. I write because I can't sleep. I write because Polina is dead.
Currently, I'm drunk from three capfuls of vodka on a three-day-empty stomach. I have Nurse Natalya to thank for this. She is the only one who knows what I've lost. She is the closest thing I've ever had to a mother, and I know she thinks of me as a son. Like any good mother, she watches over me. For the last two days, she's checked on me every fifteen minutes. She checked on me seven times tonight, and every time I was wide awake. On the eighth time, she discreetly entered my room with a bottle of Stoli.
"Open your mouth, Ivan," she said. "It'll help you sleep."
She poured a capful into my mouth, and I coughed and heaved. As she pulled away, I grabbed her arm and asked for another. Hesitantly, she produced another capful and emptied it down my throat.
"One more," I demanded.
She glanced at me menacingly as if to terrify me from asking again, but nevertheless sympathetically poured one last capful down my throat. Now I feel right. It's not enough to get me to sleep, but it is enough to help me write.
I need to share this place with you, Reader. I need to share my friends who I would never admit were friends. I need to share with you my beloved, whom I would never admit I loved. For if I don't document our world right now, on this ambiguously stained paper, with my fading pen, in my delirious left-handed penmanship, we will risk fading into the foam of history without mention. Reader, I hope after this you understand that we are entitled to more than that.
II
Spectrophobia
I'm seventeen years old, approximately male, and I live in an asylum for mutant children. I first learned of the name of this hospital — the Mazyr Hospital for Gravely Ill Children — from spying on random documents lying around the Main Room, but I wouldn't be able to find it on a map if you asked me. I only know it is somewhere in southern Belarus in a city that is most likely called Mazyr.
I've never met my parents, but as far as I know, when I squirmed out of my mother's nether parts, she took one look at the abomination that had been cooking inside of her and dropped it onto the doorstep of the nearest church in fear that she had fallen victim to the Soviet curse that she had heard so much about on the radio. Incidentally, this was the same curse that resulted in the random explosions of horse thyroids and in Eastern European fauna enduring more hair loss than Gorbachev.
I, for one, am hideous, and consequently, I've developed a crippling phobia of reflective surfaces (and anything else that reminds me of what I look like). But I will bravely face this fact for the sake of my story and describe to you what nature dealt me. My body is horribly incomplete. I only have one arm (my left), and the hand attached to the end of it is deficient in digits (I have two fingers and a thumb). The rest of my appendages are short, asymmetrical nubs that wiggle with fantastic effort. My skin is nearly transparent, revealing the intricate tapestry of my underutilized veins. The muscles in my face are only loosely connected to my brain, resulting in a droopy, flat affect, which makes me look like an idiot, especially when I talk. Of all my privations, this one has come as an advantage, since it helps me to feign a comatose state, which has allowed me to remain largely undisturbed by my doctors and peers whenever I'm uninterested in interaction (which is most of the time). Mostly, I choose to leave the hell of my surroundings in favor of the slightly more palatable hell of my mind. At least there I can create fantasies of the lives I'd rather have lived, such as King Leonidas, the Dalai Lama, Miles Davis, Oskar Schindler, Wilt Chamberlain, astrophysicist Carl Sagan, Larry Flynt (pre-wheelchair), any Russian who's ever written a book, and Confucius, to name just a few.
III
The Day I Came Online
Not many people have the luxury of recalling their first memory. I know this because I've asked Nurse Natalya, Ridick, and my eleventh therapist, Dr. Dubov, but none of them can remember. My first memory, however, is like glass — I came online with a swift slap across the face, which resulted in at least one tooth flying across the room, which I never found. I was four years old, so luckily it would grow back. Before that, there was nothing. Not even blackness. Just nothing. Nothing and blackness are different. Most people don't understand. I, for one, prefer nothing over blackness.
"Take them, Ivan! Take them now!" she hollered while squeezing my cheeks so hard my mouth popped open like an origami change purse. Into it she tossed a few white Soviet-mandated pills, which I spit back into her face.
"Ivan, you little hui morzhovy! Take your medicine!"
Apparently, I was a menace even before I was old enough to choose to be one. I don't remember what kind of pills she was trying to feed me or why I resisted (it was my first memory). I only remember the look on the face of the nurse, which spoke so many things.
It said, "I hate menstruating."
It said, "I've come to hate other things too, but I can't draw a line between what I really hate and you."
It said, "What the fuck is the meaning of all this?"
It said, "I wasn't born this way."
It said other things too, but you probably get the point.
I hated that nurse. In my opinion, no one with all her parts in all the right places deserves to have any of those thoughts. Before I even got to know her name (I nicknamed her chernyypukh after the hairy mole on her upper lip), she died after falling off the hospital roof in near-hurricane-like weather during a smoke break.
IV
Coma Boy
Most of what I know about the world outside of these walls comes from the images that flicker across the antique black-and-white TV mounted in the Main Room. However, when I'm not watching TV or gazing through the barred windows scattered throughout the institution, my favorite pastime is to act catatonic and eavesdrop on conversations among nurses and doctors. This feigned obliviousness disarms the adults into lengthy streams of uncensored talk; it's the only way I can get accurate news and information. Anything they speak directly to us or around us is either nonsensical baby talk or lies crafted for the purpose of making things appear better than they really are. Despite the smallness of my world, I'm able to mix my observations with a bit of imagination into compelling story lines in which I star. I will play anything from the hero to the villain, but at no time am I the observer, because that is what I already am, every minute of every day. I appreciate the freedom; I learned a long time ago that there are no consequences to the things that happen inside my mind.
Early on, Nurse Natalya caught on that I was faking my comas and gently made me aware of her acuity in a way that resonated perfectly with her. She put a picture of a famous (and very naked) Belarusian actress in my field of vision and said tauntingly:
"Pretty girl, huh, Ivan? Such a beautiful naked woman, eh?"
And then while my attention was firmly embedded in that picture, glued by every ounce of my helplessly horny, adolescent, sex-deprived being, she yanked it out into my peripheral. Inevitably, my supposedly comatose eyes lustfully followed the image, and my game was revealed. But, before I even tried to explain myself, Nurse Natalya understood the psychology behind my game. So instead of shaming me, as any of the other nurses would have, she sat me down and interrogated me as to my interests. When I told her I had none, she flapped her hand and walked out. The next day she returned with an old paperback copy of Bulgakov's The Master and Margarita. I devoured it in three days and asked her for more. Since then, Nurse Natalya has scoured libraries and used-book sales to feed my habit. On the days in which I'm too sick or overmedicated to read, she tells me stories on a variety of esoteric topics ranging from Tollund Man's peat bog to Saint Ursula's cathedral of bones to Cleopatra's seduction techniques. I once asked her how she knew so much about the world despite being almost as stuck in this place as I am.
"I'm a few chapters away from a Ph.D., Ivan," she said. "But it turns out universities are even lonelier than hospitals."
One day, Nurse Natalya gently suggested that I should try writing down the scripts that played through my pseudocatatonic head. She thought that it would amount to some sort of therapy.
"Where are you when you leave the hospital and go into your head?" she asked me.
I smiled asymmetrically, shook my head one and a half times, and looked away.
"Sometimes the stories play right in your eyes, Ivan," she continued. "You should write them down."
She paused for a second and smirked.
"If you wrote your stories with the same chutzpah you use with the nurses, I'd give you two years before you're the world's most despised Nobel laureate."
"My stories are for me," I replied.
"You say that now, Ivan."
And then she smiled, and when she smiles, it means that she knows that we both know.
She would revisit the topic once or twice a week every week for the next few years. As always, she was right. Actually, I'm not sure Nurse Natalya has ever been wrong about anything.
One day she asked me, "Do you know how the Buddha became enlightened?"
"I don't believe in enlightenment."
"Perfect, Ivan. The Buddha wouldn't want you to believe in enlightenment."
"Aren't you Orthodox?"
"The Buddha makes me a better Christian."
"So how?"
"How what?"
"How did he become enlightened?"
"He sat under the Bodhi Tree and promised himself not to move until he solved the whole puzzle of human suffering."
I suppose I currently bear a striking resemblance to that Buddha under the Bodhi Tree.
Currently the clock reads 1:55 in the A.M. I've been writing for two hours. It is the third day of December. The year is 2005.
I closed my eyes and fell asleep for the first time in three days. But it only lasted for three minutes. I saw you, Polina. But I saw the you of three days ago, not the you of three months ago.
V
One Day in the Life of Ivan Isaenko
Every day is exactly the same. The episodes on the antique TV in the Main Room may change. The nurses' moods may oscillate according to the details of their lives and synchronized menstrual cycles. The menus might switch up by an ingredient or two. But, in every other way, every day is exactly the same.
My experience of the first sixty seconds of every day depends entirely on whether I wake up in one of the months between April and October. During the summer months, the sun rises at 4:00 in the A.M., so when the internal alarm clock I've honed through the years starts trumpeting, my eyes open to the soft sunlight flowing through the black iron bars covering my window and onto the cold linoleum tiles, which incidentally warm just enough to make the crawl to the bathroom tolerable (the urge to urinate is too urgent to take the time to get into my wheelchair).
In the winter, however, the sun rises as late as 9:00 in the A.M., so I wake into a dark, cold room, which feels like being born into the primordial loneliness from which I originally came. Waking up in the dark fills me with existential dread, and it isn't just because of the cold crawl to the bathroom. There is something deeper and darker to it, something that comes from a place that I'm not sure I will, or could ever, understand. But someplace familiar all the same.
After my mentally programmed alarm clamors, the first thing I do is pull off the covers in the hopes of finding all my body parts are actually in all the right spots and that the last seventeen years have all been a dream. When I realize that I'm still incomplete, I empty the contents of my freakishly small bladder and then move on to dressing myself, which includes some combination of the three T-shirts, three sweatshirts, three shorts, and three sweatpants I have on rotation.
When I turned four, the nurses became irritated with the obstinance I displayed during my dressing ritual. After several futile consultations, they transferred the responsibility of dressing to me. One day, Nurse Greta, the nurse formerly tasked with concealing my naked body every morning, simply dropped a bag of clothes onto the linoleum and said, "Well, then, have at it, Ivan." For the next year, my dressing ritual turned out to be the most frustrating part of my day. Reader, if you care to step into my shoes, please put down the papers in your hand and try to put a shirt on with one arm and two nubs for legs. I'll wait before moving on ...
Now that you understand, I will reveal that after a year of flubbing through my ritual, I eventually discovered a new technology that I affectionately call "the worm." It involves laying my shirt facedown on my bed and squirming my body through the bottom until my head emerges from the top. Once in this configuration, I'm free to pop all my truncated parts through their respective holes. Dressing like a grub allows me to conceal my God-given nudity in under a minute.
If all goes well, I'm prepared for the two-minute wheelchair ride to the cafeteria for breakfast hour, which is from 8:00 in the A.M. to 9:00 in the A.M. Once there, I take my spot at the long table, which is the same spot I've eaten at three times a day, every day, for the last seventeen years. At any given time there are between fifteen and twenty-five patients living at the asylum, and they all have their regular seats, not because they were assigned but because that's just how things are. I've held mine the longest, so far as I know.
As we assemble, the nurses drop plates in front of us with food that I'm not sure I've ever tasted. This is because I rush through my plate too fast to taste anything, mostly due to the eating habits of more than half of my comrades, which make me physically ill, as does the sloppy way the nurses feed the other half. That said, I'm not entirely sure I would be able to taste the food even if I made an effort to taste each bite. A typical breakfast invariably involves some combination of bread and cabbage. The taste and texture of the bread most closely resemble those of plywood. Not only are the loaves not baked fresh but they are shipped in from remote wholesale bakeries in countries like Greece and Tajikistan. According to our director, Mikhail Kruk, this is because most of our local state bread-and-cabbage facilities are either defunct or run by gavnoyeds since the year 1991.
After I finish my breakfast, with sweaty cabbage juice still running down my face, I return to my room to read until TV hour. To this day, no nurse or doctor employed at the Mazyr Hospital for Gravely Ill Children has ever been able to explain to me why TV hour is only an hour long. I spent three months lobbying Nurse Natalya to have the TV on all day. I provided written documentation to help promote my position. In the end, she returned with a one-sentence-long written memoranda from the Director, Mikhail Kruk:
At the Mazyr Hospital for Gravely Ill Children, there is one hour of TV in the morning after breakfast, one hour of TV in the afternoon after lunch, and one hour of TV in the evening after dinner.
So, until further notice, I get to watch TV for an hour every morning. When the hour is up, I return to my room, where I read some more and fantasize about ways to leave. Options for escape include slipping outside the front doors of the hospital when no one is looking or, in the middle of the night, squeezing my tiny body through the bars that line my bedroom window. But all of these options end with me slithering away at an embarrassingly slow clip, followed by someone catching me with grass stains and mud all up and down my nubs and dried tears caked to the side of my otherwise transparent face. After years of thinking it through, there is no viable plan for escape. Even if I managed to get to a major road, they'd look me up and down and take me straight to the nearest hospital, which is, of course, the Mazyr Hospital for Gravely Ill Children.
That's when I begin to think of other, more permanent methods of escape. I've gotten as close as breaking a jar of mayonnaise and picking up one of the jagged pieces, only to realize that I hadn't thought through the fact that I only have one wrist, which, incidentally, is connected to my only hand, making wrist-cutting a violation of the laws of physics. Also, I'm terrified of blood, which makes throat-slicing impossible. The thought of my last sight in this life being two to five violent red spurts leaping out of my neck is simply too horrifying to entertain. And sadly, using other, more obscure, entry points would be difficult due to my limited knowledge of human anatomy. So, in the end, I usually just masturbate for the first of what is usually twice daily.
(Continues...)
Excerpted from The Invisible Life of Ivan Isaenko by Scott Stambach. Copyright © 2016 Scott Stambach. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Table of Contents
Contents
Title Page,Copyright Notice,
Dedication,
Foreword,
Part One: The Count Up,
I. The Anesthetization of Ivan Isaenko,
II. Spectrophobia,
III. The Day I Came Online,
IV. Coma Boy,
V. One Day in the Life of Ivan Isaenko,
VI. The Children of the Mazyr Hospital for Gravely Ill Children,
VII. The Bleeders, the Non-Bleeders, and Polina the Interloper,
VIII. The Three-Monthers,
IX. The Staff of the Mazyr Hospital for Gravely Ill Children,
X. The Jungian Archetypes,
XI. Dr. Mikhail Kruk, the Director,
XII. My Therapist, Dr. Arkady Yakovlev, M.D.,
XIII. My Mother,
XIV. The Early Days,
XV. Polina's Chemo Hair,
XVI. My Hui,
XVII. The Sarcophagus,
XVIII. Ivanism,
XIX. Polina's Journal,
XX. The Case for Diacetylmorphine,
Part Two: The Count Down,
Day 21. Hazing and Initiation,
Day 20. The Day We Contributed to Max's Rearing,
Day 19. Game Night,
Day 18. The Nothing Day,
Day 17. Stars and Stairwells,
Day 16. The Retroactive Biography of Ivan Isaenko,
Day 15. Polina's Magic School Bus,
Day 14. The Janis Joplin Day,
Day 13. The Day I Conversed with the Director,
Day 12. A Day of Sleep,
Days 11 and 10. Crying with Nabokov,
Day 9. Blood Brothers,
Day 8. The Organic Wonderland (and Other Conversations),
Day 7. [TEXT NOT REPRODUCIBLE IN ASCII],
Day 6. The Little Green Folders,
Day 5. Conversion Disorder,
Day 4. Good-Bye, Yellow Brick Road,
Day 3. The Suitcase Day,
Day 2. The Day of Delirium,
Day 1. The Death of Polina Pushkin,
Part Three: Farewell Song,
I. The Aftermath,
II. The Funeral,
III. The Drive Back,
Epilogue,
Acknowledgments,
About the Author,
Copyright,