The Ink Trade: Selected Journalism 1961 - 1993

The Ink Trade: Selected Journalism 1961 - 1993

The Ink Trade: Selected Journalism 1961 - 1993

The Ink Trade: Selected Journalism 1961 - 1993

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Overview

"The title of journalist is probably very noble, but I lay no real claim to it. I am, I think, a novelist and a musical composer manqué: I make no other pretensions …" (Anthony Burgess)

Despite his modest claims, Anthony Burgess was an enormously prolific journalist. During his life he published two substantial collections of journalism, Urgent Copy (1968) and Homage to Qwert Yuiop (1986); a posthumous collection of occasional essays, One Man’s Chorus, was published in 1998. These collections are now out of print, and Burgess’s journalism, a key part of his prodigious output, has fallen into neglect.

The Ink Trade is a brilliant new selection of his reviews and articles, some savage, some crucial in establishing new writers, new tastes and trends. Between 1959 and his death in 1993 Burgess contributed to newspapers and periodicals around the world: he was provocative, informative, entertaining, extravagant, and always readable.

Editor Will Carr presents a wealth of unpublished and uncollected material.

Product Details

ISBN-13: 9781784103927
Publisher: Carcanet Press, Limited
Publication date: 05/31/2018
Pages: 292
Product dimensions: 5.40(w) x 8.40(h) x 0.60(d)

About the Author

Anthony Burgess (1917-1993) was a novelist, poet, playwright, composer, linguist, translator and critic. Best known for his novel A Clockwork Orange, he wrote more than sixty books of fiction, non-fiction and autobiography, as well as classical music, plays, film scripts, essays and articles.

Burgess was born in Manchester, England and grew up in Harpurhey and Moss Side. He was educated at Xaverian College and Manchester University. He lived in Malaya, Malta, Monaco, Italy and the United States, and his books are still widely read all over the world.

Will Carr is an experienced senior arts manager, working on everything Anthony Burgess in Manchester and beyond. He specializes in artistic programming, writing, editing, audiences, business planning, organizational development, arts policy and fundraising.

Table of Contents

Introduction vii

Acknowledgments xviii

Poetry for a Tiny Room 1

Spring's Fruits in Autumn 3

The Corruption of the Exotic 6

Why, This is Hell 13

On the End of Every Fork 16

Into the Mass Mangle 18

Bitter-sweet Savour 23

The Big Daddy of the Beats 25

The Seventeenth Novel 27

Here Parla Man Marcommunish 32

The Book is Not for Reading 35

The Comedy of Ultimate Truths 39

Europe's Day of the Dead 42

Surprise from the Grave 46

Last Exit to Brooklyn 48

A Good Read 53

Bless Thee, Bottom? 57

Like Mr Priestley, Enjoying It 63

The Waste Land 68

My Life and Times 79

On Lengthy Matters 83

Last of the Literary Dandies 86

Five-Finger Exercises 89

Creeping Towards Salvation 92

A Very Blasphemous Fallacy 96

Glittering Prizes 99

A Talent to Remember 102

Jong in Triumph 104

Partridge in a Word Tree 108

A Movie that Changed my Life 112

By-products of the Ink Trade 118

Pilgrimage 121

Finks and Winchells 125

The School of Jesuits 129

Last Embers of Modernism 132

Medieval Sherlock 135

The Lords of Limit 138

Locutions of Sex and Death 142

Why I Write 149

Still Life 152

The Anachronist Strikes Back 155

Spirit of Cervantes 158

Defector as Hero 161

Where Sex Meets Self-Improvement 164

The Academic Critic and the Living Writer 168

The Master of Erudite Silence 173

Verbal Subversions 177

Eye of a Stranger 182

Wilde with all Regret 185

Mr Gibbon and the Huns 189

The Literature Industry 196

The Man Who Invented Himself 200

Bunn in the Oven 205

A Strong Whiff of Kif from Tangier 208

The Life of Graham Greene 211

Joyce as Novelist 217

Can Art be Immoral? 231

Getting the Language Right 246

Stop the Clock on Violence 250

Confessions of the Hack Trade 254

Index 267

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