"Astounding and thought-provoking." —Publishers Weekly (starred review)
"Rivera Garza’s taut language drives the mystery forward, and she plays cleverly with the literary and political histories of Mexico, the importance of queer visibility, and the silencing of female authorship. An existential gothic tale about the high stakes of understanding—and accepting—the self." —Kirkus Reviews
"Enigmatic. . . . a joy to behold." —Los Angeles Review of Books
“Cristina Rivera Garza fills every chapter with suspense and nonstop mystery. Nonetheless, the plot is not centered in resolving these mysteries, but rather, it provides the reader a mind-bending journey filled with symbolism and a reality that follows its own rules of logic” —Latino Book Review
"One of the most fascinating novels I’ve read in years—utterly weird yet deeply resonant in its portrayal of gendered violence." — The Millions
“Symbolism abounds in the book; again, there great depths one could dig through, and The Iliac Crest could easily be read over and with new discoveries. Garza’s writing is gorgeous and precise, tying the various aspects of the book together into what is, at its core, a strange and unforgettable read.” —The Riveter
“Although modest in length, Garza's creative piece is a complex puzzle that might take multiple readings to unravel fully... Despite the novel's brevity, Booker's translation makes clear the intricate and delicate poetic dance Garza crafts among the three main characters.” —Shelf Awareness
"The Iliac Crest carries out a sophisticated, dynamic inquiry into language, gender, and power, and leaves its readers transformed by its lyrical investigation of what it means to inhabit a body." —Music & Literature
"[A] haunting, brilliant novel" —Center for the Art of Translation
"It seems to contain a multitude of novels, exploring a multitude of realities, experienced simultaneously. The result is exhilarating.” —The Quarterly Conversation
“An intelligent, beautiful story about bodies disguised as a story about language disguised as a story about night terrors. Cristina Rivera Garza does not respect what is expected of a writer, of a novel, of language. She is an agitator.” —Yuri Herrera, author of Kingdom Cons
“Like the ocean itself, Cristina Rivera Garza writes a world where borders shift and dissolve. In the curves of the fantastic, the highest realism is born. This world is weird. This world is so deeply true. Reader, I love this wholly perfect book."—Samantha Hunt, author of Mr. Splitfoot
“Warning: Cristina Rivera Garza is an explosive writer yet to be fully accounted for in English. She is an insubordinate stylist, a skilled creator of atmospheric and haunting language, and The Iliac Crest is a willfully queer piece where the workings of her wild imagination destabilize everything.” —Lina Meruane, author of Seeing Red
2017-07-17
In this surreal queer novel, a mysterious woman disrupts the unhappy life of a doctor and forces him to confront the hidden depths of his gender identity."How is it possible that someone like me allowed an unknown woman in my house on a stormy night?" asks the narrator of Mexican writer Rivera Garza's (No One Will See Me Cry, 2003, etc.) second novel to be translated into English. The unknown woman at the door claims to be Amparo Dávila, a major Mexican fantasy and horror writer from the 1950s and '60s. Dávila insinuates herself into the narrator's life, weaving a fractured story of a conspiracy that resulted in her disappearance—and a precious stolen manuscript. To the narrator's horror, Dávila befriends his spurned former lover, starting up an intimate—and possibly erotic—relationship. The two women devise a secret language he cannot penetrate and, ultimately, reveal the narrator's deepest fears. "I know you are a woman," Dávila whispers to the narrator one evening. Convinced that the two women are tormenting him on purpose, the narrator sets out to uncover Dávila's secrets so he can be rid of her. His quest leads him through medical archives and the lusty streets of the North City, uncovering doppelgängers and the depths of his own truth. Rivera Garza's taut language drives the mystery forward, and she plays cleverly with the literary and political histories of Mexico, the importance of queer visibility, and the silencing of female authorship. An existential gothic tale about the high stakes of understanding—and accepting—the self.
