Louis Armstrong and
Duke Ellington were (and are) two of the main stems of
jazz. Any way you look at it, just about everything that's ever happened in this music leads directly -- or indirectly -- back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get
Armstrong and
Ellington into a recording studio to make an album together. On April 3, 1961, producer
Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at
RCA Victor's
Studio One on East 24th Street in Manhattan, using a sextet combining
Duke Ellington with
Louis Armstrong & His All-Stars. This group included ex-
Ellington clarinetist
Barney Bigard, ex-
Jimmie Lunceford swing-to-
bop trombonist
Trummy Young, bassist
Mort Herbert, and drummer
Danny Barcelona. A second session took place during the afternoon of the following day. The music resulting from
Thiele's inspired experiment is outstanding and utterly essential. That means everybody ought to hear this album at least once, and many will want to hear it again and again all the way through, for this is one of the most intriguing confluences in all of recorded
jazz.
Armstrong blew his horn with authority and sang beautifully and robustly.
"Azalea" is a harmonically pixilated melody with complicated, peculiarly rhymed lyrics composed by
Duke many years earlier with
Armstrong in mind. Other highlights include the bluesy
"I'm Just a Lucky So and So," a smoking hot, scat-laden rendition of
"Cotton Tail," and
"The Beautiful American," a marvelously modern exercise composed on the spot by
Ellington that leaves one with the curious impression that
Armstrong has just finished sitting in with
Charles Mingus. It's also a premonition of the
Ellington/
Mingus/
Roach Money Jungle session that would take place the following year. Since
Thiele had "borrowed"
Ellington from
Columbia without permission,
Roulette compensated by "lending"
Count Basie & His Orchestra for the
big-band blowout album entitled
First Time! The Count Meets the Duke. The
Armstrong/
Ellington master takes were originally issued on two long-playing records;
Together for the First Time came out on
Roulette in 1961 and
The Great Reunion appeared in 1963. Both albums later resurfaced as a
Roulette LP two-fer entitled
The Duke Ellington/Louis Armstrong Years. This material is also available in a
Roulette Jazz Deluxe Edition with The Making of The Great Summit, a fascinating supplementary disc containing an hour's worth of rehearsals, conversations, and alternate takes. Those who truly love and respect
Louis Armstrong and
Duke Ellington will want to obtain, absorb, study, and cherish the Deluxe Edition of
The Great Summit. ~ arwulf arwulf
![Take Ten [US Bonus Tracks]](http://prodimage.images-bn.com/pimages/0886974861225_p0_v2_s90x140.jpg "Take Ten [US Bonus Tracks]")
![Glad Rag Doll [Deluxe Version]](http://prodimage.images-bn.com/pimages/0602537126934_p0_v2_s90x140.jpg "Glad Rag Doll [Deluxe Version]")
![Essential Glenn Miller [Bluebird/Legacy]](http://prodimage.images-bn.com/pimages/0828766924121_p0_v1_s90x140.jpg "Essential Glenn Miller [Bluebird/Legacy]")
![Greatest Hits [RCA]](http://prodimage.images-bn.com/pimages/0090266849024_p0_v1_s90x140.jpg "Greatest Hits [RCA]")
