★ 04/30/2018
Spanning 30 years and two continents, the latest from Makkai (Music for Wartime) is a striking, emotional journey through the 1980s AIDS crisis and its residual effects on the contemporary lives of survivors. In 1985 Chicago, 30-something Yale Tishman, a development director at a fledgling Northwestern University art gallery, works tirelessly to acquire a set of 1920s paintings that would put his workplace on the map. He watches his close-knit circle of friends die from AIDS, and once he learns that his longtime partner, Charlie, has tested positive after having an affair, Yale goes into a tailspin, worried he may also test positive for the virus. Meanwhile, in 2015, Fiona Marcus, the sister of one of Yale’s closest friends and mother hen of the 1980s group, travels to Paris in an attempt to reconnect with her adult daughter, Claire, who vanished into a cult years earlier. Staying with famed photographer Richard Campo, another member of the old Chicago gang, while searching, Fiona revisits her past and is forced to face memories long compartmentalized. As the two narratives intertwine, Makkai creates a powerful, unforgettable meditation, not on death, but rather on the power and gift of life. This novel will undoubtedly touch the hearts and minds of readers. (June)
"Rebecca Makkai’s The Great Believers is a page turner... among the first novels to chronicle the AIDS epidemic from its initial outbreak to the present—among the first to convey the terrors and tragedies of the epidemic’s early years as well as its course and repercussions...An absorbing and emotionally riveting story about what it’s like to live during times of crisis."—The New York Times Book Review
“Makkai knits themes of loss, betrayal, friendship and survival into a powerful story of people struggling to keep their humanity in dire circumstances.”—People Magazine
“Cultural revolutions of the past painfully reverberate in Rebecca Makkai’s deft third novel, The Great Believers, which captures both the devastation of the AIDS crisis in 1980s Chicago and the emotional aftershocks of those losses.”—Vogue
"A striking, emotional journey... Makkai creates a powerful, unforgettable meditation, not on death, but rather on the power and gift of life. This novel will undoubtedly touch the hearts and minds of readers.”—Publishers Weekly (starred review)
“Tearjerker… The Great Believers asks big questions about redemption, tragedy, and connection. Makkai has written her most ambitious novel yet.”—Entertainment Weekly
“The Great Believers soars…magnificent…Makkai has full command of her multi-generational perspective, and by its end, The Great Believers offers a grand fusion of the past and the present, the public and the personal. It’s remarkably alive despite all the loss it encompasses.”—Chicago Tribune
"Beautiful, tender, harrowing... [The Great Believers] is a vivid, passionate, heart-wrenching story."—Wall Street Journal
“Compulsively readable…a relentless engine mowing back and forth across decades, zooming in on subtlest physical and emotional nuances of dozens of characters, missing no chance to remind us what’s at stake.”—San Francisco Chronicle
“At turns heartbreaking and hopeful, the novel brings the first years of the AIDS epidemic into very immediate view, in a manner that will seem nostalgic to some and revelatory to others…Makkai's sweeping fourth novel shows the compassion of chosen families and the tension and distance that can exist in our birth ones.”—Library Journal
"Sure to become a classic Chicago novel…a deft, harrowing novel that’s as beautiful as its cover.” —Chicago Review of Books
“The latest novel from the stunningly versatile Makkai…Focused on a group of friends, lovers, and family outcasts, the book highlights the way tragic illness shifts the courses of people’s lives—and how its touch forever lingers on those left behind.”—Harper’s Bazaar
“A devastating contemplation of love and loss…evokes the epidemic's horrors, yes, but also the profound acts of generosity it sparked.”—Oprah.com, “O’s Top Books of Summer”
“Deeply moving…Makkai does an excellent job of capturing the jaded, ironic and affectionately jibing small talk of a group of cultured gay friends in the Reagan era…[Captures] a group of friends in a particular time and place with humor and compassion. Conversations among her gay male characters feel very real — not too flamboyant, not too serious, always morbidly witty. It's hard not to get drawn into this circle of promising young men as they face their brutally premature extinction.”—Newsday
“Two distinct narratives intertwine ingeniously…The stories meet up to heartbreaking effect.”—New York Magazine
“A poignant, historical journey through a virus’s outbreak and legacy.”—Conde Nast Traveler
“This book will be compared to similar mammoth works of fiction, but Makkai differs in that she seems to care about her characters and her readers… each character – main or secondary – is fully developed, and it is hard not to care for them. The pain and prejudice they suffer becomes personal as their lives are carefully told… A forceful work of fiction that will captivate readers.”—Baltimore Outloud
“Rebecca Makkai’s beautiful (literally—look at that cover!) novel takes us to an art gallery in Chicago at the height of the AIDS crisis. From Chicago to Paris, THE GREAT BELIEVERS is a sweeping story of multi-generational trauma and the solitude that the AIDS epidemic created, as an entire generation was decimated by the virus.”—Fodor’s Travel
“Powerfully emotional.”—St. Louis Post-Dispatch
“Makkai is very good at conjuring a gay community enacting the usual dramas of love and lust and ambition and jealousy in a world where all the usual dramas suddenly can carry a fatal charge.”—Minneapolis Star Tribune
"With its broad time span and bedrock of ferocious, loving friendships, [The Great Believers] might remind readers of Hanya Yanagihara’s A Little Life…though it is, overall, far brighter than that novel. As her intimately portrayed characters wrestle with painful pasts and fight to love one another and find joy in the present in spite of what is to come, Makkai carefully reconstructs 1980s Chicago, WWI-era and present day Paris, and scenes of the early days of the AIDS epidemic. A tribute to the enduring forces of love and art, over everything."—Booklist fistarred review)
“Layered, satisfying… Makkai’s novel about resilience and hope is sure to win readers over.”—Publishers Weekly, "Summer Reads 2018, Fiction"
“To believe in something is to have faith, and Makkai dispenses it fiercely, in defiance of understandable nihilism and despair—faith in what’s right, in the good in others, in better outcomes, in time’s ability not to heal but to make something new.”—National Book Review
“Another ambitious change of pace for the versatile and accomplished [Rebecca] Makkai… her rich portraits of an array of big personalities and her affecting depiction of random, horrific death faced with varying degrees of gallantry make this tender, keening novel an impressive act of imaginative empathy. As compulsively readable as it is thoughtful and moving: an unbeatable fictional combination.”—Kirkus Reviews (starred review)
“Stirring, spellbinding and full of life.”—Téa Obreht, New York Times bestselling author of The Tiger’s Wife
"This expansive, huge-hearted novel conveys the scale of the trauma that was the early AIDS crisis, and conveys, too, the scale of the anger and love that rose up to meet it. Rebecca Makkai shows us characters who are devastated but not defeated, who remain devoted, in the face of death, to friendship and desire and joyful, irrepressible life. I loved this book.”—Garth Greenwell, author of What Belongs to You
"Makkai has created a moving story about Chicago and Paris, the past and present, the young men lost to AIDS and the ones who survived. And just as her novel evokes art’s power to commemorate the departed, The Great Believers is itself a poignant work of memory."—Viet Thanh Nguyen, Pulitzer-prize winning author of The Sympathizer
“The Great Believers is by turns funny, harrowing, tender, devastating, and always hugely suspenseful. It reminds us, poignantly, of how many people, mostly young, often brilliant, were lost to the AIDS epidemic, and of how those who survived were marked by that struggle. This is Rebecca Makkai at the height of her powers.”—Margot Livesey, New York Times bestselling author of Mercury
"In the remarkable The Great Believers, Rebecca Makkai conjures up a time as startling as a dream and, in its extremity, achingly familiar to us now, close enough to hold. A tender, sly, immersive, irreverent, life force of a book."—Paul Lisicky, author of The Narrow Door: A Memoir of Friendship
"The Great Believers kept me up reading late into the night, and I'd wake up thinking about Makkai's vibrant, complex, and deeply human characters. This is an immersive, heartbreaking novel—I loved it."—Maggie Shipstead, author of Astonish Me
“Rebecca Makkai's novel The Great Believers has stolen my heart. Crossing decades and lives, love and loss, art, and the long lasting legacy of AIDS, the novel is a brilliant triumph of empathy and intimacy between friends.”—Lidia Yuknavitch, author of The Small Backs of Children
"Time is a healer and a heartbreaker in Makkai’s brilliant and beautiful novel. The Great Believers kept me hoping and guessing, heart in hand, until the very last page."—Carol Rifka Brunt, author of Tell the Wolves I'm Home
“The Great Believers is a sprawling, wildly ambitious novel. Rebecca Makkai brings to life a large cast of characters, and weaves together the threads of her storyline with the ease and authority of a skilled magician. But in the end, what makes this novel such a rousing success is the emotional truthfulness of her characters and the way she captures the panic and rage of the period. I came to feel I knew these people, and was moved by the dilemmas and difficult choices they had to face.”—Stephen McCauley, author of My Ex-Life
"The Great Believers is a magnificent novel—well imagined, intricately plotted, and deeply felt, both humane and human. It unfurls like a peony: you keep thinking it can’t get any more perfect, and it does. A stunning feat."—Rabih Alameddine, author of The Angel of History and Koolaids: The Art of War
★ 2018-03-20
Another ambitious change of pace for the versatile and accomplished Makkai (The Hundred-Year House, 2014, etc.), whose characters wrangle with the devastating impact of the AIDS epidemic at its height and in its aftermath.In the first of two intertwined storylines, Yale and his live-in lover, Charlie, attend an unofficial wake for a dead friend, Nico, held simultaneously with his funeral service because his Cuban-American family has made it clear they don't want any gay people there. It's 1985, and Makkai stingingly re-creates the atmosphere of fear, prejudice, and sanctimonious finger-pointing surrounding the mortally afflicted gay community, even in a big city like Chicago. Nico's younger sister, Fiona, has rejected their family and attached herself to his friends, with emotional consequences that become apparent in the second storyline, set 30 years later in Paris. As is often the case with paired stories, one of them initially seems more compelling, in this case Makkai's vivid chronicle of Yale's close-knit circle, of his fraught relationship with the obsessively jealous Charlie, and his pursuit of a potentially career-making donation for the university art gallery where he works in development. Fiona's opaque feelings of guilt and regret as she searches for her estranged daughter, Claire, aren't as engaging at first, but the 2015 narrative slowly unfolds to connect with the ordeals of Yale and his friends until we see that Fiona too is a traumatized survivor of the epidemic, bereft of her brother and so many other people she loved, to her lasting damage. As Makkai acknowledges in an author's note, when a heterosexual woman writes a novel about AIDS, some may feel she has crossed "the line between allyship and appropriation." On the contrary, her rich portraits of an array of big personalities and her affecting depiction of random, horrific death faced with varying degrees of gallantry make this tender, keening novel an impressive act of imaginative empathy.As compulsively readable as it is thoughtful and moving: an unbeatable fictional combination.