"Gut-wrenching. . . . A majestic, fiery epic. The Given Dayis a huge, impassioned, intensively researched book that brings history alive."—New York Times
Now available with a contemporary look, a beautifully written novel of American history, set at the end of the Great War; an unflinching, utterly spectacular family epic that captures the political unrest of a nation dangling between a well-patterned past and an unpredictable future from acclaimed, New York Times bestselling author Dennis Lehane
Dennis Lehane’s beautifully written novel tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power at the end of World War I. Coursing through the pivotal events of a turbulent epoch, it explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself.
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The Given Day: A Novel
"Gut-wrenching. . . . A majestic, fiery epic. The Given Dayis a huge, impassioned, intensively researched book that brings history alive."—New York Times
Now available with a contemporary look, a beautifully written novel of American history, set at the end of the Great War; an unflinching, utterly spectacular family epic that captures the political unrest of a nation dangling between a well-patterned past and an unpredictable future from acclaimed, New York Times bestselling author Dennis Lehane
Dennis Lehane’s beautifully written novel tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power at the end of World War I. Coursing through the pivotal events of a turbulent epoch, it explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself.
"Gut-wrenching. . . . A majestic, fiery epic. The Given Dayis a huge, impassioned, intensively researched book that brings history alive."—New York Times
Now available with a contemporary look, a beautifully written novel of American history, set at the end of the Great War; an unflinching, utterly spectacular family epic that captures the political unrest of a nation dangling between a well-patterned past and an unpredictable future from acclaimed, New York Times bestselling author Dennis Lehane
Dennis Lehane’s beautifully written novel tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power at the end of World War I. Coursing through the pivotal events of a turbulent epoch, it explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself.
Dennis Lehane is the author of thirteen novels—including the New York Times bestsellers Live by Night; Moonlight Mile; Gone, Baby, Gone; Mystic River; Shutter Island; and The Given Day—as well as Coronado, a collection of short stories and a play. He grew up in Boston, MA and now lives in California with his family.
Hometown:
Boston, Massachusetts
Date of Birth:
August 4, 1965
Place of Birth:
Dorchester, Massachusetts
Education:
B.A., Eckerd College, 1988; M.F.A., Florida International University, 1993
On a wet summer night, Danny Coughlin, a Boston police officer, fought a four-round bout against another cop, Johnny Green, at Mechanics Hall just outside Copley Square. Coughlin-Green was the final fight on a fifteen-bout, all-police card that included flyweights, welterweights, cruiserweights, and heavyweights. Danny Coughlin, at six two, 220, was a heavyweight. A suspect left hook and foot speed that was a few steps shy of blazing kept him from fighting professionally, but his butcher-knife left jab combined with the airmail-your-jaw-to-Georgia explosion of his right cross dwarfed the abilities of just about any other semipro on the East Coast.
The all-day pugilism display was titled Boxing & Badges: Haymakers for Hope. Proceeds were split fifty-fifty between the St. Thomas Asylum for Crippled Orphans and the policemen's own fraternal organization, the Boston Social Club, which used the donations to bolster a health fund for injured coppers and to defray costs for uniforms and equipment, costs the department refused to pay. While flyers advertising the event were pasted to poles and hung from storefronts in good neighborhoods and thereby elicited donations from people who never intended to actually attend the event, the flyers also saturated the worst of the Boston slums, where one was most likelyto find the core of the criminal element—the plug-uglies, the bullyboys, the knuckle-dusters, and, of course, the Gusties, the city's most powerful and fuck-out-of-their-minds street gang, who headquartered in South Boston but spread their tentacles throughout the city at large.
The logic was simple:
The only thing criminals loved almost as much as beating the shit out of coppers was watching coppers beat the shit out of each other.
Coppers beat the shit out of each other at Mechanics Hall during Boxing & Badges: Haymakers for Hope.
Ergo: criminals would gather at Mechanics Hall to watch them do so.
Danny Coughlin's godfather, Lieutenant Eddie McKenna, had decided to exploit this theory to the fullest for benefit of the BPD in general and the Special Squads Division he lorded over in particular. The men in Eddie McKenna's squad had spent the day mingling with the crowd, closing outstanding warrant after outstanding warrant with a surprisingly bloodless efficiency. They waited for a target to leave the main hall, usually to relieve himself, before they hit him over the head with a pocket billy and hauled him off to one of the paddy wagons that waited in the alley. By the time Danny stepped into the ring, most of the mugs with outstanding warrants had been scooped up or had slipped out the back, but a few—hopeless and dumb to the last—still milled about in the smoke-laden room on a floor sticky with spilt beer.
Danny's corner man was Steve Coyle. Steve was also his patrol partner at the Oh-One Station House in the North End. They walked a beat from one end of Hanover Street to the other, from Constitution Wharf to the Crawford House Hotel, and as long as they'd been doing it, Danny had boxed and Steve had been his corner and his cut man.
Danny, a survivor of the 1916 bombing of the Salutation Street Station House, had been held in high regard since his rookie year on the job. He was broad-shouldered, dark-haired and dark-eyed; more than once, women had been noted openly regarding him, and not just immigrant women or those who smoked in public. Steve, on the other hand, was squat and rotund like a church bell, with a great pink bulb of a face and a bow to his walk. Early in the year he'd joined a barbershop quartet in order to attract the fancy of the fairer sex, a decision that had served him in good stead this past spring, though prospects appeared to be dwindling as autumn neared.
Steve, it was said, talked so much he gave aspirin powder a headache. He'd lost his parents at a young age and joined the department without any connections or juice. After nine years on the job, he was still a flatfoot. Danny, on the other hand, was BPD royalty, the son of Captain Thomas Coughlin of Precinct 12 in South Boston and the godson of Special Squads Lieutenant Eddie McKenna. Danny had been on the job less than five years, but every cop in the city knew he wasn't long for uniform.
Fuckin' taking this guy so long? Steve scanned the back of the hall, hard to ignore in his attire of choice. He claimed he'd read somewhere that Scots were the most feared of all corner men in the fight game. And so, on fight nights, Steve came to the ring in a kilt. An authentic, red tartan kilt, red and black argyle socks, charcoal tweed jacket and matching five-button waistcoat, silver wedding tie, authentic gillie brogues on his feet, and a loose-crowned Balmoral on his head. The real surprise wasn't how at home he looked in the getup, it was that he wasn't even Scottish.
The audience, red-faced and drunk, had grown increasingly agitated the last hour or so, more and more actual fights breaking out between the scheduled ones. Danny leaned against the ropes and yawned. Mechanics Hall stank of sweat and booze. Smoke, thick and wet, curled around his arms. By all rights he should have been back in his dressing room, but he didn't really have a dressing room, just a bench in the maintenance hallway, where they'd sent Woods from the Oh-Nine looking for him five minutes ago, told him it was time to head to the ring.
So he stood there in an empty ring waiting for Johnny Green, the buzz of the crowd growing louder, buzzier. Eight rows back, one guy hit another guy with a folding chair. The hitter was so drunk he fell on top of his victim. A cop waded in, clearing a path with his domed helmet in one hand and his pocket billy in the other.