The Free World: Art and Thought in the Cold War

The Free World: Art and Thought in the Cold War

by Louis Menand
The Free World: Art and Thought in the Cold War

The Free World: Art and Thought in the Cold War

by Louis Menand

Hardcover

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Overview

"An engrossing and impossibly wide-ranging project . . . In The Free World, every seat is a good one." —Carlos Lozada, The Washington Post

"The Free World sparkles. Fully original, beautifully written . . . One hopes Menand has a sequel in mind. The bar is set very high." —David Oshinsky, The New York Times Book Review | Editors' Choice

One of The New York Times's 100 best books of 2021 | One of The Washington Post's 50 best nonfiction books of 2021 | A Mother Jones best book of 2021


In his follow-up to the Pulitzer Prize
–winning The Metaphysical Club, Louis Menand offers a new intellectual and cultural history of the postwar years

The Cold War was not just a contest of power. It was also about ideas, in the broadest sense—economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize–winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind.

How did elitism and an anti-totalitarian skepticism of passion and ideology give way to a new sensibility defined by freewheeling experimentation and loving the Beatles? How was the ideal of “freedom” applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club and his New Yorker essays, Menand takes us inside Hannah Arendt’s Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir, Merce Cunningham and John Cage’s residencies at North Carolina’s Black Mountain College, and the Memphis studio where Sam Phillips and Elvis Presley created a new music for the American teenager. He examines the post war vogue for French existentialism, structuralism and post-structuralism, the rise of abstract expressionism and pop art, Allen Ginsberg’s friendship with Lionel Trilling, James Baldwin’s transformation into a Civil Right spokesman, Susan Sontag’s challenges to the New York Intellectuals, the defeat of obscenity laws, and the rise of the New Hollywood.

Stressing the rich flow of ideas across the Atlantic, he also shows how Europeans played a vital role in promoting and influencing American art and entertainment. By the end of the Vietnam era, the American government had lost the moral prestige it enjoyed at the end of the Second World War, but America’s once-despised culture had become respected and adored. With unprecedented verve and range, this book explains how that happened.


Product Details

ISBN-13: 9780374158453
Publisher: Farrar, Straus and Giroux
Publication date: 04/20/2021
Pages: 880
Sales rank: 667,744
Product dimensions: 6.20(w) x 9.10(h) x 1.90(d)

About the Author

Louis Menand is professor of English at Harvard University and a staff writer at The New Yorker. His books include The Metaphysical Club, which won the Pulitzer Prize in history and the Francis Parkman Prize from the Society of American Historians. In 2016, he was awarded the National Humanities Medal by President Barack Obama.

Table of Contents

INTRODUCTION: WHAT THE COLD WAR MEANT
1 | AN EMPTY SKY
2 | THE OBJECT OF POWER
3 | FREEDOM AND NOTHINGNESS
4 | OUTSIDE THE LAW
5 | THE ICE BREAKERS
6 | THE BEST MINDS
7 | THE HUMAN SCIENCE
8 | THE EMANCIPATION OF DISSONANCE
9 | NORTHERN SONGS
10 | CONCEPTS OF LIBERTY
11 | CHILDREN OF A STORM
12 | CONSUMER SOVEREIGNTY
13 | THE FREE PLAY OF THE MIND
14 | COMMONISM
15 | VERS LA LIBÉRATION
16 | FREEDOM IS THE FIRE
17 | HOLLYWOOD–PARIS–HOLLYWOOD
18 | THIS IS THE END

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