The Forbidden Orchid

by Sharon Biggs Waller Narrated by Katharine McEwan

Overview

The adventures of a British girl in China, hunting for the orchid that will save her family.

Staid, responsible Elodie Buchanan is the eldest of ten sisters growing up in a small English market town in 1861. The girls barely know their father, a plant hunter usually off adventuring through China, more myth than man. Then disaster strikes: Mr. Buchanan reneges on his contract to collect an extremely rare and valuable orchid. He will be thrown into debtors' prison while his daughters are sent to the orphanage and the workhouse.

Elodie can't stand by and see her family destroyed, so she persuades her father to return to China once more to try to hunt down the flower-only this time, despite everything she knows about her place in society, Elodie goes with him. She has never before left her village, but what starts as fear turns to wonder as she adapts to seafaring life aboard the tea clipper*The Osprey, and later to the new sights, dangers, and romance of China. She comes to find that both the world and her place in it are so much bigger than she'd ever dreamed. But now, even if she can find the orchid, how can she ever go back to being the staid, responsible Elodie that everybody needs?

Editorial Reviews

Publishers Weekly

★ 12/07/2015
Seventeen-year-old Elodie’s adventurousness and intellect outpace the constraints Victorian England places on women her age. The oldest daughter in a family of 10 women, Elodie takes on responsibility for everyone when her mother falls ill, and her perpetually absent father jeopardizes them all when he fails to retrieve a rare, expensive orchid for the man who finances his plant-hunting expeditions to China. Elodie risks everything to help her father return to China and pay off his debts by stowing away on a tea clipper with the help of a handsome young Russian named Alex. Once Elodie arrives in China, Waller (A Mad, Wicked Folly) creates a vivid portrait of the country’s landscape and history—and the restrictions women faced there, too—through Elodie’s observations and via her new friend, Ching Lan. The discordant relationship between England’s fascination with China’s many unfamiliar treasures and the Victorian desire to conquer is also front and center. Elodie and Ching Lan are feminists of their era, refusing to bend to the rules and limits placed before them. Ages 12–up. Agent: John M. Cusick, Folio Literary Management. (Mar.)

From the Publisher

* "Elodie and Ching Lan are feminists of their era, refusing to bend to the rules and limits placed before them."—Publishers Weekly, starred review

* "A historical romance with a strong female protagonist, sure to find fans."—School Library Journal, starred review

"The characters are strong and full of life, and the plot combines the perfect amount of both adventure and romance. . . . This book is a must-have."—VOYA

"Similar in tone to Libba Bray’s A Great and Terrible Beauty (2003), this is a perfect read for timid teens who dream of adventure."—Booklist

"Well-researched and filled with adventure, romance, and lots of tension—this work of historical fiction has all the elements of an intriguing read."—Kirkus Reviews

A Junior Library Guild Selection 

Nominated for the American Library Association's Best Fiction for Young Adults List

School Library Journal

★ 01/01/2016
Gr 7 Up—Elodie Buchanan grows up the eldest of 10 girls with an almost constantly absent father. Though she has never left her home village, she dreams of accompanying her father to the far-off places where he journeys in search of rare and unknown plants. Being a young woman in the 1861 English countryside, Elodie finds adventure hard to achieve. She tries instead to connect with her father by working with plants at home. She comes to love the single precious flower she miraculously gets to bloom. This orchid, forbidden to her because of its shape and her sex, is symbolic of Elodie's passion and quest for adventure. When tragedy strikes and Elodie's father is wounded in both mind and body during the opium wars, she gathers her courage and travels to London and eventually to China to help him. She finds her longed-for adventure and unexpected romance on her sea journey and travels through China in search of orchids. Waller does an excellent job of setting the scene in both time and place in this historical novel filled with adventure, romance, and plant biology. Readers are drawn into Elodie's journey of discovery as she succeeds in finding the forbidden orchid, love, and her own freedom from strict Victorian societal norms. The extensive back matter contains author's notes and a bibliography giving information about both the era and specific topics of the book. VERDICT A historical romance with a strong female protagonist, sure to find fans.—Genevieve Feldman, San Francisco Public Library

Kirkus Reviews

2015-11-03
In this coming-of age tale set in 1861, Waller deftly straddles England and China and weaves in historical highlights of plant hunting, the opium trade, and environmental activism. Eighteen-year-old Elodie Buchanan lives an uneventful life in a small English town. The eldest of 10 daughters, shrewd and responsible Elodie helps her mother care for her sisters and the household in her father's absence. Mr. Buchanan, a plant hunter, travels for extended periods to faraway places. When Mr. Buchanan fails to deliver an extremely rare and valuable orchid to a client, the entire family is threatened. Elodie begs her father to return to China to fulfill his contract and secretly plots to help him. Defying all social conventions and personal fears, she stows away on the tea clipper her father is sailing on. Fortunately for Elodie, she survives the journey with both her life and chastity intact, thanks to Alexander Balashov, the captain's adopted son. Elodie narrates in a formal, 19th-century voice that manages to be witty and smart without calling undue attention to itself. A pragmatic young woman, Elodie's struggle with the uncomfortable weather and terrain is as convincingly rendered as the conflict between her growing love for Alex and loyalty to her family. Historical details, including the liberal prescription of morphine and Britain's patriarchal economy, lend rich, textural background. Well-researched and filled with adventure, romance, and lots of tension—this work of historical fiction has all the elements of an intriguing read. (Historical fiction. 12 & up)

Product Details

BN ID:	2940171909246
Publisher:	Penguin Random House
Publication date:	03/08/2016
Edition description:	Unabridged
Age Range:	12 - 17 Years

Read an Excerpt

I’d never left Kent in the whole of my life. Edencroft was my life and always would be. I would have loved nothing more than to see Kew for myself. Dash it, I wanted to go farther than Kew. I wanted to feel a real rainforest’s mist on my face and smell the jackfruit trees in their native land and not in a glasshouse, no matter how marvelously built.

“I long to go with you, Papa,” I blurted out.

“Oh, my dear,” Papa said, his voice wistful. “If you were a boy, I’d take you with me directly you asked.” He smiled. “The things I would show you! But alas, such adventures are not for you. Besides, I need you here to look after Mamma and the girls. You are my eyes and ears whilst I’m away, and I depend on you to remain my steadfast and dependable Elodie.”

I felt ridiculous for showing Papa my heart and for making him voice what I loathed to hear: The only way I could make him proud was to remain home, locked like a fairy doll inside of a glass Wardian case, looking after the other fairy dolls. I looked down the road that led to the train station, unable to meet his eyes. “I know, Papa.”

“Please tell you mother . . .” He hesitated and glanced at her bedroom windows, where the drapes remained closed. “Never mind. Good-bye, my dear.” He tapped the roof of the carriage with his walking stick, and the driver clucked to his horses.

“Good-bye, Papa.” I stood on the gravel drive and watched until the carriage had crested the hill and disappeared down the other side.

I wouldn’t see or hear from my father again until April of 1861, when the bailiffs came to take our possessions away.

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