Publishers Weekly
08/19/2024
It’s the eve of her wedding night when Sorel Kalmans—the 17-year-old daughter of a wealthy Jewish merchant who, along with the Hasidic rebbe, rules her small Russian town of Esrog—heeding the advice of a mystical “shadowy reflection” in her mirror, disguises herself as a boy and flees. But Isser Jacobs, the new name she chooses for herself, is also the name of a man who printed illegal political pamphlets and had secret dealings with her father. Accompanied by a mysterious young man and Adela, Isser’s accomplice—both of whom may or may not be trustworthy—Sorel searches for her namesake, along the way uncovering more about what’s going on in her hometown. As the trio delve deeper into their investigations, Sorel also finds herself drawn to Adela. Throughout, Sorel contends with myriad personal challenges surrounding those she left in Esrog, the life she weaves as Isser, and the future she wants for herself, adding sometimes-meandering complications to her and her companions’ plight. Lamb (When the Angels Left the Old Country) packs their swift sophomore effort with adventure, folklore, and Jewish mysticism: Sorel and her companions must not only confront people who wish them ill but also face existential questions regarding angels and the future. Ages 12–up. Agent: Rena Rossner, Deborah Harris Agency. (Oct.)
From the Publisher
"Rooted in Jewish history and brimming with magic, The Forbidden Book is at once a heart-pounding mystery and a poignant tale of identity and found family. Whatever the opposite of forbidden is (mandatory?) that's what The Forbidden Book should be." - Isaac Blum, Morris Award Winning author of The Life and Crimes of Hoodie Rosen
Kirkus Reviews
2024-07-19
A girl runs away from her wedding and meets the Angel of Death.
Seventeen-year-old Sorel Kalmans, motherless and wealthy, does not want to marry the rebbe’s son. For one, the young people’s fathers arranged the match to strengthen both their business relationship and the Jewish communities of the (likely) 19th-century Russian town of Esrog and its surrounding shtetlach. More importantly, Sorel doesn’t recognize herself as a blushing bride—when she looks in the mirror, she sees a stranger. So she steals a stableboy’s clothes and runs away. A mysterious young man named Sam helps her survive her new vagabond life, but Isser Jacobs, the false name she chooses at random, also belongs, unfortunately, to a local boy who’s deeply embroiled in Sorel’s father’s licit and illicit business interests. Lamb’s sophomore novel contains fascinating magical elements drawn from Ashkenazi Jewish lore, such as dybbuks, angels, and demons, but confusing timelines and a muted and anticlimactic ultimate reveal weaken the story. Relatedly, Sorel herself is a blank cipher at the center of this slice of Yiddishkeit life, a character who plays others so much that readers never quite learn who she is, what she wants, and what is at the root of her motivation to leave.
An interesting frame for a story that ends up spinning its wheels.(Historical fantasy. 14-18)
