The First Modern Museums of Art: The Birth of an Institution in 18th- and Early- 19th-Century Europe

by Carole Paul (Editor)

Overview

In the eighteenth and early nineteenth centuries the first modern, public museums of art—civic, state, or national—appeared throughout Europe, setting a standard for the nature of such institutions that has made its influence felt to the present day. Although the emergence of these museums was an international development, their shared history has not been systematically explored until now. Taking up that project, this volume includes chapters on fifteen of the earliest and still major examples, from the Capitoline Museum in Rome, opened in 1734, to the Alte Pinakothek in Munich, opened in 1836. These essays consider a number of issues, such as the nature, display, and growth of the museums’ collections and the role of the institutions in educating the public. 
 
The introductory chapters by art historian Carole Paul, the volume’s editor, lay out the relationship among the various museums and discuss their evolution from private noble and royal collections to public institutions. In concert, the accounts of the individual museums give a comprehensive overview, providing a basis for understanding how the collective emergence of public art museums is indicative of the cultural, social, and political shifts that mark the transformation from the early-modern to the modern world. The fourteen distinguished contributors to the book include Robert G. W. Anderson, former director of the British Museum in London; Paula Findlen, Ubaldo Pierotti Professor of Italian History at Stanford University; Thomas Gaehtgens, director emeritus of the Getty Research Institute; and Andrew McClellan, dean of academic affairs and professor of art history at Tufts University.

Product Details

ISBN-13:	9781606061206
Publisher:	Getty Publications
Publication date:	11/16/2012
Edition description:	1
Pages:	368
Product dimensions:	7.30(w) x 10.30(h) x 1.20(d)

About the Author

Carole Paul is a scholar of seventeenth- and eighteenth-century art in Italy, whose recent work concerns the history of museums and collections in the early modern period. Her publications include Making a Prince’s Museum: Drawings for the Late-Eighteenth-Century Redecoration of the Villa Borghese (Getty, 2000).

Table of Contents

Preface: Toward a Collective History Carole Paul vii

Introduction: The Grand Tour and Princely Collections in Rome Carole Paul 1

I Capitoline Museum, Rome: Civic Identity and Personal Cultivation Carole Paul 21

II British Museum, London: Institutionalizing Enlightenment Robert G. W. Anderson 47

III Uffizi Gallery, Florence: The Rebirth of a Museum in the Eighteenth Century Paula Findlen 73

IV Museo Pio-Clementino, Vatican City: Ideology and Aesthetics in the Age of the Grand Tour Jeffrey Collins 113

V The Picture Galleries of Dresden, Düsseldorf, and Kassel: Princely Collections in Eighteenth-Century Germany Tristan Weddigen 145

VI Kunsthistorisches Museum/Belvedere, Vienna: Dynasticism and the Function of Art Michael Yonan 167

VII Nationalmuseum/Royal Museum, Stockholm: Connecting North and South Magnus Olausson Solfrid Söderlind 191

VIII Musée du Louvre, Paris: Palace of the People, Art for All Andrew McClellan 213

IX Museo Nacional del Prado, Madrid: Absolutism and Nationalism in Early-Nineteenth-Century Madrid Andrew Schulz 237

X National Gallery, London: For "all ranks and degrees of men" Brandon Taylor 261

XI Altes Museum, Berlin: Building Prussia's First Modern Museum Thomas W. Gaehtgens 285

XII Glyptothek and Alte Pinakothek, Munich: Museums as Public Monuments Adrian Von Buttlar Bénédicte Savoy 305

Acknowledgments 330

Illustration Credits 331

About the Contributors 332

Index 334

Editorial Reviews

Exemplary.”—Choice


“Leading academics and curators contribute chapters on 15 museums, from the Capitoline Museums in Rome to Munich’s Alte Pinakothek. They provide detailed analysis of how collection, display and education were conceived at the time, as well as how the modern museum reflected the period’s broad social changes.”—Apollo


“[These] accounts of the individual museums give a comprehensive overview, providing a basis for understanding how the collective emergence of public art museums is indicative of the cultural, social, and political shifts that mark the transformation from the early-modern to the modern world.”—Enfilade

From the Publisher