The First Day of Spring: A Novel
“Tense, addictive and powered by an unforgettable narrative voice.” - PAULA HAWKINS

"A stunning debut...Suspenseful? You bet. Heart-rending? From beginning to end."-The Washington Post
 
“Gripping¿The voices of Chrissie and Julia reside deep in your skull: visceral and wicked, sad and wonderful, all at the same time.” -The New York Times 

“Fans of Lisa Jewell and smart psychological suspense will eagerly await Tucker's next.” -Publishers Weekly, STARRED review

“So that was all it took,” I thought. “That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all.”



Meet Chrissie...
 
Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost -- she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.

    Twenty years later, adult Chrissie is living in hiding under a changed name. A single mother, all she wants is for her daughter to have the childhood she herself was denied. That's why the threatening phone calls are so terrifying. People are looking for them, the past is catching up, and Chrissie fears losing the only thing in this world she cares about, her child.

     Nancy Tucker leaves the reader breathless as she inhabits her protagonist with a shocking authenticity that moves the reader from sympathy to humor to horror to heartbreak and back again.

"1137970716"
The First Day of Spring: A Novel
“Tense, addictive and powered by an unforgettable narrative voice.” - PAULA HAWKINS

"A stunning debut...Suspenseful? You bet. Heart-rending? From beginning to end."-The Washington Post
 
“Gripping¿The voices of Chrissie and Julia reside deep in your skull: visceral and wicked, sad and wonderful, all at the same time.” -The New York Times 

“Fans of Lisa Jewell and smart psychological suspense will eagerly await Tucker's next.” -Publishers Weekly, STARRED review

“So that was all it took,” I thought. “That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all.”



Meet Chrissie...
 
Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost -- she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.

    Twenty years later, adult Chrissie is living in hiding under a changed name. A single mother, all she wants is for her daughter to have the childhood she herself was denied. That's why the threatening phone calls are so terrifying. People are looking for them, the past is catching up, and Chrissie fears losing the only thing in this world she cares about, her child.

     Nancy Tucker leaves the reader breathless as she inhabits her protagonist with a shocking authenticity that moves the reader from sympathy to humor to horror to heartbreak and back again.

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The First Day of Spring: A Novel

The First Day of Spring: A Novel

by Nancy Tucker

Narrated by Kristin Atherton

Unabridged — 11 hours, 27 minutes

The First Day of Spring: A Novel

The First Day of Spring: A Novel

by Nancy Tucker

Narrated by Kristin Atherton

Unabridged — 11 hours, 27 minutes

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Overview

Notes From Your Bookseller

Hidden identities and changes to one’s past aren’t easy. Imagine the mental and emotional toll of such alterations, shoving it all down so no one can see. Nancy Tucker’s debut novel is an exquisite AND troubled unraveling. You won’t be able to stop looking — or reading, for that matter.

“Tense, addictive and powered by an unforgettable narrative voice.” - PAULA HAWKINS

"A stunning debut...Suspenseful? You bet. Heart-rending? From beginning to end."-The Washington Post
 
“Gripping¿The voices of Chrissie and Julia reside deep in your skull: visceral and wicked, sad and wonderful, all at the same time.” -The New York Times 

“Fans of Lisa Jewell and smart psychological suspense will eagerly await Tucker's next.” -Publishers Weekly, STARRED review

“So that was all it took,” I thought. “That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all.”



Meet Chrissie...
 
Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost -- she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.

    Twenty years later, adult Chrissie is living in hiding under a changed name. A single mother, all she wants is for her daughter to have the childhood she herself was denied. That's why the threatening phone calls are so terrifying. People are looking for them, the past is catching up, and Chrissie fears losing the only thing in this world she cares about, her child.

     Nancy Tucker leaves the reader breathless as she inhabits her protagonist with a shocking authenticity that moves the reader from sympathy to humor to horror to heartbreak and back again.


Editorial Reviews

Publishers Weekly

★ 03/22/2021

British author Tucker (The Time in Between: A Memoir of Hunger and Hope) makes a spectacular fiction debut with this gripping novel about childhood pain and healing. Eight-year-old Chrissie Banks’s father rarely comes home, while her mother dislikes her. Chrissie lies, steals, brags, and bullies other children in her working-class neighborhood to get the food and attention she craves. One day, she strangles a two-year-old boy, and no one suspects her of the crime. She loves the power her secret gives her, but as the police ignore her and interest in the boy’s death fades, her desire to hurt another child mounts. Two decades later, Chrissie has become a single mother after her release from a detention home. Obsessed with caring for her five-year-old daughter, Molly, she panics when the social worker who supervises her parenting asks to see her after an accident results in a broken wrist for Molly. Terrified that Molly will be taken away, she considers flight and reckons anew with her past. The taut, meticulously observed narration, which alternates between Chrissie’s youthful and adult perspectives, mines the dangers that childhood trauma causes both its victims and those around them. Fans of Lisa Jewell and smart psychological suspense will eagerly await Tucker’s next. Agent: Catherine Drayton, InkWell Management. (May)

From the Publisher

Praise for The First Day of Spring:

“Gripping, unsettling debut novel. . .Chrissie’s observations are immaculate, loyal to her age and her desperation…By the end of the novel, the voices of Chrissie and Julia reside deep in your skull: visceral and wicked, sad and wonderful, all at the same time.”The New York Times Book Review

"A stunning debut...Suspenseful? You bet. Heart-rending? From beginning to end."The Washington Post

“Too original to be missed.”—PopSugar

“Stylish, cunning thriller…Tucker follows one woman’s reckoning with the quarantines of her childhood, seeking love amid dark secrets hiding in the nooks and crannies of all our lives.”—OprahDaily, Best Books of May

“A spectacular fiction debut …The taut, meticulously observed narration, which alternates between Chrissie’s youthful and adult perspectives, mines the dangers that childhood trauma causes both its victims and those around them. Fans of Lisa Jewell and smart psychological suspense will eagerly await Tucker’s next.” Publishers Weekly, STARRED review

“This sharp-edged and highly discussable book is difficult to put down.”—Booklist

“Riveting… a chilling suspense novel about guilt, responsibility, and redemption.”—Kirkus 

An exceptional debut which both chilled and moved me from the very first page. I cannot overstate how much I loved this book.” – Clare Mackintosh, New York Times bestselling author of I Let You Go

“A darkly dazzling debut, a harrowing story of neglect and cruelty written with a delicate touch and a big heart. As gripping as the tensest of thrillers and as moving and humane as the most intimate of memoirs, I loved this book.” – Lisa Jewell, New York Times bestselling author of The Family Upstairs

"Tense, addictive and powered by an unforgettable narrative voice, The First Day of Spring gives us not just a window into the confused psychology of a child driven to violence, but a thoughtful consideration of the redemptive power of love and friendship."   —Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train

The First Day Of Spring is a gut-wrenching tale about the effects of neglect and loneliness on a child. Eight-year-old Chrissie’s voice is so raw and authentic that I could not stop turning the pages, desperate to find out what she would do next. A harrowing, incisive debut.” – Stephanie Wrobel, author of Darling Rose Gold

“Nancy Tucker has created one of the most unforgettable characters I’ve ever read with a remarkable voice that is both piercing and poetic. The contrast between innocence and evil is breathtaking—I found myself aching for Chrissie/Julia as she learns to survive as a daughter and then mother in a world that has failed her. Chilling, thought-provoking, and compulsively readable, The First Day of Spring is a novel that will break your heart on every page and never leave you. I loved it.” – Ashley Audrain, author of The Push

Kirkus Reviews

2021-03-03
A neglected girl commits an unspeakable crime and, as an adult, wonders if she can find redemption.

British writer Tucker wastes no time grabbing the reader in her chilling debut novel. “I killed a little boy today. Held my hands around his throat, felt his blood pump hard against my thumbs. He wriggled and kicked....I roared. I squeezed.” The murderer is 8-year-old Chrissie, who is trying to navigate an unimaginably hard and lonely life. Her mother doesn’t feed her—Chrissie is quite literally starving—and tries to give her away. Her mostly absent father offers only empty promises. Chrissie finds relief in frenzied bursts of action that make her feel powerful: Acting as milk monitor at school (so she can drink the dregs from each bottle). Stealing candy from the shop. Bossing and bullying the neighborhood kids. Even strangling the little boy is her way of saying “I am here, I am here, I am here.” But the empathetic Tucker gives the adult Chrissie a voice, too: Twenty years later with a new name and a daughter of her own, Chrissie, now Julia, is out in the world again and struggling with guilt. She loves her daughter but doubts herself and fears authorities will take the girl away. The chapters alternate between the child and adult perspectives, and Tucker builds almost unbearable tension in both timelines as the police circle closer to young Chrissie and the past pulls adult Chrissie back to the scene of her crime. This novel is a riveting thriller in every sense, but Tucker is asking big questions, too. Can society forgive the unforgivable? Does everyone deserve a second chance? She forces us to reconsider the perils of poverty and neglect.

A chilling suspense novel about guilt, responsibility, and redemption.

Product Details

BN ID: 2940177138923
Publisher: Penguin Random House
Publication date: 05/18/2021
Edition description: Unabridged

Read an Excerpt

Chrissie

I killed a little boy today. Held my hands around his throat, felt his blood pump hard against my thumbs. He wriggled and kicked and one of his knees caught me in the belly, a sharp lasso of pain. I roared. I squeezed. Sweat made it slippy between our skins but I didn't let go, pressed and pressed until my nails were white. It was easier than I thought it would be. Didn't take long for him to stop kicking. When his face was the color of milk jelly I sat back on my heels and shook my hands. They had seized up. I put them on my own neck, above the place where the twin doorknob bones stuck out. Blood pumped hard against my thumbs. I am here, I am here, I am here.

I went to knock for Linda afterward, because it was hours before tea. We walked to the top of the hill and turned ourselves upside down against the handstand wall, gritting our palms with smoke ends and sparkles of glass. Our dresses fell over our faces. The wind blew cool on our legs. A woman ran past us, Donna's mammy, ran past with her fat breasts bumping up and down. Linda pushed herself off the wall to stand beside me, and we watched Donna's mammy run down the street together. She was making noises that sounded like cat howls. They ripped up the quiet of the afternoon.

"What's she crying for?" asked Linda.

"Don't know," I said. I knew.

Donna's mammy disappeared round the corner at the end of the street and we heard faraway gasps. When she came back there was a lump of mammies around her, all of them hurrying, brown shoes slapping the road in a thrum-thrum-thrum beat. Michael was with them but he couldn't keep up. By the time they passed us he was hanging a long way behind, panting in a crackling shudder, and his mammy tugged his hand and he fell. We saw the raspberry-ripple splash of blood, heard the yowl slice through the air. His mammy hauled him up and clamped him on her hip. She kept on running, running, running.

When the mammies were just past us, so we were looking at a herd of cardigan backs and wide, jiggling bottoms, I pulled Linda's arm and we followed. At the end of the road we saw Richard coming out of the shop with a toffee chew in one hand and Paula in the other. He saw us running with the mammies and he followed. Paula didn't like Richard pulling her, started grizzling, so Linda picked her up and clutched her round the middle. Her legs were striped where her fat folded in on itself. They hung out of a swollen nappy that dropped lower and lower with every step.

We heard the crowd before we saw it: a rumbling blanket of sighs and swears, wrinkled by women crying. Girls crying. Babies crying. Round the corner and there it was, a cloud of people standing around the blue house. Linda wasn't next to me anymore because Paula's nappy had fallen off at the end of Copley Street and she had stopped to try to put it back on her. I didn't wait. I ran forward, away from the lump of twittering mammies, into the cloud. When I got to the middle I had to squat down small and wind between the hot bodies, and when there were no more bodies to wind through I saw it. The great big man standing in the doorway, the little dead boy in his arms.

A noise came from the back of the crowd and I looked on the ground for a fox, because it was the noise a fox makes when a thorn gets stuck in its paw, the noise of something's insides coming out through its mouth. Then the cloud was breaking, disintegrating, people falling into one another. I got pushed over, and I watched through legs as Steven's mammy went to the man at the door. Her insides were coming out of her mouth in a howl. She took Steven from him and the howl turned to words: "My boy, my boy, my boy." Then she sat down on the ground, not caring that her skirt was around her middle and everyone could see her underpants. Steven was clutched against her, and I thought how it was a good job he was dead already, because if he hadn't already been dead he would have got suffocated by her rolls of breast and belly. I couldn't see his face under the rolls. Didn't matter. I already knew what it looked like-gray as gone-bad liver, eyes like staring marbles. He had stopped blinking. I had noticed that when I'd got done killing him. It had been strange to see someone not blink for so long. When I'd tried to do it my eyeballs had burned. His mammy stroked his hair and howled, and Donna's mammy broke through the crowd to kneel beside her, and Richard's mammy and Michael's mammy and all the other mammies swarmed and cried. I didn't know what they were crying for. Their kids weren't dead.

It took Linda and Paula a long time to catch up with the rest of us. When they arrived in the blue-house alley Linda was holding Paula's wet nappy.

"Do you know how to get this back on her?" Linda asked, holding it out to me. I didn't answer, just leaned round so I could carry on watching the heap of howling mammies. "What's going on?" she asked.

"Steven's there," I said.

"Was he in the blue house?" she asked.

"He was dead in the blue house," I said. "Now his mammy's got him, but he's still dead."

"How did he die?" she asked.

"Don't know," I said. I knew.

Paula sat down on the ground beside me, her bare bottom nestling into the dirt. She moved her chubby hands around until she found a little stone, which she ate carefully. Linda sat on my other side and watched the mammies. Paula ate three more stones. People muttered and whispered and cried and Steven's mammy stayed hidden under a shawl of breasts and pink cardigans. Susan was there. She was Steven's sister. She was standing away from the mammies, away from the crowd. No one seemed to see her except me. It was like she was a ghost.

When the sun started to go down Paula's mammy came over, picked her up, hooked a stone out of her mouth, and took her home. Linda had to go too, because she said her mammy would have tea on the table. She asked if I was coming but I said no. I stayed until a car purred up and two policemen got out, tall and smart with shiny buttons on their clothes. One of them crouched and talked to Steven's mammy in words I couldn't hear, even when I closed my eyes and clenched my teeth, which usually helped me hear things grown-ups wanted to keep secret. The other one went into the blue house. I watched him slink through the downstairs rooms, and I thought about shouting, "I killed him upstairs. You need to look upstairs." I bit my lips shut. I couldn't give the game away.

I wanted to stay watching, at least until the policeman got to looking in the right place, but Mr. Higgs from number 35 told me to run along. When I stood I was patterned with lines and bumps from the ground. I could see Steven better from standing. His legs were flopped over his mammy's arm, and I could see that one of his shoes had come off, and that he had mud on his knees. Susan was the only other kid still there, because she didn't have anyone waiting for her at home anymore. Her arms were crossed over her chest and she was holding on to her shoulders, like she was hugging herself, or holding her pieces together. She looked thin and glowy. When she flicked her hair out of her face she saw me, and I was about to wave, but Mr. Higgs took me by the elbow.

"Come on, lass," he said. "Time to go now." I wriggled away. I thought he would just shoo me off, but he walked me all the way back to the street, close beside me the whole time. I could hear his breath: hard and panty. It felt like slugs leaving slime on my skin.

"Look at that sky," he said, pointing above our heads. I looked. It was all blue.

"Yeah," I said.

"First day of spring," he said.

"Yeah," I said.

"First day of spring and a little lad lying dead," he said. He made a tutting sound with his tongue on the roof of his mouth.

"Yeah," I said. "Dead."

"You're not scared are you, lass?" he asked. I climbed onto Mr. Warren's front garden wall. "The police'll sort this out, you know. There's nothing for you to be scared of."

"There's nothing I am scared of," I said.

When I got to the end of the wall I jumped down and ran all the way back to the house. I took the shortcut, the one where you had to squeeze through the gap in the car park fence. I couldn't take the shortcut when I was with Linda because she couldn't fit through the gap, but it was easy for me. People always said I was small for eight.

None of the lights were on in the house. I clicked the front door shut behind me and flicked the switch on the wall, but nothing happened. There was no more lectric. I hated when there was no more lectric. It meant the telly didn't work and the house was dark-dark-dark with no way of making it light, and I got scared of the things I couldn't see. For a while I stood still in the hallway, listening for Mam. I didn't think Da would be there, but I listened for him too, stretching my ears like I could magic up his noises just by listening hard enough. Everything was quiet. Mam's handbag was on the floor by the stairs and I found a packet of biscuits inside. They were my favorite kind-sand-colored, dotted with dead-fly raisins-and I ate them lying on my bed, remembering to chew on the side of my mouth without the rotten tooth in it. When they were all gone I held my hands up above my face and stretched out my fingers in starfish spikes. I waited until all the blood had drained away, then brought them down and stroked them across my face. They were so numb it was like they were someone else's, and it was strange, the feeling of someone else stroking my face. When they came back to life I put my palms on my cheeks and peered through my fingers in a hide-and-seek squint.

Bet you can't see me, bet you can't find me, bet you can't catch me.

 

That night I woke up when everything else was asleep. I lay still on my back. I thought Mam must have slammed the front door, because that was usually what woke me up in the night, or sometimes I woke myself by peeing the bed, but my sheets were dry and I couldnÕ t hear anyone downstairs. There were no growing pains in my legs. I touched my belly, my chest, my throat. I stopped at my throat. Remembering was butter hitting a hot pan. Foam and sizzle.

I killed a little boy today. I took him to the alleys and held my hands around his throat in the blue house. I kept on pressing even when our skins were slippy with sweat. He died underneath me and a hundred million people watched him be carried down to his mammy by a tall, strong man.

I had the belly-fizzing feeling I got whenever I remembered a delicious secret, like sherbet exploding in my guts. Underneath it there was something else, something tighter and more like metal. I ignored it. I concentrated on the fizzing. Whoosh and whirr.

Once I had remembered about killing Steven I was too excited to go back to sleep, so I tiptoed out of bed and onto the landing. Outside Mam's room I stopped and held my breath, but her door was shut and I couldn't hear anything through it. The floorboards were cold on the bottoms of my feet, and I felt hollow, pale-colored. The biscuits seemed a long time ago. There was never any food in the kitchen, even though the whole point of a kitchen was to have food in it, but I looked anyway. I climbed onto the worktop and opened all the cupboards, and in the one by the cooker I found a paper bag of sugar. I tucked it under my arm.

When I turned the front door handle I had to be extra careful, because it made a loud clicking sound if you moved it too fast, and if Mam was asleep in her room I didn't want to wake her. I slid the mat over the front step and pulled the door tight against it, so it stuck but didn't close. That was what Mam did to stop me knocking when I came back from school. The outside air gave me goose bumps where I was bare under my nightie, wind whistling up inside me. I stood at the front gate for a long time, looking up and down the empty street, feeling like I was the only person in the world.

Before, outside the blue house, I had heard one of the mammies say the streets would never be the same again. She had had her head on another mammy's shoulder, and had been making a wet patch on her cardigan with tears. "It'll never be the same again," she had said. "Not after this. Not after someone's gone and done something like this. How can we feel safe when we know there's evil like that in the streets? How can we ever trust the kids are safe when we've got the devil here? The devil among us?" Remembering it made me glow. The streets were never going to be the same again. They used to be safe and now they weren't, and all of it because of one person, one morning, one moment. All of it because of me.

The pavement was gritty and scrubbed at my feet, but I didn't care. I decided to walk to church, because church was at the top of the hill and from outside church you could see all the streets in the grid. I kept my eyes on the steeple as I walked: spiked in the sky like a winter tree. When I got to the top I climbed onto the wall next to the angel statue and looked back at the warren of matchbox houses. My belly squeezed and I licked my finger and stuck it into the bag of sugar and sucked it clean. I did that again and again, until my rotten tooth hummed, until prickly crystals sanded the insides of my lips. I felt like a ghost or an angel, standing on the wall in my white nightie, eating sugar from a paper bag. No one saw me but I was still there. I was basically God.

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