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![The Fact of a Doorframe: Poems 1950-2001](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.9.4)
![The Fact of a Doorframe: Poems 1950-2001](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.9.4)
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Overview
A reissue of the classic Adrienne Rich selection, revised and expanded to cover the entirety of her career, with a new Introduction.The Fact of a Doorframe is the ideal introduction to Rich's opus, from her formative lyricism in A Change of Word (1951), to the groundbreaking poems of Diving into the Wreck (1973), to the searching voice of Fox (2001).
Product Details
ISBN-13: | 9780393323955 |
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Publisher: | Norton, W. W. & Company, Inc. |
Publication date: | 11/17/2002 |
Edition description: | New Edition |
Pages: | 344 |
Product dimensions: | 5.50(w) x 8.30(h) x 1.00(d) |
About the Author
Adrienne Rich (1929–2012) was an award-winning poet, influential essayist, radical feminist, and major public intellectual of the twentieth and twenty-first centuries. She wrote two dozen volumes of poetry, including the National Book Award–winning Diving into the Wreck, and more than a half-dozen of prose.
Table of Contents
Foreword | xv | |
from A Change of World (1951) | ||
Storm Warnings | 3 | |
Aunt Jennifer's Tigers | 4 | |
Boundary | 4 | |
At a Bach Concert | 5 | |
from The Diamond Cutters (1955) | ||
Ideal Landscape | 9 | |
Living in Sin | 9 | |
The Snow Queen | 10 | |
Letter from the Land of Sinners | 11 | |
from Snapshots of a Daughter-in-Law (1963) | ||
from Morning-Glory to Petersburg | 15 | |
The Knight | 16 | |
Snapshots of a Daughter-in-Law | 17 | |
Antinous: The Diaries | 21 | |
Peeling Onions | 22 | |
The Roofwalker | 23 | |
Prospective Immigrants Please Note | 24 | |
From Necessities of Life (1966) | ||
Necessities of Life | 29 | |
In the Woods | 31 | |
The Trees | 33 | |
Like This Together | 34 | |
Night-Pieces: For a Child | 36 | |
"I Am in Danger--Sir--" | 38 | |
Mourning Picture | 39 | |
The Knot | 40 | |
Focus | 41 | |
From Leaflets (1969) | ||
Orion | 45 | |
In the Evening | 46 | |
The Demon Lover | 47 | |
Jerusalem | 50 | |
Night Watch | 52 | |
For a Russian Poet | 53 | |
Abnegation | 55 | |
Implosions | 56 | |
On Edges | 57 | |
Leaflets | 58 | |
from Ghazals: Homage to Ghalib | 63 | |
7/12/68 The clouds are electric in this university | 63 | |
7/14/68: i In Central Park we talked of our own cowardice | 63 | |
7/14/68: ii Did you think I was talking about my life? | 64 | |
7/16/68: i Blacked-out on a wagon, part of my life cut out forever-- | 64 | |
7/16/68: ii When they mow the fields, I see the world reformed | 65 | |
7/26/68: i Last night you wrote on the wall: Revolution is poetry | 65 | |
8/1/68 The order of the small town on the riverbank | 66 | |
8/4/68 If these are letters, they will have to be misread | 66 | |
8/8/68: i From here on, all of us will be living | 67 | |
8/8/68: ii A piece of thread ripped-out from a fierce design | 67 | |
from The Will to Change (1971) | ||
November 1968 | 71 | |
Study of History | 72 | |
Planetarium | 73 | |
The Burning of Paper Instead of Children | 75 | |
I Dream I'm the Death of Orpheus | 78 | |
Letters: March 1969 | 79 | |
The Stelae | 83 | |
A Valediction Forbidding Mourning | 84 | |
from Shooting Script | 85 | |
from Diving into the Wreck (1973) | ||
Trying to Talk with a Man | 93 | |
When We Dead Awaken | 94 | |
From the Prison House | 96 | |
The Mirror in Which Two Are Seen as One | 97 | |
Dialogue | 100 | |
Diving into the Wreck | 101 | |
Song | 104 | |
The Ninth Symphony of Beethoven Understood at Last as a Sexual Message | 105 | |
Rape | 105 | |
Burning Oneself In | 107 | |
From a Survivor | 108 | |
August | 109 | |
Uncollected Poems (1950-1974) | ||
The Prisoners | 113 | |
At the Jewish New Year | 113 | |
Dien Bien Phu | 115 | |
Re-forming the Crystal | 116 | |
White Night | 118 | |
from an Old House in America | 119 | |
The Fact of a Doorframe | 131 | |
From The Dream of a Common Language (1978) | ||
Power | 135 | |
Hunger | 136 | |
Cartographies of Silence | 138 | |
Twenty-One Love Poems | 143 | |
A Woman Dead in Her Forties | 154 | |
Natural Resources | 160 | |
from A Wild Patience Has Taken Me This Far (1981) | ||
Integrity | 171 | |
For Memory | 173 | |
For Ethel Rosenberg | 174 | |
Grandmothers | 179 | |
The Spirit of Place | 181 | |
Frame | 187 | |
from Your Native Land, Your Life (1986) | ||
For the Record | 193 | |
Virginia 1906 | 194 | |
For an Occupant | 196 | |
North American Time | 197 | |
Blue Rock | 201 | |
from Contradictions: Tracking Poems | 203 | |
1. | Look: this is January | 203 |
2. | Heart of cold | 204 |
3. | My mouth hovers | 204 |
6. | Dear Adrienne: I'm calling you up tonight | 205 |
7. | Dear Adrienne, I feel signified by pain | 205 |
10. | Night over the great and the little worlds | 206 |
11. | I came out of the hospital | 206 |
12. | Violence as purification | 207 |
14. | Lately in my dreams | 207 |
15. | You who think I find words for everything | 208 |
18. | The problem, unstated till now | 208 |
20. | The tobacco fields lie fallow | 209 |
22. | In a bald skull sits our friend | 209 |
23. | You know the Government must have pushed them | 210 |
26. | You: air-driven reft | 210 |
27. | The Tolstoyans | 211 |
29. | You who think I find words for everything | 211 |
from Time's Power (1989) | ||
In a Classroom | 215 | |
The Novel | 215 | |
Children Playing Checkers at the Edge of the Forest | 216 | |
The Desert as Garden of Paradise | 217 | |
Delta | 224 | |
Dreamwood | 224 | |
Harpers Ferry | 225 | |
From An Atlas of the Difficult World (1991) | ||
from An Atlas of the Difficult World | 233 | |
I | A dark woman, head bent | 233 |
II | Here is a map of our country | 235 |
IV | Late summers, early autumns | 236 |
V | Catch if you can your country's moment | 237 |
VII | (The dream-site) | 239 |
VIII | He thought there would be a limit | 239 |
IX | On this earth, in this life | 241 |
X | Soledad. = f. Solitude, loneliness | 242 |
XI | One night on Monterey Bay | 243 |
XIII | (Dedications) | 245 |
That Mouth | 247 | |
Marghanita | 247 | |
Tattered Kaddish | 249 | |
Final Notations | 250 | |
from Dark Fields of the Republic (1995) | ||
What Kind of Times Are These | 253 | |
In Those Years | 253 | |
Calle Vision | 254 | |
Then or Now | 261 | |
Food Packages: 1947 | 261 | |
Innocence: 1945 | 261 | |
Sunset, December, 1993 | 262 | |
Deportations | 263 | |
And Now | 264 | |
Late Ghazal | 264 | |
from Inscriptions | 265 | |
1 | comrade | 265 |
2 | movement | 266 |
4 | history | 267 |
6 | edgelit | 268 |
From Midnight Salvage (1999) | ||
For an Anniversary | 275 | |
Midnight Salvage | 275 | |
Char | 280 | |
Letters to a Young Poet | 282 | |
Camino Real | 286 | |
Seven Skins | 288 | |
Rusted Legacy | 292 | |
from Fox (2001) | ||
Veterans Day | 297 | |
Architect | 302 | |
Fox | 303 | |
Fire | 304 | |
Noctilucent Clouds | 305 | |
If Your Name Is on the List | 306 | |
1999 | 307 | |
Four Short Poems | 308 | |
1 | (driving home from Robin Blaser's reading) | 308 |
2 | We're not yet out of the everglades | 308 |
3 | Beethoven's "Appassionata" played | 309 |
4 | From the new crudities, from the old | 309 |
Ends of the Earth | 310 | |
Notes | 311 | |
Index | 319 |
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