The End of the Ocean: A Novel

by Maja Lunde, Diane Oatley (Translator), Jane Copland (Read by), Jean Brassard (Read by)

Overview

From the author of the number-one international bestseller The History of Bees, a captivating story of the power of nature and the human spirit that explores the threat of a devastating worldwide drought, witnessed through the lives of a father, a daughter, and a woman who will risk her life to save the future.

In 2019, seventy-year-old Signe sets sail alone on a hazardous voyage across the ocean in a sailboat. On board, a cargo that can change lives. Signe is haunted by memories of the love of her life, whom she’ll meet again soon.

In 2041, David and his young daughter, Lou, flee from a drought-stricken Southern Europe that has been ravaged by thirst and war. Separated from the rest of their family and desperate to find them, they discover an ancient sailboat in a dried-out garden, miles away from the nearest shore. Signe’s sailboat.

As David and Lou discover Signe’s personal effects, her long ago journey becomes inexorably linked to their own.

An evocative tale of the search for love and connection, The End of the Ocean is a profoundly moving father daughter story of survival and a clarion call for climate action.

Product Details

ISBN-13:	9781094105581
Publisher:	HarperCollins Publishers
Publication date:	01/14/2020
Edition description:	Unabridged
Product dimensions:	5.40(w) x 6.70(h) x 0.60(d)

About the Author

Maja Lunde is a Norwegian author and screenwriter. Lunde has written five books for children and young adults. She has also written scripts for Norwegian television, including for the children’s series Barnas supershow (“The Children’s Super Show”), the drama series Hjem(“Home”) and the comedy series Side om Side (“Side by Side”). THE HISTORY OF BEES was her first novel for adults. She lives with her husband and three children in Oslo.

Jane Copland has over twenty-five years’ experience in broadcasting and voice-overs. Working mainly in television, she has been a BBC newsreader, presenter, and continuity announcer. She has narrated many documentaries for BBC 2, Channel 4, and the History Channel. For her first audiobook, The Palace of Curiosities by Rosie Garland, she played both female and male roles and a host of accents from posh to cockney, Dutch to Italian.

Jean Brassard is a theater and television actor, singer, voice-over, talent, audiobook narrator, and writer. He is the winner of an AudioFile Earphones Award.

Editorial Reviews

If we somehow manage to save the planet from ourselves, it will be because of big-hearted beautiful books like this one, that make us feel the devastating cost of our current climate inaction. Not just the planet-wide consequences, but the human-scale ones as well. Gripping and powerful.” — Sam J. Miller, Nebula Award Winning author of Blackfish City 

“Lyrical, atmospheric, and eerily prescient, The End of the Ocean is my favorite kind of speculative fiction. Lunde expertly weaves together both a warning and a gorgeous literary work of love and survival that will leave you wishing for rain.” — Christina Dalcher, national bestselling author of Vox  

“Imagine The Leftovers, but with honey.” — Elle on The History of Bees

“Without ever banging an apocalyptic drum, Lunde paints an achingly pure picture of what happens if we fail to protect the bees, our biospheric conscience, our fragile, sacred spinners of gold.” — Jacquelyn Mitchard, New York Times bestselling author, on The History of Bees

“As a lover of honeybees and a fan of speculative fiction, I was doubly smitten by The History of Bees. Maja Lunde’s novel is an urgent reminder of how much our survival depends on those remarkable insects. It is also a gripping account of how—despite the cruelest losses—humanity may abide and individual families can heal.” — Jean Hegland, author of Still Time and Into the Forest, on The History of Bees

“By turns devastating and hopeful, The History of Bees resonates powerfully with our most pressing environmental concerns. Following three separate but interconnected timelines, Lunde shows us the past, the present, and a terrifying future in a riveting story as complex as a honeycomb.” — Bryn Greenwood, New York Times bestselling author, on The History of Bees

“Two stories on the impact of climate change intersect in this thoughtful and suspenseful novel… Both halves of the story are convincingly detailed and quietly wrenching, and Lunde gradually and subtly draws them together to powerful effect.”  — Kirkus Reviews (starred review)

“ As the water crisis gets worse, the desperation echoes the extremities of Emily St. John Mandel’s postapocalyptic Station Eleven (2014). In a gripping narrative, Lunde portrays the profit-motivated decisions that created and are now exacerbating David’s horrific existence. This is another brilliant call to arms from a vital contemporary novelist.” — ALA Booklist

From the Publisher

As the water crisis gets worse, the desperation echoes the extremities of Emily St. John Mandel’s postapocalyptic Station Eleven (2014). In a gripping narrative, Lunde portrays the profit-motivated decisions that created and are now exacerbating David’s horrific existence. This is another brilliant call to arms from a vital contemporary novelist.

ALA Booklist

Without ever banging an apocalyptic drum, Lunde paints an achingly pure picture of what happens if we fail to protect the bees, our biospheric conscience, our fragile, sacred spinners of gold.

Jacquelyn Mitchard

Imagine The Leftovers, but with honey.

Elle on The History of Bees

By turns devastating and hopeful, The History of Bees resonates powerfully with our most pressing environmental concerns. Following three separate but interconnected timelines, Lunde shows us the past, the present, and a terrifying future in a riveting story as complex as a honeycomb.

Bryn Greenwood

If we somehow manage to save the planet from ourselves, it will be because of big-hearted beautiful books like this one, that make us feel the devastating cost of our current climate inaction. Not just the planet-wide consequences, but the human-scale ones as well. Gripping and powerful.

Sam J. Miller

Lyrical, atmospheric, and eerily prescient, The End of the Ocean is my favorite kind of speculative fiction. Lunde expertly weaves together both a warning and a gorgeous literary work of love and survival that will leave you wishing for rain.

Christina Dalcher

As a lover of honeybees and a fan of speculative fiction, I was doubly smitten by The History of Bees. Maja Lunde’s novel is an urgent reminder of how much our survival depends on those remarkable insects. It is also a gripping account of how—despite the cruelest losses—humanity may abide and individual families can heal.

Jean Hegland

Imagine The Leftovers, but with honey.

Elle on The History of Bees

★ 2019-10-14
Two stories on the impact of climate change intersect in this thoughtful and suspenseful novel.

In 2017, feisty Norwegian journalist and environmental activist Signe, "an aging woman, a little shabby and unkempt in a worn-out parka," returns to a hometown that has been changed for the worse by the building of a dam that harnesses what used to be a beautiful waterfall to produce hydroelectric power. A nearby glacier is vanishing, and to add insult to injury, Signe's estranged lover Magnus, now a capitalist, is sending large quantities of the ice to Saudi Arabia as a luxury item. With the help of a sailboat she has owned since childhood, Signe conceives a plan to shame Magnus. Her story alternates with that of 25-year-old David, who, in 2041 France, has been forced to take up residency with his 6-year-old daughter, Lou, in a refugee camp for those attempting to escape a drought that has been going on for five years. He is hoping against hope that his wife and infant son will join them there and that then they will be able to make their way to the "water countries" up north, but they haven't been seen since the fire that destroyed their town. Both halves of the story are convincingly detailed and quietly wrenching, and Norwegian author Lunde (The History of Bees, 2017) gradually and subtly draws them together to powerful effect. Signe's story moves between her earlier life, clearly revealing how it shaped the woman she is, and her present struggles as she navigates a tiny sailboat on the ocean. David's story widens out to include other residents in the camp as it slides into an increasing state of chaos and as David and Lou begin to come to terms with a new normal and find their way out of the camp and into the countryside.

Global problems soundly grounded in the particular.

Kirkus Reviews