The Emerald Atlas

by John Stephens Narrated by Jim Dale

Overview

"A strong . . . trilogy, invoking just a little Harry Potter and Series of Unfortunate Events along the way."-Realms of Fantasy

Siblings Kate, Michael, and Emma have been in one orphanage after another for the last ten years, passed along like lost baggage.
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Yet these unwanted children are more remarkable than they could possibly imagine. Ripped from their parents as babies, they are being protected from a horrible evil of devastating power, an evil they know nothing about.
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Until now.
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Before long, Kate, Michael, and Emma are on a journey through time to dangerous and secret corners of the world . . . a journey of allies and enemies, of magic and mayhem. And-if an ancient prophesy is true-what they do can change history, and it's up to them to set things right.


"A new Narnia for the tween set."-The New York Times

"[A]*fast-paced, fully imagined fantasy."-Publishers Weekly

"Echoes of other popular fantasy series, from "Harry Potter" to the "Narnia" books, are easily found, but debut author Stephens has created a new and appealing read . . ."-School Library Journal, Starred Review

Editorial Reviews

MAY 2011 - AudioFile

Siblings Kate, Michael, and Emma have survived a string of increasingly miserable orphanages since being mysteriously whisked from their parents’ home 10 years ago. Now, alone in a strange home for unwanted children, they stumble upon a magical book and embark on a perplexing time-travel adventure. Jim Dale’s splendid narration provides extra vibrancy to this exhilarating new fantasy series. Dale’s portrayal of the evil witch is spine-tingling, but the listener is reassured by the avuncular wizard who provides advice to the children as they seek to undermine the witch. They encounter spunky dwarves and terrifying monsters, brought to life by Dale’s inspired reading, as they eventually discover that their love for each other, not magic, is the key to their survival. N.M.C. Winner of AudioFile Earphones Award © AudioFile 2011, Portland, Maine

John Stephens' aptly-titled new fantasy trilogy begins auspiciously with a nimble, fast-paced tale of three siblings. Kate, Michael, and Emma have suffered through ten years of odious orphanage "care"; now they have slipped into the care of the eccentric, disturbingly mysterious Dr. Pym. While exploring their new home, the children discover a magical green book. With that discovery, a decade of tedium dissolves into cascades of dangerous time travel adventures and struggles with a beautiful witch and decidedly less attractive zombielike Screechers. High early reader marks for strong characterization and battle scenes.

Publishers Weekly

This promising first volume in debut author Stephens's Books of Beginning trilogy concerns siblings Kate, Michael, and Emma, who, when very young, were taken from their parents to protect them from unspecified forces of darkness. They have since spent 10 years in a series of unpleasant orphanages; the last of these—which, oddly enough, houses no children but themselves—is run by the eccentric Dr. Pym. While exploring their palatial yet decrepit new home tucked away in the Adirondacks, the children discover a magical green book, which transports them into the recent past. There they do battle with a beautiful witch who has terrorized and enslaved the local people in her unsuccessful search for the very book the children possess. Adventures follow, featuring murderous zombielike Screechers, time travel paradoxes, and multiple revelations about Dr. Pym. If Stephens's characterizations sometimes dip into cliché (grumpy, Scottish-ish dwarves; noble/heroic natives; an effete evil assistant), few will mind. This fast-paced, fully imagined fantasy is by turns frightening and funny, and the siblings are well-crafted and empathetic heroes. Highly enjoyable, it should find many readers. Ages 8–12. (Apr.)

School Library Journal

Gr 4–8—Like Lemony Snicket's A Series of Unfortunate Events, this story begins with three orphans in dire circumstances. Like Harry Potter, the story contains magic that grows as the characters mature. Like Madeleine L'Engle's A Wrinkle in Time, there is a rescue mission and travel through both time and space. And like J. R. R. Tolkien's Lord of the Rings, there are blustery yet valiant dwarves and evil magical creatures. So yes, John Stephens's story (Knopf, 2011) might be described as derivative. But, the book is unique enough to draw the same audience that appreciates the other series and give them something new and exciting. Kate, Michael, and Emma have been alone for years, wondering what happened to their parents. They discover that it has something to do with an ancient evil, a wicked Countess, and a town with the no children. The solution seems to lie in a magical book that permits them to travel back and forth in time, creating a variety of alternate futures and pasts, and allows them to solve problems using the atlas's unique abilities. Kate is the responsible one, putting the needs of others ahead of her own. Michael loves dwarves, and is delighted to actually meet some. Emma, the youngest, combines vulnerability with stubborn grit. Together the children must solve problems, learn to use magic, and stay together as a family. Jim Dale provides a stellar performance, creating unique voices for the characters. He draws listeners along at a compelling pace, using his vocal skills to immerse them in the unique worlds created in the book. The time travel plot can be quite complex, but Dale never lets listeners get bogged down. Fantasy fans will anxiously await the next installment.—Teresa Bateman, Brigadoon Elementary School. Federal Way, WA

School Library Journal - Audio

Gr 6–9—When Doug Swieteck's father loses his job, the whole family is forced to move to upstate New York. His new home, "The Dump," is in the dullest town ever, and Doug hates his new life. That is, until he meets the local grocer's daughter, Lil, and starts to think that the town might have something worthwhile in it after all. Following Lil into the library, Doug comes across a copy of John James Audubon's Birds of America and becomes immersed in a whole new world of art. As he slowly learns to drop his tough guy exterior, developed from having a father with "lightning quick hands," Doug begins to open up to his neighbors and finds both comfort and acceptance as they begin to share their idyllic world with him. Many painful secrets are delicately handled in Gary Schmidt's fantastic companion to The Wednesday Wars (Clarion, 2007). Lincoln Hoppe effortlessly captures the "tough guy with a heart of gold" tone that epitomizes Doug's emotional journey. His even pacing and matter-of-fact delivery soften the devastating revelations about Doug's abusive father, his eldest brother's war injuries, and Lil's bout with cancer. This excellent audiobook should top purchase lists in school and public libraries.—Jessica Miller, New Britain Public Library, CT

Product Details

BN ID:	2940172220296
Publisher:	Penguin Random House
Publication date:	04/05/2011
Series:	Books of Beginning Series , #1
Edition description:	Unabridged
Age Range:	8 - 11 Years

Read an Excerpt

CHAPTER ONE
Mrs. Lovestock's Hat


The hat in question was owned by Mrs. Constance Lovestock. Mrs. Lovestock was a woman of some years, even greater means, and no children. She was not a woman who did things by half measures. Take her position on swans. She thought them the most beautiful, graceful creatures in the world.
"So graceful," she said, "so elegant."
When one approached her large and sumptuous house on the outskirts of Baltimore, one saw shrubbery cut to look like swans. Statues of swans taking flight. Fountains where a mother swan spat water at baby swans. A birdbath in the shape of a swan where lesser birds could have the honor of bathing. And, of course, actual swans gliding across the ponds that encircled the house, and sometimes waddling, not as gracefully as one might have hoped, past ground-floor windows.
"I do nothing," Mrs. Lovestock was proud of saying, "by half measure."
And so it was one night near the beginning of December, while sitting before the fire with her husband, Mr. Lovestock—who took a vacation by himself every summer supposedly to collect beetles, but actually to hunt swans at a private reserve in Florida, blasting them at near-point-blank range with a mad grin on his face—so it was that Mrs. Lovestock sat up on the swan-shaped couch where she had been knitting and announced, "Gerald, I am going to adopt some children."
Mr. Lovestock took the pipe from his mouth and made a thoughtful sound. He had heard clearly enough what she said. Not "a child." Rather "some children." But long years had taught him the futility of direct confrontation with his wife. He decided it wisest to give up some ground with a combination of ignorance and ­flattery.
"Why, my dear, that is a fabulous idea. You'd make a wonderful mother. Yes, let's do adopt a child."
Mrs. Lovestock tutted sharply. "Don't toy with me, Gerald. I have no intention of adopting just one child. It'd hardly be worth the effort. I think I shall begin with three." Then she stood, indicating the discussion was over, and strode out of the room.
Mr. Lovestock sighed, replacing the pipe in the corner of his mouth and wondering if there was a place he could go in the summer to hunt children.
Probably not, he thought, and went back to his paper.
• • •
"This is your last chance."
Kate sat across the desk from Miss Crumley. They were in her office in the north tower of the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans. The building had been an armory in centuries past, and in the winter, the wind blew through the walls, rattling the windows and freezing the water in the toilets. Miss Crumley's office was the only room that was heated. Kate hoped whatever she had to say would take a long time.
"I'm not joking, young lady." Miss Crumley was a short, lumpish woman with a mound of purplish hair, and as she spoke, she unwrapped a piece of candy from a bowl on her desk. The candy was off-limits to children. On their arrival at the Home, as Miss Crumley was explaining the list of dos and don'ts (mostly don'ts), Michael had helped himself to a peppermint. He'd had to take cold showers for a week afterward. "She hadn't said not to eat them," he complained. "How was I supposed to know?"
Miss Crumley popped the candy in her mouth. "After this, I'm done. Finished. If you and your brother and sister don't make yourselves as agreeable as possible so that this lady adopts you, well . . ." She sucked hard on her candy, searching for a suitably terrifying threat. ". . . Well, I just won't be responsible for what happens."
"Who is she?" Kate asked.
"Who is she?!" Miss Crumley repeated, her eyes widening in disbelief.
"I mean, what's she like?"
"Who is she? What's she like?" Miss Crumley sucked ­violently, her outrage rising. "This woman—" She stopped. Kate waited. But no words came. Instead, Miss Crumley's face turned bright red. She made a gagging sound.
For the briefest of seconds—well, perhaps more like three ­seconds—Kate considered watching Miss Crumley choke. Then she jumped up, ran around, and pounded her on the back.
A gooey greenish lump flew out of Miss Crumley's mouth and landed on the desk. She turned to Kate, breathing hard, her face still red. Kate knew better than to expect a thank-you.
"She is"—Miss Crumley gasped—"a woman interested in adopting three children. Preferably a family. That is all you need know! Who is she! The nerve! Go find your brother and sister. Have them washed and in their best clothes. The lady will be here in an hour. And if either one of them does anything, so help me . . ." She picked up the candy and popped it back in her mouth. ". . . Well, I just won't be responsible."

As Kate descended the narrow spiral stairs from Miss Crumley's office, the air grew colder, and she drew her thin sweater more tightly around herself. Adults seeing Kate for the first time always took note of what a remarkably pretty girl she was, with her dark blond hair and large hazel eyes. But if they looked closer, they saw the furrow of concentration that had taken up residence on her brow, the way her fingernails were bitten to the quick, the weary tension in her limbs, and rather than saying, "Oh, what a pretty girl," they would cluck and murmur, "The poor thing." For to look at Kate, pretty as she was, was to see someone who lived in constant anticipation of life's next blow.
Leaving the side door of the orphanage, Kate saw a group of children gathered around a skeletal tree at the edge of the yard. A small girl with thin legs and short, chestnut-colored hair was throwing rocks at a boy in the branches, yelling at him to come down and fight.
Kate pushed through the crowd of laughing, jeering children as Emma picked up another stone.
"What're you doing?"
Emma turned. There were red circles on her cheeks, and her dark eyes were bright.
"He ripped my book! I was just sitting there reading and he grabbed my book and ripped it! I swear, I didn't do anything! And now he won't even come down and fight!"
"It's not true," cried the boy in the tree. "She's crazy!"
"Shut up!" Emma yelled, and threw the rock. The boy ducked behind the tree as it bounced off the trunk.
Emma was small for eleven. All knees and elbows. But every child in the orphanage respected and feared her temper. When cornered or aroused, she would fight like a devil. Kicking and scratching and biting. Kate sometimes wondered whether her sister would have been as fierce if they'd never been separated from their parents. Emma was the only one who had no memory of their mother and father. Even Michael had hazy recollections of being cared for and loved. As far as Emma was concerned, this was the only life she had ever known, and it had one rule: When you stopped fighting, you were finished. Unfortunately, there were always a few older boys who went out of their way to rile her, relishing the way Emma worked herself into a fury. Their favorite target, not surprisingly, was the children's single-letter surname. Since Kate was the oldest, at fourteen, it was usually her job to calm her sister down.
"We have to find Michael," Kate said. "There's a woman coming to see us."
A hush fell over the children. There had not been a prospective parent at the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans in months.
"I don't care," Emma said. "I'm not going."
"She'd have to be a loon to want you," called the boy in the tree.
Emma seized a rock and winged it. The boy wasn't quick enough, and it caught him on the elbow.
"Oww!"
"Emma"—Kate took her sister's arm—"Miss Crumley says this is our last chance."
Emma pulled herself free. She stooped and picked up another rock. But it was clear the fight had gone out of her, and Kate waited quietly as Emma tossed the rock from hand to hand, then threw it weakly against the tree.
"Fine."
"Do you know where Michael is?"
Emma nodded. Kate took her hand, and the children parted so they could pass.

The girls found Michael in the woods above the orphanage, exploring a cave he'd discovered the week before. He was pretending it was the mouth of an old dwarf tunnel. All his life, Michael had been obsessed with stories of magical creatures. Wizards who battled dragons. Knights who fought off maiden-hungry goblins. Clever farmhands outwitting trolls. He read everything he could get his hands on. But he was particularly fond of stories about dwarves.
"They have a long and noble history. And they're very industrious. Not always combing their hair and mooning about with mirrors the way elves do. Dwarves work."
Michael had a very low opinion of elves.
The source of this passion was a book titled The Dwarf Omnibus, written by one G. G. Greenleaf. Waking up that first morning of their new lives, parentless, in a strange room, Kate had discovered the book tucked into Michael's blankets. She'd immediately recognized it as their mother's Christmas present to their father. Over the years, Michael had read the book dozens of times. It was, Kate knew, his way of staying connected to a father he barely remembered. So she tried, and tried to convince Emma, to be understanding when Michael would launch into one of his impromptu lectures. But it wasn't always easy.
The air in the cave was damp and mossy, but the ceiling was high enough that Kate and Emma could walk upright. Michael was a dozen feet from the entrance, kneeling beside a flashlight. He was just this side of scrawny, and he had the same chestnut hair and dark eyes as his younger sister, though his were hidden behind a pair of wire-rimmed spectacles. People often mistook them for twins, which irritated Michael no end. "I'm a year older," Michael would say. "I think it's pretty obvious."
There was a flash, then a whirring, and Michael's battered ­Polaroid camera spat out a picture. He had found the camera in a junk store in downtown Baltimore a few weeks earlier, along with a dozen packs of film that the owner had more or less given him, and ever since, he had been using it for his exploring game, constantly reminding Kate and Emma how important it was to document your discoveries.
"Here." Michael showed his sisters a rock he'd just photographed. "What do you think that is?"
Emma groaned. "A rock."
"What is it?" Kate asked, willing to go along.
"An old dwarf ax head," Michael said. "There's water damage, obviously. These are hardly ideal conditions for preservation."
"That's funny," Emma said. "'Cause it looks just like a rock."
"All right, enough," Kate said, for she could see Michael was about to get upset. She told him about the woman coming to see them.
"You go," he said. "I've got work here."
Most orphans longed to be adopted. They dreamed of a rich, kind couple whisking them away to a life of comfort and love. Kate and her brother and sister did not. For that matter, they refused to be referred to as orphans.
"Our parents are alive," Kate would say, or Emma would say, or Michael. "And one day they're coming back for us."
Of course, they had nothing to support this belief. They had been left at St. Mary's Orphanage on the banks of the Charles River in Boston one snowy Christmas Eve ten years earlier, and since that time they had not heard the faintest whisper from their parents or any other relation. They couldn't even say what the P of their last name stood for. But still, they continued to believe, deep in their hearts, that their parents would one day reappear. This was due entirely to the fact that Kate had never stopped reminding Michael and Emma of their mother's promise, on that last night, that they would all be together again as a family. It made the thought of being claimed by some stranger totally unacceptable. Unfortunately, this time, there were other considerations.
"Miss Crumley says this is our last chance."
Michael sighed and let the rock fall from his hand. Then he picked up his flashlight and followed his sisters out of the cave.
In the past ten years, the children had been in no fewer than twelve different orphanages. Their shortest stay had been two weeks. Their longest by far had been at their first home, St. Mary's. Nearly three years. But then St. Mary's had burned down—along with the Mother Superior, a kind woman named Sister Agatha, who took a special interest in the children but who had a bad habit of smoking in bed. Leaving St. Mary's was the start of a journey that took them from orphanage to orphanage to orphanage. Just as the children would get settled in one place, they would have to move again. Finally, they stopped expecting to stay anywhere more than a few months, stopped trying to make friends. They learned to count only on each other.
The reason behind all this moving about was that the children were, in adoption-speak, "difficult to place." To adopt one, a family had to adopt all three. But a family willing to adopt three children in a single stroke was a rare thing, and the Miss Crumleys of the world were not long on patience.
Kate understood that if this lady didn't take them, Miss Crumley would cite it as proof that she had tried her best but the children were hopeless, and they'd be shuffled off to the next orphanage. Her hope was that if she and her brother and sister were well behaved, then even if the interview was a failure, Miss Crumley would think twice about sending them away. Not that the children had any great love for their present home. The water was brown. The beds hard. The food made your stomach ache if you ate too much, but if you ate too little, your stomach ached anyway. No, the problem was that as the years had gone by, each new orphanage had been worse than the last. In fact, when they'd arrived at the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans six months earlier, Kate had thought, This is it, we've reached the bottom. But now she wondered, What if there's someplace even worse?
She didn't want to find out.

Half an hour later, washed and dressed in their best clothes (which was not saying a great deal), the children knocked at the door of Miss Crumley's office.
"Come in."
Kate led Emma by the hand. Michael followed close behind. She had counseled them, "Just smile and don't say a lot. Who knows? Maybe she'll be great. Then we can just stay with her till Mom and Dad come back."
But when Kate saw the large woman wrapped in a coat composed entirely of white feathers, holding a purse in the shape of a swan and wearing a hat from which a swan's head curved upward like a question mark, she knew it was hopeless.
"I suppose these are the foundlings," Mrs. Lovestock said, stepping forward to loom over the children. "Their last name is P, you say?"
"Yes, Mrs. Lovestock," Miss Crumley tittered. She only came up to the giant woman's waist. "They're three of our best. Oh, I do love them so. But painful as it would be to part with them, I could force myself to. Knowing they'd be going to such a wonderful home."
"Hmp." Mrs. Lovestock bent to inspect them, causing the swan's head to dip forward with an air of curiosity.
Kate glanced over and saw Emma and Michael staring wide-eyed at the bird.
"I should warn you now," Mrs. Lovestock said, "I don't go in for any childish higgledy-piggledy. I won't have running, shouting, yelling, loud laughter, dirty hands or feet, rude comments about the bank. . . ." Each time she ticked off something she wouldn't tolerate, the swan's head nodded as if in agreement.
". . . I also don't care for excessive talking, rubbing of the hands, or full pockets. I despise children with full pockets."
"Oh, these children have never had a thing in their pockets, I can assure you, Mrs. Lovestock," said Miss Crumley. "Not a thing."
"In addition, I expect—"
"What's that on your head?" Emma interrupted.
"Excuse me?" The woman looked startled.
"That thing on your head. What's that supposed to be?"
"Emma . . . ," Kate warned.
"I know what it is," Michael said.
"Do not."
"Do too."
"So what is it?" Emma demanded.
Mrs. Lovestock turned on the quivering orphanage director. "Miss Crumley, what in the world is going on here?"
"Nothing, Mrs. Lovestock, nothing at all. I assure you—"
"It's a snake," Michael said.
Mrs. Lovestock looked as if someone had slapped her.
"That's not a snake," Emma said.
"It is too." Michael was studying the woman's hat. "It's a cobra."
"But it's all white."
"She probably painted it." He addressed Mrs. Lovestock. "Is that what you did? Did you paint it?"
"Michael! Emma!" Kate hissed. "Be quiet!"
"I was just asking if she painted—"
"Shhh!"
For what felt like a very long time, there was just the whisper of the radiator and the sound of Miss Crumley nervously clasping and unclasping her hands.
"Never in my life . . . ," Mrs. Lovestock finally began.
"My dear Mrs. Lovestock," Miss Crumley twitched.
Kate knew she had to say something. If they were to have any hope of not being sent away, she needed to smooth things over. But then the woman said the thing.
"I understand one can expect only so much from orphans—"
"We're not orphans," Kate interrupted.
"Excuse me?"
"Orphans are kids whose parents are dead," Michael said. "Ours aren't."
"They're coming back for us," Emma added.
"Pay them no mind, Mrs. Lovestock. Pay them no mind. It's just idle orphan chatter." Miss Crumley held up the bowl of sweets. "Candy?"
Mrs. Lovestock ignored her.
"It's true," Emma insisted. "They're coming back. Honest."
"Listen to me." Mrs. Lovestock leaned forward. "I am an understanding woman. You may ask anyone. But one thing I will not tolerate is fantasy. This is an orphanage. You are orphans. If your parents had wanted you, they would not have left you on the street like last week's garbage without so much as a civilized name! P indeed! You should be thankful someone such as myself is willing to excuse your atrocious lack of manners—and your complete ignorance of the most beautiful waterfowl in the world—and take you into my home. Now, what do you have to say for yourselves?"
Kate saw Miss Crumley glaring at her around the woman's waist. She knew if she didn't apologize to the Swan Lady, Miss Crumley would almost certainly send them somewhere that would make the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans look like a fancy vacation resort. But what was the alternative? Going to live with this woman who insisted that their parents had thrown them away like trash and had no intention of ever returning? She squeezed her sister's hand.
"You know," she said, "it does look like a snake."

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