★ 03/23/2015
In this impressive and multifaceted oral history, Gibson (Not Working) explores “how gentrification affects lives” by interviewing a wide range of people living and working in New York City. As the author makes his way through the gentrified and gentrifying portions of Brooklyn (Prospect-Lefferts Gardens, Bushwick, Bedford-Stuyvesant, Red Hook) and Manhattan (the Lower East Side, Chelsea, Harlem), he interviews real estate agents, contractors, landlords, renters, housing lawyers, community organizers, city government workers, architects, artists, a squatter, a drug dealer, and an investment banker, among others. Common themes include displacement, the contradictory class positions people occupy, the rising homeless population and their “criminalization,” the declining stock of affordable housing due to buyouts and deregulation, the way universities (particularly NYU and Columbia) have become some of the biggest landowners in the city, the ballooning waiting list for public housing, absentee landownership, and the forces of capitalism versus democracy. Central to this work are the distinctive voices of the New Yorkers Gibson interviews, the niches they carve out for themselves, and the myriad ways they are molding, and being molded, by their neighborhoods. Gibson manages to capture a global city in flux, in grave danger of losing its diversity—and hence all that makes it special—with its focus on capital investment over the needs of its people. Agent: Chris Parris-Lamb, the Gernert Company. (May)
As, building by building, the ‘undiscovered’ neighborhoods of New York City are assimilated into the portfolios of hedge funds and the beneficiaries of inequality, DW Gibson captures precarious voices that might otherwise go unheard forever. This is an indispensable, enthralling work of social history.
21st century New York, which Bill de Blasio decried as A Tale of Two Cities, has yet to reveal its Dickens. But with THE EDGE BECOMES THE CENTER, DW Gibson makes a strong claim to being its Studs Terkel. A riveting exploration of gentrification and its discontents, as told by a refreshingly panoramic chorus of voices.
This might be the most important city book of the year, essential reading for anyone who cares about New York, or life in the metropolis anywhere. Gibson has managed to get a diverse group of New Yorkers to open up their hearts and minds about gentrification, the defining civic issue of our time. I raced through the book, traveling with Gibson as he surfs from story to story in the great, imperiled city. A riveting, timely portrait of the greatest, richest, unfairest city in the world.
A generous, vigorous, and enlightening look at class and space in New York; it ought to be required reading...Gibson has found vibrant humanity in a subject that is, paradoxically, lacking in it...The Edge Becomes the Center raises critical questions about what we expect from our cities and how groups become communities. Mainly, though, it’s a joy to read, its chorus of voices a reminder of oral history’s power. Anyone who cares about the shape and gestalt of life in New York—and anyone who believes in cities as centers of culture—will come away moved.
Whatever I thought of New York gentrification before reading THE EDGE BECOMES THE CENTER, it’s all up in the air now, dispersed into the dazzling, extremely intelligent, funny, expert multifarious speech of the people DW Gibson interviewed for this amazing book. Reading it has transformed my understanding of the urban experience generally, humanizing and explaining, brilliantly, what before had seemed intimidating, abstract, even monstrous. A piece of masterful human scale architecture in itself, THE EDGE BECOMES THE CENTER feels like ‘a new part of New York,’ a vital new center of the city’s perpetual conversation with itself and the world.
A noisy, tender tour of New York much in the mode of Studs Terkel...Mr. Gibson is a skilled and sensitive interlocutor with an eye for the revealing gesture...Mr. Gibson lets the city speak for itself, and it speaks with charm, swagger and heartening resilience.
"A generous, vigorous, and enlightening look at class and space in New York; it ought to be required reading...Gibson has found vibrant humanity in a subject that is, paradoxically, lacking in it...The Edge Becomes the Center raises critical questions about what we expect from our cities and how groups become communities. Mainly, though, it’s a joy to read, its chorus of voices a reminder of oral history’s power. Anyone who cares about the shape and gestalt of life in New York—and anyone who believes in cities as centers of culture—will come away moved." —The Paris Review
"Impressive and multifaceted oral history...Central to this work are the distinctive voices of the New Yorkers Gibson interviews, the niches they carve out for themselves, and the myriad ways they are molding, and being molded, by their neighborhoods. Gibson manages to capture a global city in flux, in grave danger of losing its diversity—and hence all that makes it special—with its focus on capital investment over the needs of its people." —Publishers Weekly (Starred Review)
"Throughout, the wise women and the cool guys with significant street cred are verbose, articulate, and self-confident. They are, after all, New Yorkers. Gibson, their interlocutor, is unquestionably passionate...sociology about current urban life, with the edgy, pungent flavor of the Big Apple." —Kirkus
“Whatever I thought of New York gentrification before reading THE EDGE BECOMES THE CENTER, it’s all up in the air now, dispersed into the dazzling, extremely intelligent, funny, expert multifarious speech of the people DW Gibson interviewed for this amazing book. Reading it has transformed my understanding of the urban experience generally, humanizing and explaining, brilliantly, what before had seemed intimidating, abstract, even monstrous. A piece of masterful human scale architecture in itself, THE EDGE BECOMES THE CENTER feels like ‘a new part of New York,’ a vital new center of the city’s perpetual conversation with itself and the world.” —Francisco Goldman, author of The Interior Circuit: A Mexico City Chronicle
“This might be the most important city book of the year, essential reading for anyone who cares about New York, or life in the metropolis anywhere. Gibson has managed to get a diverse group of New Yorkers to open up their hearts and minds about gentrification, the defining civic issue of our time. I raced through the book, traveling with Gibson as he surfs from story to story in the great, imperiled city. A riveting, timely portrait of the greatest, richest, unfairest city in the world.” —Suketu Mehta, author of Maximum City
“As, building by building, the ‘undiscovered’ neighborhoods of New York City are assimilated into the portfolios of hedge funds and the beneficiaries of inequality, DW Gibson captures precarious voices that might otherwise go unheard forever. This is an indispensable, enthralling work of social history."—Joseph O’Neill, author of The Dog and Netherland
“21st century New York, which Bill de Blasio decried as A Tale of Two Cities, has yet to reveal its Dickens. But with THE EDGE BECOMES THE CENTER, DW Gibson makes a strong claim to being its Studs Terkel. A riveting exploration of gentrification and its discontents, as told by a refreshingly panoramic chorus of voices.”—Mark Binelli, author of Detroit City Is the Place to Be
2015-03-01
A New York journalist finds the vox populi of the metropolis in regard to the vexing problem of gentrification. Offered in the mode of Studs Terkel's effective and affecting oral histories, these interviews are restricted to one subject. Gentrification seems to be a law of nature in the boroughs of New York City, as new skyscraping residential towers cast their long shadows and high-rise condos invade historic districts. In this natural follow-up to his previous book, Not Working: People Talk About Losing a Job and Finding Their Way in Today's Changing Economy (2012), Gibson chronicles his interviews with typical New Yorkers about the sad effects. He follows the developers, the lawyers, and the wealthy usurpers, as well as the artists, the shopkeepers, and the community organizers. He visited the housing court, the projects, and the lofts, and he provides a voice for a variety of people, registering grievances about owners who refuse to maintain their buildings, hoping to drive their rent-controlled tenants out. Gibson also voices landlords' complaints about slovenly tenants. The residents want respect, safety, and the coffee shops that are emblematic of decent neighborhoods; the owners want profits. "Community" is the most common noun in the conversations with these aggrieved victims of gentrification. Throughout, the wise women and the cool guys with significant street cred are verbose, articulate, and self-confident. They are, after all, New Yorkers. Gibson, their interlocutor, is unquestionably passionate about the causes of those whose neighborhoods are transmuted and become out of their reach and those whose flops, pads, and squats are transformed into unoccupied palatial apartments for plutocrats. The author's tract is earnestly sincere, though it is diminished by its unrelieved specificity. Not quite Terkel or Jane Jacobs redux, but Gibson delivers adequate sociology about current urban life, with the edgy, pungent flavor of the Big Apple.
