The Duchess of Malfi

John Webster, (born c. 1580, London, Eng.—died c. 1632), English dramatist whose The White Devil (c. 1609–c. 1612) and The Duchess of Malfi (c. 1612/13, published 1623) are generally regarded as the paramount 17th-century English tragedies apart from those of Shakespeare.

Little is known of Webster’s life. His preface to Monuments of Honor, his Lord Mayor’s Show for 1624, says he was born a freeman of the Merchant Taylors’ Company. He was probably a coachmaker, and possibly he was an actor. Apart from his two major plays and The Devils Law-Case (c. 1620; published 1623), his dramatic work consists of collaborations (not all extant) with leading writers. With Thomas Dekker, his main collaborator, he wrote Westward Ho (1604) and Northward Ho (1605), both of which were published in 1607. He is also believed to have worked to varying degrees with William Rowley, Thomas Middleton, John Fletcher, John Ford, and perhaps Philip Massinger. Eight extant plays and some nondramatic verse and prose are wholly or partly his; the most standard edition is The Complete Works of John Webster, ed. by F.L. Lucas, 4 vol. (1927).

The White Devil, like Macbeth, is a tragedy of action; and The Duchess of Malfi, like King Lear, is a tragedy of suffering. (britannica.com)

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The Duchess of Malfi

John Webster, (born c. 1580, London, Eng.—died c. 1632), English dramatist whose The White Devil (c. 1609–c. 1612) and The Duchess of Malfi (c. 1612/13, published 1623) are generally regarded as the paramount 17th-century English tragedies apart from those of Shakespeare.

Little is known of Webster’s life. His preface to Monuments of Honor, his Lord Mayor’s Show for 1624, says he was born a freeman of the Merchant Taylors’ Company. He was probably a coachmaker, and possibly he was an actor. Apart from his two major plays and The Devils Law-Case (c. 1620; published 1623), his dramatic work consists of collaborations (not all extant) with leading writers. With Thomas Dekker, his main collaborator, he wrote Westward Ho (1604) and Northward Ho (1605), both of which were published in 1607. He is also believed to have worked to varying degrees with William Rowley, Thomas Middleton, John Fletcher, John Ford, and perhaps Philip Massinger. Eight extant plays and some nondramatic verse and prose are wholly or partly his; the most standard edition is The Complete Works of John Webster, ed. by F.L. Lucas, 4 vol. (1927).

The White Devil, like Macbeth, is a tragedy of action; and The Duchess of Malfi, like King Lear, is a tragedy of suffering. (britannica.com)

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The Duchess of Malfi

The Duchess of Malfi

by John Webster
The Duchess of Malfi

The Duchess of Malfi

by John Webster

Hardcover

$29.95 
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Overview

John Webster, (born c. 1580, London, Eng.—died c. 1632), English dramatist whose The White Devil (c. 1609–c. 1612) and The Duchess of Malfi (c. 1612/13, published 1623) are generally regarded as the paramount 17th-century English tragedies apart from those of Shakespeare.

Little is known of Webster’s life. His preface to Monuments of Honor, his Lord Mayor’s Show for 1624, says he was born a freeman of the Merchant Taylors’ Company. He was probably a coachmaker, and possibly he was an actor. Apart from his two major plays and The Devils Law-Case (c. 1620; published 1623), his dramatic work consists of collaborations (not all extant) with leading writers. With Thomas Dekker, his main collaborator, he wrote Westward Ho (1604) and Northward Ho (1605), both of which were published in 1607. He is also believed to have worked to varying degrees with William Rowley, Thomas Middleton, John Fletcher, John Ford, and perhaps Philip Massinger. Eight extant plays and some nondramatic verse and prose are wholly or partly his; the most standard edition is The Complete Works of John Webster, ed. by F.L. Lucas, 4 vol. (1927).

The White Devil, like Macbeth, is a tragedy of action; and The Duchess of Malfi, like King Lear, is a tragedy of suffering. (britannica.com)


Product Details

ISBN-13: 9781647994198
Publisher: Bibliotech Press
Publication date: 03/16/2020
Pages: 134
Product dimensions: 6.00(w) x 9.00(h) x 0.50(d)

About the Author

Karen Britland is Professor of Early Modern English Literature at the University of Wisconsin-Madison, USA. Her research interests include early modern drama, the Stuart court, and women's writing. She has edited plays by Elizabeth Cary, John Marston, and James Shirley, and was an associate editor for the Cambridge Complete Works of Ben Jonson edition between 2000 and 2012.

Table of Contents

Using this guide 2

Synopsis 4

Scene summaries and commentaries 6

Themes 35

Characters 41

Form, structure and language 54

Contexts 62

Working with the text 73

Meeting the Assessment Objectives 74

Top ten quotations 90

Taking it further 93

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