The Drowning Boy's Guide to Water

The Drowning Boy's Guide to Water

by Cameron Barnett
The Drowning Boy's Guide to Water

The Drowning Boy's Guide to Water

by Cameron Barnett

Paperback

$17.95 
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Overview

Cameron Barnett’s poetry collection, The Drowning Boy’s Guide to Water (winner of the 2017 Rising Writer Contest), explores the complexity of race and the body for a black man in today’s America.

Product Details

ISBN-13: 9781938769269
Publisher: Autumn House Press
Publication date: 11/07/2017
Pages: 96
Product dimensions: 5.80(w) x 8.80(h) x 0.20(d)

About the Author

Cameron Barnett is a Pittsburgh-based poet and teacher. He is the author of The Drowning Boy’s Guide to Water, winner of the Autumn House Press Rising Writer Contest, and finalist for an NAACP Image Award.
 

Table of Contents

I. • When the Mute Swans Return • Nonbinding Legislation, or a Resolution • To the Octopus • purple Ruckle • Stack • Stepping into your Mouth • Country Grammar • True Face About Water • Letter to Sandy • Nigger • Cygnus • Bottle • The Drowning Boy's Guid

What People are Saying About This

Yona Harvey

“Complexity and surprise arrive with each page turn of Cameron Barnett's debut collection, The Drowning Boy's Guide to Water. Barnett's poems push past the “likes” of these digital days toward the deeply difficult work of self-reflection and discomfort. There is no one way to be Black in the United States and these poems affirm that reality. They are an answer to both Black-checking and America's tired legacy of racism. These poems know to be Black is a beautiful and varied state of being. “I was told it was a bad thing,” they admit, and then turn that lie on its head.”

Terrance Hayes

“‘Maybe if my blood were blue I’d have three hearts like you,’ Cameron Barnett writes in one of the many imaginative poems of The Drowning Boy’s Guide to Water. Maybe Barnett’s blood isn’t blue, but it’s fueled by the clarity and candor of the blues. Moreover, his poems pulse with the generosity of a three-hearted sensibility: ‘one for forgiving, one for forgetting, one for moving on.’ These poems weave the personal and public histories rooted in our natures—our gardens, our spirits, our bodies. Compassionate, shrewd, and mature: this is a marvelous debut.”

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