A Most Anticipated Book (Entertainment Weekly, People, Real Simple, Elle, Today.com, Goodreads, Good Housekeeping, Chicago Review of Books, BookBub, The Skimm, Paste, Zibby Mag)
“A slice in time that Beaird paints with the mastery of a film director…You can almost hear the flick of a film reel in Beaird’s writing, the bugs hissing, the scratch of painted toenails on the stone lip of the pool…The Divorcées is a little-known slice of history that opens up elegantly, like slowly pulling off the rind of ripe fruit. Maybe the women’s new lives won’t be good. Maybe their second acts will be worse. But they’ll be different. And that in itself is freedom.”
—Washington Post
“Although Beaird’s novel, The Divorcées, is set in 1951, its themes are ageless: all-encompassing female friendships, acting out in a world that prefers women to stay silent, and the disorienting journey of finding yourself in your early 20s. And as rights that have helped countless women in the U.S. achieve their own versions of freedom for half a century are disputed or dismantled—from abortion to no-fault divorce—perhaps Beaird’s historical fiction is timelier than ever.”
—The Cut
“Beaird digs into the idiosyncrasies of midcentury Reno, Nevada, when it was the divorce capital of the world in this journey into an oft-untapped era in fiction…Through the eyes of a more glamorous world, Beaird examines the true meaning of friendship and freedom.”
—Entertainment Weekly
“In The Divorcées, the 1950s-era women deposited at the Golden Yarrow are waiting out the six-week residency that the state of Nevada requires for divorce, only for one of them (the aforementioned Lois) to encounter the entrancing Greer Lang. Their ensuing trip through sun-baked desert and neon-lit casinos tempts Lois to shed the restraints of her former self—even if she isn’t sure who she’ll be on the other side.”
—Elle
“Women today will recognize the nuance and gray areas the women of the era The Divorcees occupy and will applaud Beaird for representing them, as so many 1950’s retrospectives have not. The women are brave, strong, weak, tearful, messy and complicated. They are fully realized humans…The patriarchy has taught women that divorce is bad, but through divorce — and camaraderie at the ranch — they learn to be themselves and take the first steps toward freedom.”
—The Pittsburgh Post-Gazette
“A rollicking thriller and poignant coming-of-age story.”
—People
"The abundance of descriptive detail brings alive both the divorcées and the desert landscape in which they’re mired."
—New York Times Book Review
“Unforgettable.”
—Good Housekeeping
“Moody, sexy, and mysterious, The Divorcées offers a fascinating look at female desire.”
—Real Simple
“An eye-opening and unforgettable read about the lives whose stories were frequently left untold…It immediately marks Beaird as a writer to watch for years to come.”
—Chicago Review of Books
“This complex story of female friendship is set at a 1950s ‘divorce ranch’ in Reno, where women can file to leave their husbands after six weeks of Nevada residency. We stan women seizing their own agency in any era.”
—Paste
“Sparkling, lushly imagined…The Divorcées is tender and compassionate, wise and incisive, and gorgeously rendered, even in heart-rending moments. Lois's journey of growth and exploration forms a masterful and unforgettable debut.”
—Shelf Awareness
“Intriguing…Beaird skillfully crafts a tense, mysterious plot…The theme of a young woman escaping a repressive situation and building a new life for herself is inspiring, and I would read more from this author in the future.”
—Chicago Reader
“I loved this book.”
—The Skimm
“Beaird shines in her impressive debut about a group of divorcées-to-be in 1950s Reno, Nevada…Readers will eagerly follow Beaird’s skillful plotting and appealing characters all the way through the final page. This author is one to watch.”
—Publishers Weekly
"Though it’s filled with colorful imagery, dark green dresses and burgundy lips, Beaird’s debut has the hypnotic pacing and dramatic ambience of an old black-and-white film. Her research about the divorce-ranch phenomenon and its period expresses itself in myriad small, compelling details...A transporting psychological novel of friendship and betrayal, with the moody period feel of a Hitchcock film."
—Kirkus
“Beaird’s debut is a searing, painfully honest story about the difficulties women faced in the 1950s and the lengths to which they would go to gain their freedom. Lois and Greer are brilliantly written, utterly different, and yet each of them is desperate, and both are willing to push themselves to extreme limits to discover who they are, what they want, and what they truly deserve.”
—Booklist
“A twisty tale about learning to take responsibility for one’s own life…The history of ‘divorce ranches’ in the United States is fascinating as depicted in this novel, and Lois’s growing independence is compelling. A good choice for readers and book groups interested in 20th-century historical fiction that deals with women’s issues.”
—Library Journal
“This is the novel I've always wanted to read about divorce in midcentury America: the glamour and underbelly of Reno's divorce ranches, the support of female friendship, and the impossibility (and glorious possibilities) of starting over as a single woman. The Divorcées is a delicious literary page-turner from a fierce new voice.”
—Rebecca Makkai, New York Times bestselling author of I Have Some Questions for You and The Great Believers
“The Divorcées is gorgeously crafted, perfectly balanced, and full of complex, moving and vividly wrought characters. The sunshot pool at the Golden Yarrow, the searing desert heat, the dark glamour of the casinos will stay with me for a long time. Rowan Beaird writes with such ease and confidence that it's hard to believe this novel is her first. An excellent, deeply compelling read.”
—Lauren Groff, New York Times bestselling author of Matrix and Fates and Furies
“A stunning debut, Rowan Beaird’s The Divorcées is a glittering desert mirage behind which lurks a shocking web of secrets. Despite the new friendships and lives being built at the Golden Yarrow, each woman on the ranch harbors a truth they aren’t willing to share: that they’re playing a part and they’re willing to do whatever it takes to keep the fiction alive. Tense, dark, and richly layered, lovers of Patricia Highsmith will devour this compulsively readable, standout novel."
—Katy Hays, New York Times bestselling author of The Cloisters
“The Divorcées is my favorite kind of novel: a beautifully written, wholly immersive exploration of the performances women employ for survival. Set amid the heady glamour of Reno’s divorce ranches, The Divorcées mines what we will do for acceptance, belonging, and the privilege of carving out a life for ourselves. Rowan Beaird writes with both deep compassion and merciless precision—a fierce talent.”
—Katie Gutierrez, national bestselling author of More Than You’ll Ever Know
“The Divorcées, a sultry fever dream of a novel set on a Reno divorce ranch in the 1950s, should be read by a pool on a blisteringly hot day, preferably with a drink in hand. Its lush, perfectly wrought prose—and the secrets and deceptions at the center of the seductive plot—will unsettle you and keep you turning the pages. This book shimmers and startles on every page.”
—Whitney Scharer, author of The Age of Light
“LOVED it. Tightly-plotted elegance, 50s glamour and suspense. Put it on your lists!”
―Jessie Burton, New York Times bestselling author of The Miniaturist
“If Patricia Highsmith and George Cukor teamed up to reimagine Thelma and Louise, it might look something like this smoldering, addictive, and beguiling novel of women on the verge. Whether they're on the verge of dissolution, liberation, or some fraught state in-between, Rowan Beaird captures their becoming in prose that thrums with an anxious and defiant eros. A knockout of a debut.”
—Christopher Castellani, author of Leading Men
“The women of The Divorcées captivated me: drenched in desert light, searching for themselves in every possible mirror. Their relationships to one another, gorgeously rendered, have an intensity fueled by self-discovery—these are connections full of deep understanding, shocking deception, devastating betrayal, and real love. Beaird is a wondrous new talent who has given us an unforgettable, lushly assured novel.”
—Clare Beams, author of The Illness Lesson
“The alluring and fascinating backdrop of a divorce ranch for women in the '50s is reason enough to dive into Rowan Beaird’s stunning debut novel, The Divorcees, but that is just the beginning. This beautifully crafted, suspenseful journey of secrets and intrigue will hold readers spellbound.”
—Jill McCorkle, New York Times bestselling author of Hieroglyphics and Life After Life
“I straight up loved it. It's so stylish, so elegant, each sentence a delectable little treat…and the nods towards darkness and things unravelling are so thrilling and chicly done.”
―Elizabeth Macneal, #1 international bestselling author of The Doll Factory
“I adored The Divorcées —such an atmospheric and layered story of female independence, solidarity and deception, set on a Reno ‘divorce ranch’ in 1951. As a divorcée, I devoured it.”
―Julie Mae Cohen, international bestselling author of Bad Men
2023-12-16
At a divorce ranch in the 1950s, a lonely woman in her early 20s finds a beautiful, mysterious friend.
Lois Saunders’ trip from Lake Forest, Illinois, to Reno, Nevada, is the first step in her liberation from her husband and her father, both of whom infantilize her. At the Golden Yarrow, she will be part of a small group of women waiting out the six weeks of residency required for a divorce. “Like the girls from school, they all have the fresh, clear skin that signifies not just money, but wealth—Lois’s lesser lineage apparent in the bumps prickling her forehead, the thick hair on her forearms.” Though she lies about her background to impress them, the girls close ranks. Her father has told the director not to let her leave the ranch, so she doesn’t go with them on their nightly outings to bars and casinos, and she has no urge to join their daily trail rides. Filled with self-doubt verging on self-loathing, Lois is surprised when a glamorous new guest—who arrives with a huge bruise on her face and goes into seclusion for several days—emerges to choose her, Lois, as her new best friend. Greer Lang wears men’s oxford shirts and exudes such confidence that the director’s daughters wonder if she’s a princess. Her approval unlocks access to the group for Lois, who’s soon tossing back cocktails at the casino and feeling as if she’s becoming a different person. But just as the lizard curled on her windowsill turns out to be an illusion, a shadow, things are not what they seem. Though it’s filled with colorful imagery, dark green dresses and burgundy lips, Beaird’s debut has the hypnotic pacing and dramatic ambience of an old black-and-white film. Her research about the divorce-ranch phenomenon and its period expresses itself in myriad small, compelling details, winking like the stones on the engagement rings the girls toss into the river after their court dates—though Lois’ ring has a different fate.
A transporting psychological novel of friendship and betrayal, with the moody period feel of a Hitchcock film.
