Jesse Ball is a writer of formal mysteriousness and neon moral clarity... His language is spare, strange, and evocative.... His themes are human savagery, often state-sanctioned, and human kindness, a thin thread of resistance.... The final section [of The Divers’ Game ] is breathtaking.” — The New Yorker
“A book that contemplates, with the gravity and grace it deserves, a world beyond the point of no return..... Stunning.... The book’s final section, in which a woman confronts the violence within herself, is one of the more beautiful things I’ve ever read.” — Paris Review
“It’s hard to read a book like ‘The Divers’ Game’ — in which an unnamed nation receives an influx of refugees and abandons the notion of human fellow feeling — and not immediately think of the present moment.... [An] interlocking puzzle box of a novel, artful and often inscrutable... The society in ‘The Divers’ Game’ uses rituals like festivals and games to paper over its own violence. They merely reveal how untenable that violence is.” — New York Times Book Review
“Jesse Ball (“Census”) levels a steely gaze at the very concept of humanity in this three-part novel that introduces the lower-class “quads” and the rich “pats,” who treat those below them with impunity. When a group of pats conceals the grisly fate of a young quad girl behind an elaborate festival, you may start to wonder just how different this dystopian world is from our own.” — Washington Post
“Affecting… Uncomfortably familiar…. [The Divers’ Game] should certainly make you question what kind of world we are preparing for the generations to come.” — AM New York
“Radical.... If they don’t teach Ball’s work in college by now, they should.... Readers who appreciate Ball’s keen, melancholic, and often sadly satirical view of human society will likely appreciate this timely assessment of where division might take us and how it affects the generations that come after us.” — Kirkus Reviews
“Mesmerizing... Ball (Census ) delivers a strident condemnation of inequality in an imagined nation.... The novel’s depiction of life in this dystopian world is eerie and suffused with symbolic weight.” — Publishers Weekly
“Ball (Census, 2018), a writer of exceptional and pensive imagination, adds another trenchant fable to his distinctively disquieting oeuvre…. One hears the beat of Animal Farm …. Writing with blood-freezing sparseness, Ball illuminates this calamitously immoral place…. Distressingly mirrors aspects of our own [world].” — Booklist
Jesse Ball is a writer of formal mysteriousness and neon moral clarity... His language is spare, strange, and evocative.... His themes are human savagery, often state-sanctioned, and human kindness, a thin thread of resistance.... The final section [of The Divers’ Game ] is breathtaking.
A book that contemplates, with the gravity and grace it deserves, a world beyond the point of no return..... Stunning.... The book’s final section, in which a woman confronts the violence within herself, is one of the more beautiful things I’ve ever read.
It’s hard to read a book like ‘The Divers’ Game’ — in which an unnamed nation receives an influx of refugees and abandons the notion of human fellow feeling — and not immediately think of the present moment.... [An] interlocking puzzle box of a novel, artful and often inscrutable... The society in ‘The Divers’ Game’ uses rituals like festivals and games to paper over its own violence. They merely reveal how untenable that violence is.
New York Times Book Review
Affecting… Uncomfortably familiar…. [The Divers’ Game] should certainly make you question what kind of world we are preparing for the generations to come.
Ball (Census, 2018), a writer of exceptional and pensive imagination, adds another trenchant fable to his distinctively disquieting oeuvre…. One hears the beat of Animal Farm …. Writing with blood-freezing sparseness, Ball illuminates this calamitously immoral place…. Distressingly mirrors aspects of our own [world].
Jesse Ball (“Census”) levels a steely gaze at the very concept of humanity in this three-part novel that introduces the lower-class “quads” and the rich “pats,” who treat those below them with impunity. When a group of pats conceals the grisly fate of a young quad girl behind an elaborate festival, you may start to wonder just how different this dystopian world is from our own.
Ball (Census, 2018), a writer of exceptional and pensive imagination, adds another trenchant fable to his distinctively disquieting oeuvre…. One hears the beat of Animal Farm …. Writing with blood-freezing sparseness, Ball illuminates this calamitously immoral place…. Distressingly mirrors aspects of our own [world].
Jesse Ball (“Census”) levels a steely gaze at the very concept of humanity in this three-part novel that introduces the lower-class “quads” and the rich “pats,” who treat those below them with impunity. When a group of pats conceals the grisly fate of a young quad girl behind an elaborate festival, you may start to wonder just how different this dystopian world is from our own.
Jesse Ball is a writer of formal mysteriousness and neon moral clarity... His language is spare, strange, and evocative.... His themes are human savagery, often state-sanctioned, and human kindness, a thin thread of resistance.... The final section [of The Divers’ Game ] is breathtaking.
A book that contemplates, with the gravity and grace it deserves, a world beyond the point of no return..... Stunning.... The book’s final section, in which a woman confronts the violence within herself, is one of the more beautiful things I’ve ever read.
04/01/2019
In a (putatively) futuristic state, we're finally up front about vast inequalities and have clearly divided ourselves into pats and quads. Pats may kill quads without remorse or retribution, and quads just try to survive. From a Granta Best of Young American Novelists; a 60,000-copy first printing.
Jesse Ball’s chilling dystopian tale is set in a bleak future in which citizens are “pats” who live in fear of the branded “quads,” migrants, prisoners, and parolees who are separated from society and seen as something less than human. The story is told in three distinct sections. Sophie Amoss narrates “Ogias’ Day” with a mix of curiosity and fear as two students become separated from their professor when they go on a trip to observe quads. In the “Row House” section, Devon Hales projects a boy’s growing fear as she voices his replies to interrogation about a playmate’s disappearance. Most chilling and effective is Cassandra Campbell, in “Letter,” as she becomes the voice of Margaret as she faces the consequences of actions taken in a society built on fear, division, and inhumanity. N.E.M. © AudioFile 2020, Portland, Maine
Jesse Ball’s chilling dystopian tale is set in a bleak future in which citizens are “pats” who live in fear of the branded “quads,” migrants, prisoners, and parolees who are separated from society and seen as something less than human. The story is told in three distinct sections. Sophie Amoss narrates “Ogias’ Day” with a mix of curiosity and fear as two students become separated from their professor when they go on a trip to observe quads. In the “Row House” section, Devon Hales projects a boy’s growing fear as she voices his replies to interrogation about a playmate’s disappearance. Most chilling and effective is Cassandra Campbell, in “Letter,” as she becomes the voice of Margaret as she faces the consequences of actions taken in a society built on fear, division, and inhumanity. N.E.M. © AudioFile 2020, Portland, Maine
