The Dig

The Dig

by Cynan Jones
The Dig

The Dig

by Cynan Jones

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Overview

Life and death, animals and land, and a farmer and a stranger are all inextricably linked in this “dark, tense, and vital” award-winning novel (The Guardian). Daniel is a farmer in rural Wales who raises lambs. Another unnamed man hunts badgers and sells them to the locals. Slowly, the isolated lives of these two men spiral toward each other with a grim, inescapable logic. Written in a spare yet utterly gripping voice, Jones’s fourth novel received the Jerwood Fiction Uncovered Prize and “is brilliantly alive; a profound, powerful and utterly absorbing portrayal of a subterranean rural world” (The Guardian). As acclaimed by the Daily Telegraph, “It is a book about the essentials: life and death, cruelty and compassion. It is a book that will get in your bones, and haunt you.”

Product Details

ISBN-13: 9781566893947
Publisher: Coffee House Press
Publication date: 03/16/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 176
File size: 431 KB

About the Author

Cynan Jones was born near Aberaeron, Wales in 1975. He is the author of three novels, The Long Dry (winner of a Betty Trask Award, 2007), Everything I Found on the Beach (2011), and The Dig (2014), winner of the Jerwood Fiction Uncovered Prize. He is also the author of Bird, Blood, Snow(2012), the retelling of a medieval Welsh myth. The Dig is his first novel published in the U.S.

Read an Excerpt

CHAPTER 1

THE DOG STIRRED as Daniel came between the buildings and got up in its chain and stretched and yawned and in the torchlight Daniel saw this lazy stretch and the torchlight caught on the links of the chain.

He went through the feeding yard, the cattle crunching at the feed ring in the spilled-over floodlight from the shed, and he heard the dog shake and settle again in the kennel behind him.

The night rippled with stillness.

He went into the sheep shed. The ewes were variously rested and the place was maternal and quiet. There was just crunching, the odd cough of sheep. He rested the torch on the shelf and turned on the light and some of the lambs bleated and there was a clatter from the warming box as the orphans excited at the thought of food.

While he waits for the kettle to boil he walks the shed. From the beams hang compact discs, strange astral things in this half-light, now ignored by the sparrows and starlings they are there to keep out. Every now and then they catch some light with some incongruous Christmasness and he thinks of her hanging them, her other things of quick invention, as if she were a child making models off the television.

A singular moth flutters in through the wind baffles to the naked bulb above the kettle, cuspid, a drifting piece of loose ash on the white filament, paper burnt up, caught in the rising current from some fire unseen, unfelt.

At the back pen, one ewe pads the ground, her lip lifting like a horse mouth. It is his shift, he must stay until she lambs, though he knows this Beulah breed are good mothers and often need no help. He knows she is close, that it will not be long.

The kettle rolls mechanically, steam bowling into the light of the bulb, and clicks and he makes the mix and while he rests the wide jug to cool on the shelf he checks the stalls, the tired lambs somnolent and pliant under their mothers' warmth, and lifts out the water buckets, cupping out the floated hay and the droppings that stain chromatographical in the water; and the thunder of filling the water buckets at the tap does not disturb the soft crunching of the slumbered ewes, lying as if exhausted after eating, a thing replete about them. And in this quiet night he feels briefly, as if something unseen touches his face, the ancientness of this thing he does, that he could be a man of any age.

He looks again at the ewe, padding, and goes to her and she grinds her teeth and looks goat eyed at him and he sees the lamb presented backwards, the small catkin of tail tadpole-like in the sack, the obscene bag proffered from her vulva glistening with dark water.

He puts the ewe on her side and puts the gel on his hand, its bright pink surgicalness foreign in its manufacture against this natural process. There is an understood geography, familiar and mammal, as if some far back thing guides his hands about the lamb inside her, understands the building of the baby, this thing he does, which could be repellent, comfortable to him somehow, the warmth, the balloon warm and lipid. It is only visually there is shame. The fluids and motherly efforts are beyond that, too ancient for shame, and he understands a great and vital force at work, equanimical with his instinct, and assured.

He pushes back the breaching lamb, its mother prone, fallen in crunching straw, teeth crunching. He looks nowhere, working with gentle strength, thinking, far away, unfocused. There is a brief sound of rain. Quiet crunching. The light rain on the tin above, and outside the suck and clap of cows feeding in the floodlights. And the rain goes quickly. A hiss. The hiss of the water troughs filling.

He finds the back legs, cups the sharp hoof in his palm as he folds each back and draws it somewhat from the ewe; the throb, power of pelvic girdle and birth muscles chew his arm. And then he draws the lamb in one smooth strong stroke, and slaps and rakes its wet mosslike fur to make it breathe, feels the power of its fast heartbeat in the chicken-bone cage of its ribs, still wet in his hands from the grease of birth, all these things of life, from jissom to mucus slavered between thighs to the wet sack of birth and glistening oiled newborn thing — all of these things of life awatered.

He looks about himself, trapped between the trough and hurdle, sees the plywood starling be-shitted at the stop-end of the trough, the immediacy of the smell of hay, which in his mind can only smell of hay for he has no reference to any other thing. He is almost crazily tired, craves her help, for some company here mainly, to help the effort on. But this is now the rhythm, the way the shifts will work. He feels as if his body runs only on the air in it, but he knows, feeling even as he is, a feeling of strength — of a reserve of strength; like he could give more, whether tired or not, that this thing is of purpose utmost.

He lets the mother clean the lamb, tea-dipped on birth and tannin colored, and as she nibbles at the covering bag he works the fat clotted cream globule of first plug from her stiff and giving teat, this vital colostrum come.

He leans from the ewe, stares down and there sees a head of barleycorn, vertebral and desiccated amongst the straw like a skeleton in a bird pellet.

He rests on his knees like that, a man ancient in some aspect of prayer. He feels oaken and finds once more vapors of energy with which to lift him and, somehow, dazed, he gets to his feet once more, goes about the work, the brief rain passed, outside the sucking and clapping of the cattle feeding in the lights.

For a while he stays and watches the Beulah get to its feet. It is straight up, its instinct to live, head held high quickly, its gray-and-black-spattered coat in still loose rolls; it is vital with instant curiosity, an interest in air, even in its own feet.

He bends and drinks from the tap, can taste the plastic of the pipes that bring the water in, hears even in her absence the rebuff, how she brought refilled bottles of fresh water to the shed, albeit from the same supply, from their kitchen tap.

He thinks of her sleeping now, the rest she needs, thinks of the warmth of her body, the nest-like thing she could be to his tiredness. Then he notes the new lamb in the book, writes in the backward presentation, flicks back and traces his hand across her writing, looks up to the tub of dropper bottles and sprays he does not understand, that are her domain, like the movement records, and the paperwork, all the more careful aspects of the farm.

He watches the Beulah on its feet, its interest in the air, and watches it take its first few steps.

He stood and looked out, understood the strange ventriloquy of sounds that disturbed his land; how a barking fox could sound as if it were right the other side of the farm, how in this prehensile night there could come the illusion of the sea nearby. He listened to that, still as it seemed: the wind coming over the trees then dropping through the hedges and over the fields with the distant noise of waves breaking and running. And such was its likeness that he could not be sure this wasn't the sound of the shifting tides carried from the coast that was dropped away out of sight a few miles off.

He looked up at the bare ash branches, mercurial and somehow elephantine, rising out through the low floodlights and they hardly stirred, making the sound seem very far away. A distant white noise. A noise bearing some primitive hushed whisper of the permanence of vast things.

The sound seemed tangible in the air, and everything felt silent before it. The sheep sighed and crunched, the cattle's feet slapped as they moved in the mud. The dog chain rattled like coins in some dark pocket. But this sound brought stillness.

As he looked out in the pitch dark beyond, a barn owl came into the floodlight, glid silently between the barns and was gone, seeming to leave some ghost of itself, some measureless whiteness in the air.

He went into the boot shed and clicked the light and took off the old jacket, patched with blood and vital fluid, the inner arms birthmarked with shit, floured with grassdust that stuck to the lanolin which through all the embraces had enoiled the coat. He took off the hat. He lifted down the waterproofs over the top of his boots and stepped out of the boots on to the cold concrete floor and pulled his trousers out of his socks. For the brief second he stood balanced on one leg he knew he was stupefyingly tired. Even this small act was almost too much.

He lifted the boots out of the doorway and set them next to hers. His boots looked protective somehow. Her boots and trousers looked smaller next to his, the two pairs like an adult crossing the road with a kid.

He stepped into his shoes without putting them on properly and went to the house. The backs of the shoes were so long crushed that they had molded by now to his heels.

For most of their life the shoes had gone only the ten yards or so from the porch to the boot shed, or perhaps now and then to the log store a little way beyond. The uppers were unscathed and the soles were hardly worn but the backs of the shoes were crushed into a rag. At first they looked comfortable and loved, but actually they had the unfulfilled imbalance of things that had not been used to their fullness. The one part constantly abused had given up and, while the rest of the shoes held up, the wear of doing just one repeated thing had made them useless for any greater purpose.

He felt the doorjamb under his hand and rubbed the worn wood there as he kicked his shoes off. He had long had this need to put his hand upon things — to feel them, as if they were points of reference. The doorjamb, the rough stone on the corner of the porch, the old slate windowsill on the way out to the sheds.

He felt again the way the jamb had worn under his hand, and thought of her. He wondered if there were parts of her like that.

He put the torch on to charge and went into the house.

He looked at the clock. He seemed to notice for the first time it had Roman numerals, though he understood he must have known this. But for a while it fascinated and disturbed him, his new registry of this.

He put on the kettle. He leant against the kitchen unit holding the old beige mug in his hand. He had a sudden strange sense of time — not as a thing you live within, but as an element you grow alien to when you become aware of it, the way you lose the sense of your body being yours when you look too long in a mirror.

I'll give it four hours, he thought, attritionally.

He undressed quietly. He could see where she slept, knew she was unwakeable now. For a long while he had sat at the table holding the tea and when he had finally gone to drink it, it had gone cold.

There was just the light from the landing coming in and in the dark he could almost trace the outline of her in the bed.

The scent of her was in the room and it almost choked him to understand how vital to him this was; how he could never understand her need for his own smell, could not even understand how she could find it on him under the animal smells, the carbolic, the tractor oil and bales and all the things he could pick out on his own hands. He had this idea of smells layering themselves over him, like paint on a stone wall, and again he had this sense of extraordinary resilient tiredness. He wondered what isolated, essential smell she found on him, knew the mammalian power of this from the way pups would stumble blindly to their mother's teat, the way a ewe would butt a lamb that wasn't hers. In the shock of birthing, all that first recognition would be in that smell. They would take the skin sometimes of a dead lamb and tie it on an orphan like a coat in the hope that the mother who had lost her lamb would accept and raise it as her own.

My smell must be underneath everything, he thought, it must be very deep. I don't think it is in the air like hers seems, so it is enough to be around her, you can just walk into it and have the chemical sense of her. She has to come close in to get mine. The way you can only get the smell of some things when you touch them. Even when she is asleep she comes nosing in and it's like she breathes me in and seems to change and settle on me. I don't understand how a woman can like the hard, angular body of a man.

He made soft fists of his hands, stretching the weariness in them. I wonder if she feels from me the thing I feel about her when I touch her. Not in sex, which he understood now was a different thing from everything else. I just mean when I touch her skin before we sleep and I understand all the things beneath it. Animals can't have that. They can't hold their loved ones that way and feel right through their skin. That's never worn off, whatever else. He looked at where she slept. I can't imagine living without that.

He went into the bathroom and did his teeth and realized in his stupefying tiredness that he would never get to sleep in the bed so he went quietly back into the bedroom and took the clock downstairs and sat numbly on the sofa. The fire was burning out. He knew he should keep it in but he was just too numb. He sat with his elbows on his knees and held the clock and listened to the pinging and ticking of the stove cooling, the last settling embers shifting down through the grate, the metronomic ticking of the clock. Three hours. He didn't even want the television on. He stared at its vacant, dark cataract.

They had been through much together, being with animals. Working as a team was a thing in itself most couples do not face constantly, but given working with animals, the small pressures were insistent and regular.

She seemed to suffer more under the smaller problems than the larger, and it always surprised him when she drew on wells of strength to face the bigger crises.

They had both grown up on farms and knew what to expect, but often it was the modernization which wearied them. The paperwork and cataloging and form filling their parents had never had to face, and which confused and sometimes swamped them. Every time an animal was moved it had to be noted, a vaccination given they had to record it. It made sense, perhaps, on the big wide farms the other side of the border, with their managers and offices and employees. But the weight of paper was crippling to a small farm, and neither of them was built for it, so it was a great burden.

They wondered constantly how to improve the return on the farm, thought wildly of turning the outbuildings into accommodation for holidaymakers. But the idea of having these people come into their lives for weeks at a time, of clean, expensive cars on the yard, a ruddy, loud-voiced family all in pristine country gear. He had nothing against these people but they were different and it was impossible to imagine them here, at least yet.

They thought about going organic, but by the time they looked into it with conviction organic lamb was fetching only a fraction more than nonorganic, despite the finalized organic products selling for far more in the supermarkets. The stress and extra controls were not worth it. So they resolved to follow the principles they believed in and ignore the rest, and sold what they could locally through the slaughterhouse.

They looked into direct sales, into doing the butchery themselves, but a licensed vet had to be present when you slaughtered an animal and their fees for this were prohibitive and the cost of setting up a hygienic place for the butchery was out of reach; ultimately, the animals had to go through the slaughterhouse, and they were at the mercy of the market price.

Sales of the fleeces worked at a loss, the shearers and transport coming to more than the check for the wool; rearing the stock cattle more or less covered its costs. He thought of running a shoot on the farm, but the landscape wasn't challenging enough on one level or expansive enough on another to bring in the rich guns. They thought of specializing in rare breeds, of working to grants, even of alternative livestock like buffalo, or vicuña, whose fleeces were selling for hundreds. But ultimately, in their bones, they were sheep farmers, both of them, and they had gone into it knowing they would never be anything else. They had buried themselves in each other and the small, modest, ticking-over thing they had created, and that was enough while they could manage it.

He could not see this now, through the blur of the work. He could see it now only as a machine that he had to keep running, or it would seize up, and he was throwing himself at it relentlessly as if he were no more conscious than a part of the device.

I'll miss a watch, he thought. She won't know this one time. It's quieter now. We've done the glut and it was quieter tonight, just the one lamb. He accepted the facts he put to himself. I have to be okay for a while longer so I'll miss just this one. She needn't know.

(Continues…)


Excerpted from "The Dig"
by .
Copyright © 2015 Cynan Jones.
Excerpted by permission of COFFEE HOUSE PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Part One: The Horse,
Part Two: The Dig,
Part Three: The Cloth,
Part Four: The Sea,
Part Five: The Shard,
Epilogue,
Acknowledgments,
About the Author,

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