The Dick
A pencil-pushing policeman becomes a badass sleuth in this off-the-wall detective story from one of America’s funniest writers

Kenneth LePeters (née Sussman) is a “quasi-dick.” A public relations man for homicide bureaus, he carries a half-size badge and keeps his pearl-handled Smith & Wesson .38 locked in his desk drawer. Recently returned to the East Coast after 17 years in America’s heartland, he finds the cosmopolitan air of a big-city police department refreshing—the detectives treat him almost like a real member of the homicide family. Then everything goes horribly wrong. . . .
 
A zoning quirk of their new neighborhood forces the LePeters’s 10-year-old daughter, Jamie, to go to the worst school in town. Blaming her husband, Claire LePeters starts an affair with Detective Chico, a cop turned underground filmmaker. To make matters worse, when his colleagues discover that LePeters is Jewish, their bonhomie dries up as fast as a false lead.
 
To reclaim his manhood and get his family back, LePeters must become the full-fledged dick he never thought he could be. Bruce Jay Friedman’s twisted take on the cop novel is a hilarious, mordant, and wildly inventive portrait of a man daring to succeed in a world that has always expected him to fail.
 
This ebook features an illustrated biography of Bruce Jay Friedman including rare photos from the author’s personal collection.


"1122509643"
The Dick
A pencil-pushing policeman becomes a badass sleuth in this off-the-wall detective story from one of America’s funniest writers

Kenneth LePeters (née Sussman) is a “quasi-dick.” A public relations man for homicide bureaus, he carries a half-size badge and keeps his pearl-handled Smith & Wesson .38 locked in his desk drawer. Recently returned to the East Coast after 17 years in America’s heartland, he finds the cosmopolitan air of a big-city police department refreshing—the detectives treat him almost like a real member of the homicide family. Then everything goes horribly wrong. . . .
 
A zoning quirk of their new neighborhood forces the LePeters’s 10-year-old daughter, Jamie, to go to the worst school in town. Blaming her husband, Claire LePeters starts an affair with Detective Chico, a cop turned underground filmmaker. To make matters worse, when his colleagues discover that LePeters is Jewish, their bonhomie dries up as fast as a false lead.
 
To reclaim his manhood and get his family back, LePeters must become the full-fledged dick he never thought he could be. Bruce Jay Friedman’s twisted take on the cop novel is a hilarious, mordant, and wildly inventive portrait of a man daring to succeed in a world that has always expected him to fail.
 
This ebook features an illustrated biography of Bruce Jay Friedman including rare photos from the author’s personal collection.


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The Dick

The Dick

by Bruce Jay Friedman
The Dick

The Dick

by Bruce Jay Friedman

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Overview

A pencil-pushing policeman becomes a badass sleuth in this off-the-wall detective story from one of America’s funniest writers

Kenneth LePeters (née Sussman) is a “quasi-dick.” A public relations man for homicide bureaus, he carries a half-size badge and keeps his pearl-handled Smith & Wesson .38 locked in his desk drawer. Recently returned to the East Coast after 17 years in America’s heartland, he finds the cosmopolitan air of a big-city police department refreshing—the detectives treat him almost like a real member of the homicide family. Then everything goes horribly wrong. . . .
 
A zoning quirk of their new neighborhood forces the LePeters’s 10-year-old daughter, Jamie, to go to the worst school in town. Blaming her husband, Claire LePeters starts an affair with Detective Chico, a cop turned underground filmmaker. To make matters worse, when his colleagues discover that LePeters is Jewish, their bonhomie dries up as fast as a false lead.
 
To reclaim his manhood and get his family back, LePeters must become the full-fledged dick he never thought he could be. Bruce Jay Friedman’s twisted take on the cop novel is a hilarious, mordant, and wildly inventive portrait of a man daring to succeed in a world that has always expected him to fail.
 
This ebook features an illustrated biography of Bruce Jay Friedman including rare photos from the author’s personal collection.



Product Details

ISBN-13: 9781504019552
Publisher: Open Road Media
Publication date: 09/29/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 278
File size: 2 MB

About the Author

Bruce Jay Friedman (1930–2020) was a novelist, short story writer, playwright, memoirist, and screenwriter. He was the author of many books, including Stern (1962), A Mother’s Kisses (1964), The Lonely Guy’s Book of Life (1978), and Lucky Bruce: A Literary Memoir (2011). His best-known works of stage and screen include the off-Broadway hit Steambath (1970) and the screenplays for the films Stir Crazy (1980) and Splash (1984), the latter of which received an Academy Award nomination. As editor of the anthology Black Humor (1965), Friedman helped popularize the distinctive literary style of that name in the United States and is widely regarded as one of its finest practitioners. According to the New York Times, his prose is “a pure pleasure machine.”
Bruce Jay Friedman lives in New York City. A novelist, short story writer, playwright, memoirist, and screenwriter, he is the author of nineteen books, including Stern (1962), A Mother’s Kisses (1964), The Lonely Guy’s Book of Life (1978), and Lucky Bruce: A Literary Memoir (2011). His best-known works of stage and screen include the off-Broadway hit Steambath (1970) and the screenplays for Stir Crazy (1980) and Splash (1984), the latter of which received an Academy Award nomination. As editor of the anthology Black Humor (1965), Friedman helped popularize the distinctive literary style of that name in the United States and is widely regarded as one of its finest practitioners. According to the New York Times, his prose is “a pure pleasure machine.”

Read an Excerpt

The Dick


By Bruce Jay Friedman

OPEN ROAD INTEGRATED MEDIA

Copyright © 1970 Bruce Jay Friedman
All rights reserved.
ISBN: 978-1-5040-1955-2


CHAPTER 1

PART 1


In a somewhat easygoing way, the two lookalike Greek detectives began to rib each other with familiar nationalistic-style insults. Ordinarily, this might have tapered off into a friendly shoving match, but it was a sullen, pent-up time in the homicide bullpen. Not a single "fresh one" had come in all day. Somehow, neither Greek could put on the brakes; before long they had made deep slices in each other's pride and flown at one another with nonregulation bone-bangers, generally kept out of sight in personal lockers. These were angry, heavy-headed little rubber chunks capable of slapping small craters into flesh, giving it the surface of expensive, hotly-bid-for Life Magazine lunar shots. In their fury, the two let it be known that they required more room so that they could really get at each other. Watching the brawl was Medici, a Negro detective who wore more guns than anyone in the department, two at the shoulders, a pair in the crotch. Assigned to Sex Patrol, he was known as the Dean of Child Molestation and had great, heavy-socketed eyes which he could never close completely, even in deep sleep. Medici accommodated the Greeks by bowing from the waist, saying, "Freedom, brothers," and opening the bullpen door. Out they rolled, locked together in a single ball of delphic crime-fighting fury, pin-wheeling down the hall until they approached the partitionless office of a large, comfortable-looking man who sat at his desk arranging homicide clippings. A thin, nervously drawn line ran the length of his face, from forehead to chin, giving his pleasant features a curiously divided look, as though they had once been boundaried off by jealous, back-stabbing diplomats. On his desk was an empty silver holster in which he kept his pencils and glue brush; pinned to his large chest was a "baby badge," an exact replica of the real thing, though scaled down to half the standard size. Although he had come east only two weeks before, his desk had a lived-in look to it. He took great pride in his clipping displays, always making sure to give them some slant or focus so that homicide chiefs, at a single glance, might get the drift of the week's slaughter. In this particular layout, he had placed the suicide of a video kingpin in the center of the page and then bordered it with what he considered an ironic, point-making fringe of vicious little fruit stabbings. He had been about to finish the job, but then the bone-banging Greeks rolled in, and the tall, boundaried-off newcomer had to move his legs to let them by.

"This is some violent place," he said to himself. "This may be my worst yet."


He was Kenneth LePeters, a clippings expert for homicide bureaus, who for seventeen years had lived in polite and hearty towns of the Midwest, then sensed a storm coming up in his life and come back east to face it. He had enjoyed being in America's heartland, yet in a sense it had been like pacing back and forth in outer hallways; he had always known that one day he would have to march into some main section of the house and face the music.

He was slipping up on forty now and scared to death about it. The first part of his life had been bumpy, but tolerable. Lord knew what was coming up in the second and final section. Through the years, he had developed a comfortable, yet oddly contradictory body. A massive rib cage was his best feature. When he peeled off his shirt and huffed it up, he could make it look like the ruined prow of a newly unearthed Viking ship. Yet his arms and legs were thin and sensitive. LePeters enjoyed his powerful rib cage, yet it saddened him that there was little he could actually do with it. On occasion, he heaved it about ominously, but he knew in his heart there was no way, for example, to actually use it for beating up people. His hair was a puzzle; he wore what he had in tangled, deceptive swirls, but if you put a gun to his head he could not actually tell you whether he was bald. At times it seemed his hair had cleared out forever; then, when he had abandoned all hope of seeing it again, it would make spinetingling recoveries, rolling back in, like Allied troops, in fierce new junglelike waves. Girls, looking at his divided face for the first time, would rub their eyes as though confronted with a slightly out-of-focus film.

He was not so much angered as curious about his scar and, as a child, had often pressed his mother for some answers. She fed him vague stories — a fall from a New England cliff; a powerful runaway zipper; a knife-wielding Negro in the night. He had not seen his widowed mother for many years. A scout for an employment agency, her job was to prowl the southern states, talking muddled Negro girls into coming up north as poorly paid domestics. Someday he would get around to pinning her down; he would make her tell him exactly how he had become a Boundary Face.


Years back, he had been Kenneth Sussman, a young lieutenant in Army grain supply. One morning, prompted by no one, and after polishing off a barley requisition, he had turned himself into Ken LePeters, taking the name of a magic boy who had appeared long ago to his old New Jersey neighborhood, rallying a scraggly, thin-chested corner football team to thrilling, towering victories over richly equipped monster Catholic squads — then vanished, as though in smoke, at season's end. Immediately after tacking on the new name, LePeters could have sworn there had been a global Sussman breakthrough. Each time he picked up a newspaper, it seemed a Sussman had rocketed to the top of an international cartel, smashed a record at Grand Prix, become a leading fashion photographer, seized the reins of a sensitive government bureau handling tricky inter-American trade relations. Somehow it was difficult for LePeters to reverse his field; he kept the new name loosely sutured to him, a poor toupee he would get around to adjusting one day.

He was going to get around to a great many things. For forty-five years, his father, William Sussman, had worked like a dog in badger pelts, his goal a massive career's end bonus that had been promised to him by company higher-ups. At home, LePeters and his mother would sit around and smack their lips over the future payoff, speculating on its size, dreaming about the marvelous things they would do with it once it tumbled in. One morning, before he had collected a dime, the easygoing old furrier quietly succumbed to occupational fur fumes. At the time, LePeters had been doing public relations for a small, kill-crazy homicide bureau in Montana. When he got the news he actually bought a ticket east, but somehow the thought of confronting the fur tycoons had frightened him and he never got on the train. His mother, Nan Sussman, bitterly took the first job in her life, as a Negro maid hustler. As LePeters curled his way across the nation's homicide bureaus, he rarely passed a night without envisioning his vengeance trip to the fur tycoons. He felt no urgent responsibility to his mom; he would take care of her when she was old. But she was no chicken now. How long could she continue to parade through Dixie, selling a bill of goods to confused black teen-agers?

The Midwest had been ideal for putting things off. Living in neat, measured-off, barracks-style homes, he might just as well have remained in the Army. His wife, Claire LePeters, bought blondewood furniture that smelled of the PX, dinette sets of a type favored by hard-drinking service families who were always being shipped to Wiesbaden. On weekends, along with other crime-busting families, they attended volleyques, acted in raucously thrown-together police versions of Most Happy Fella. LePeters let it be known that he missed deeper cultural stimulation, but secretly he wolfed down the combination volleyball games and charcoal cook-outs, loved dancing on stage in detectivey musicals. Still, he knew he had been treading water, splashing around in the temporary. Age forty loomed up, just around the corner. He longed to pay a visit to Frickman Furs, in memory of his dead dad, even if it meant just standing across the street and glaring at it. For years he had been unable to find his wife's lips. He lay in ambush for them, leaped across to nail them as she slept, but generally had to settle for lipless sex. His pasted-on name began to itch at him, too. He felt somehow that it was pulling the boundaries of his face farther out of line.


One day, Bruno Glober, his boss for all seventeen years, told him of a large, violent, but somehow conscience-stricken homicide bureau in the East that needed a public relations team to repair its grim and tawdry image. For trivial, microscopic shifts in policy, Glober had a way of summoning LePeters, his one-man staff, and addressing him with enormous ceremony, as though he were the entire population of Madrid. LePeters enjoyed the phony pomp and hoped one day to use it on a one-man team of his own. Because the news of the eastern shift was major, Glober dropped it casually, as the pair sat stall to stall in the detective john. Too embarrassed to be forthright, LePeters took his time in answering, shuffling his feet, whistling, scribbling a few clandestine penis-guns in a rosette about the dehumidifier. Finally, he lofted his reply over the partition.

"All right then, count me in," he said, as though he had come to the end of a massive conscience struggle. "I've got a few things I have to tidy up back there."


Timid about plunging right into the center of eastern life, LePeters stuck in one toe by selecting a home in a cordoned-off suburb, two hours' drive from the city. A parched and barren place that seemed to have no connection with the East Coast, it might have been picked up during a storm and blown in whole from Wyoming. Bruno Glober had told him about the house, a modern job situated in a section once favored by retired police chiefs and called "Detectives' Hill." All the ex-dicks lolling about made it fiercely law-abiding, rape-free, and aside from an occasional indecent exposure, the most crime-starved little community in the hemisphere. Arriving east, LePeters took his family out to the house in a police squad car, driving tensely, with exquisite care, as though he had heads of state in the back. Earlier that day, Sergeant Cartney of the Motor Pool had told him yes, as a homicider he was entitled to drive a squad, but warned him about stepping out of line with it. "It will go much harder with you than with your average citizen," Cartney said. "We step in and really crush your nuts." The car was rigged up with twin police radios and there was no way to turn off the crime calls. LePeters enjoyed listening to Negro rhythm and blues music. He turned up the regular radio, trying to drown out the robbery alerts, and as he drove toward Detectives' Hill, he got a strange new kind of soul-crime sound. His wife was a hell-for-leather driver, born in a state that was anxious to get people out on the road as soon as possible; it issued special pre-teen licenses, catapulted its tots from the nursery to the wheel; LePeters was proud of her recklessly confident style and more than once had said. "She's the only broad I know who drives like a man." Impatient now, Claire LePeters asked him if he could go a little faster.

"I'm down on the floor already," he answered, but he kept the needle glued to twenty.

LePeters's daughter was along, a ten-year-old boy–girl with great fascinated eyes and a fierce passion for skating-rink hamburgers. The two loved each other to an almost painful degree and took outrageous care not to hurt one another's feelings. As they inched along, LePeters combed both sides of the road, searching for rinks.

"If it's hard for you, Daddy, just forget it," the child said.

"It's not hard," LePeters said, straining his eyes. "I love doing things for you."

"But if we find a hamburger place, think of the money it will take away from you."

"What if it takes every dime," said LePeters. "It kills me when you talk that way."


The house itself was a furiously handsome puzzle of wood and glass owned by a trio of Croats who had been forced by some unmentionable tragedy to hack the price down to a ridiculous level. It was perched not so much on a normal hill but on more of a peak. Let a snowflake or two fall and you could forget about getting a car up to it. LePeters parked his squad below and then helped his family toward the house; radio calls for armed, white-sneakered Negroes in black leather jackets snaked out after them as they fought for the summit. Claire LePeters had gone through a stage in which she refused to move four steps without a taxi. Now she trudged up the sheer Everest-like driveway.

"What about packages?" she asked, out of breath, yet gamely clawing her way forward. "How would we get them up?"

"You put in some sort of a pulley arrangement," said LePeters, the last fellow in the world for installing such a system.

At the door, LePeters decided to flash his baby badge at the waiting Croats. "LePeters of homicide and his family," he said, giving them a quick look and elbowing his way inside. He tended to use the badgette only on underprivileged groups, foreigners in particular. At one short-handed bureau in the Midwest, he had actually gone out on the homicide investigation of a murdered fruit merchant. When he flashed it at the clerk in charge, the man said, "This is shit," and LePeters had been forced to stand behind the overripe avocado bin while his teammate, an authentic detective, looked for bloodstains. Attractively futuristic, the house inside was contradictory, filled with sad, cabbagey tenement smells. While LePeters looked around, the husbandless Croat mom and her two daughters hovered close by, weeping bitterly, their lips fiercely stitched together by some dark Slavic curse. LePeters was terribly anxious to know the secret of the preposterously underpriced house, yet he could not bring himself to say, "Out with it. What's the deal?" He was not good at asking that type of question. For years, he had speculated on the exact amount of his dad's salary, yet could never bring himself to come right out and grill the mild-mannered furrier. Had he ever queried his wife on her hidden lips? He wanted to say, "Do you really love me?" to certain people. Out of the question. LePeters shook off the grief-stricken Croats momentarily and went below, determined to root out the reason for the minuscule price. Always, he had been gunless, without real power in a world of violent men. Asked his profession at parties, he would say he was "sort of a detective." Yet sometimes, particularly when he was alone, he felt like an authentic homicider, able to rip off tough questions, dig for clues. He prowled the basement now, making intense, crime-fighting faces. Through a basement window, he spotted the trickily concealed edge of an enormous golf course that bordered the house on one side. Muscular drives pumped past the ninth hole might easily slash six huge modernistic windows a day. A teen-age Croat who had stealthily tailed him downstairs sucked in her breath when he made his discovery. The jig was up. LePeters did some quick calculations. Even with a towering glass-replacement bill, the house remained a steal. Patting the frightened Croat on the head, he waltzed upstairs to say he would phone the real estate agency and come up with a binder. Upon hearing the news, the woman and her two daughters broke into tantalizing gold-toothed Gypsy smiles.


(Continues...)

Excerpted from The Dick by Bruce Jay Friedman. Copyright © 1970 Bruce Jay Friedman. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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