The Dark Earth and the Light Sky

by Nick Dear

Overview

Deep in the Hampshire countryside Edward Thomas, disaffected husband, exhausted father and tormented writer, scrapes a living. In 1913 he meets American poet Robert Frost and everything changes. As their friendship blossoms Edward writes, emerging from his cocoon of self-doubt into one of the most influential poets of the twentieth century. But he makes the drastic decision to enlist, confounding his friends and family.
The Dark Earth and the Light Sky, which premiered at the Almeida Theatre, London, in November 2012, delves into the life of this enigmatic and complex character in an era of change and destruction.

Product Details

ISBN-13:	9780571290765
Publisher:	Faber and Faber
Publication date:	11/20/2012
Sold by:	Bookwire
Format:	eBook
Pages:	112
File size:	192 KB
Age Range:	9 - 11 Years

About the Author

Nick Dear's plays include Lunch in Venice, Power, The Villains' Opera, Zenobia, In the Ruins, Food of Love, The Art of Success, Pure Science, and Temptation. His adaptations include Summerfolk (after Gorky); Le Bourgeois Gentilhomme (after Molière); The Last Days of Don Juan (after Tirso de Molina). His screenplays include Persuasion, The Turn of the Screw, Cinderella, The Gambler, Byron, Eroica and Agatha Christie's Poirot. He has also written extensively for BBC Radio, beginning with his first play, Matter Permitted (1980).
Dedication (Nuffield Theatre, Southampton, 2016) The Dark Earth and the Light Sky (Almeida Theatre, 2012), Frankenstein (National Theatre, 2011), Lunch in Venice (National Theatre Connections, 2005), Power (NT, 2003), The Villains' Opera (NT, 2000), Zenobia (RSC, 1995), In the Ruins (Bristol Old Vic, 1990), Food of Love (Theatre de Complicite, Almeida, 1988), The Art of Success (RSC, 1986), Pure Science (RSC, 1986) and Temptation (RSC, 1984). He also collaborated with Peter Brook on the development of Qui est là? (Bouffes du Nord, 1996). His adaptations include The Promise (after Arbuzov, Tricycle, 2002), Summerfolk (after Gorky, NT, 1999), Le Bourgeois Gentilhomme (after Molière, NT, 1992), The Last Days of Don Juan (after Tirso de Molina, RSC, 1990) and A Family Affair (after Ostrovsky, Cheek by Jowl, 1988). His screenplays include Persuasion, The Turn of the Screw, Cinderella, The Gambler, Byron, Eroica and Agatha Christie's Poirot. Opera libretti include The Palace in the Sky (ENO/Hackney Empire, 2001) and Siren Song (Almeida Opera Festival, 1994). He has also written extensively for BBC Radio, beginning with his first play, Matter Permitted (1980).