The Czech Manuscripts: Forgery, Translation, and National Myth
The Czech Manuscripts is dedicated to one of the most important literary forgeries on the model of Macpherson's Ossianic poetry. The Queen's Court and Green Mountain Manuscripts, discovered in 1817 and 1818, went on to play an outsized role in the Czech National Revival, functioning as founding texts of the national mythology and serving as sacred works in the long period when they were considered genuine.

A successful literary forgery tells a lot about what a culture wants and needs at a particular moment. One fascinating aspect of this story is how a successful fake was able to function in an integral way as part of the Czech cultural revival of the nineteenth century, both because it played to expectations and nationalist values and because it met real cultural needs in many ways better than genuine historical literary works and artefacts. Also fascinating is the vainglorious Václav Hanka, a prolific and dedicated forger who was likely the center of the conspiratorial ring that created the manuscripts and who went on as the librarian of the Czech National Museum to alter a number of others.

David Cooper analyzes what made the Manuscripts a convincing imitation of their Serbian and Russian models. He looks at how translation shaped their composition and at the benefit ofexamining them as pseudotranslations, and investigates the quasi-religious rituals and commemorative practices that developed around them. The Czech Manuscripts brings the Czech experience into the broader developments of European history.

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The Czech Manuscripts: Forgery, Translation, and National Myth
The Czech Manuscripts is dedicated to one of the most important literary forgeries on the model of Macpherson's Ossianic poetry. The Queen's Court and Green Mountain Manuscripts, discovered in 1817 and 1818, went on to play an outsized role in the Czech National Revival, functioning as founding texts of the national mythology and serving as sacred works in the long period when they were considered genuine.

A successful literary forgery tells a lot about what a culture wants and needs at a particular moment. One fascinating aspect of this story is how a successful fake was able to function in an integral way as part of the Czech cultural revival of the nineteenth century, both because it played to expectations and nationalist values and because it met real cultural needs in many ways better than genuine historical literary works and artefacts. Also fascinating is the vainglorious Václav Hanka, a prolific and dedicated forger who was likely the center of the conspiratorial ring that created the manuscripts and who went on as the librarian of the Czech National Museum to alter a number of others.

David Cooper analyzes what made the Manuscripts a convincing imitation of their Serbian and Russian models. He looks at how translation shaped their composition and at the benefit ofexamining them as pseudotranslations, and investigates the quasi-religious rituals and commemorative practices that developed around them. The Czech Manuscripts brings the Czech experience into the broader developments of European history.

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The Czech Manuscripts: Forgery, Translation, and National Myth

The Czech Manuscripts: Forgery, Translation, and National Myth

by David L. Cooper
The Czech Manuscripts: Forgery, Translation, and National Myth

The Czech Manuscripts: Forgery, Translation, and National Myth

by David L. Cooper

Hardcover

$59.95 
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Overview

The Czech Manuscripts is dedicated to one of the most important literary forgeries on the model of Macpherson's Ossianic poetry. The Queen's Court and Green Mountain Manuscripts, discovered in 1817 and 1818, went on to play an outsized role in the Czech National Revival, functioning as founding texts of the national mythology and serving as sacred works in the long period when they were considered genuine.

A successful literary forgery tells a lot about what a culture wants and needs at a particular moment. One fascinating aspect of this story is how a successful fake was able to function in an integral way as part of the Czech cultural revival of the nineteenth century, both because it played to expectations and nationalist values and because it met real cultural needs in many ways better than genuine historical literary works and artefacts. Also fascinating is the vainglorious Václav Hanka, a prolific and dedicated forger who was likely the center of the conspiratorial ring that created the manuscripts and who went on as the librarian of the Czech National Museum to alter a number of others.

David Cooper analyzes what made the Manuscripts a convincing imitation of their Serbian and Russian models. He looks at how translation shaped their composition and at the benefit ofexamining them as pseudotranslations, and investigates the quasi-religious rituals and commemorative practices that developed around them. The Czech Manuscripts brings the Czech experience into the broader developments of European history.


Product Details

ISBN-13: 9781501771934
Publisher: Cornell University Press
Publication date: 10/15/2023
Series: NIU Series in Slavic, East European, and Eurasian Studies
Pages: 276
Product dimensions: 6.00(w) x 9.00(h) x 1.12(d)

About the Author

David L. Cooper is Associate Professor of Slavic Languages and Literatures at the University of Illinois, Urbana-Champaign. He is the author of Creating the Nation.

What People are Saying About This

Jonathan Bolton

This book recounts a crucial—and fascinating—chapter in the cultural history of Romanticism and Central Europe. Ranging across linguistics, literary theory, and translation studies, Cooper shows how forgery and translation can both create a national mythology and invite us to reimagine it anew.

Andrew M. Drozd

A comprehensive treatment of the manuscripts has not been previously available in English. Given the role the manuscripts played in the Czech national movement, everyone in the field should read this book, and it should have broader appeal to those interested in the larger questions of forgery and (pseudo-)translation theory.

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